Ajouter une intrigue dans votre langueDetective Kyle Bodine falls for Rachel Munro who is trapped in a violent marriage. After shooting her husband, Kyle reluctantly agrees to help hide the body, but Kyle's partner is showing an... Tout lireDetective Kyle Bodine falls for Rachel Munro who is trapped in a violent marriage. After shooting her husband, Kyle reluctantly agrees to help hide the body, but Kyle's partner is showing an unusual flair for finding clues.Detective Kyle Bodine falls for Rachel Munro who is trapped in a violent marriage. After shooting her husband, Kyle reluctantly agrees to help hide the body, but Kyle's partner is showing an unusual flair for finding clues.
- Réalisation
- Scénario
- Casting principal
Avis à la une
Critique: Nifty little thriller borrows from the film-noir tradition. The solid screenplay by Roy Karlson introduces many elements of the genre. There's the honest cop who falls for the habitual 'femme-fetal', and the violent husband as 'middle-man' who ends up dead. But just when you think things are headed into conventional plotting, there's a twist.
Good direction by first-timer John Bailey elicits excellent acting all around. Ed Harris gives another powerhouse performance, Madeline Stowe plays the would-be 'femme fatale' role beautifully, as well as an array of solid supporting actors including Benicio del Toro (who reminded me of James Dean in his younger days). Great ending too.
QUOTE: Kyle: "You were just fV@*!ng me weren't you?! I was loving you and you were fV#!ing me!"
Proof that good noir still exists. This film never saw the inside of an UK cinema it went straight to video on release. However the plot is a good tangled web of murder, mystery and deceit. It manages to be twisty despite the fact that this sort of thing has been done many times before. The plot unfolds late and very quickly, managing to be believable and gripping.
The main reason for this is a great performance from Ed Harris. The feeling of him being sucking into something is written all over his face and the way he goes from cop in control of all the details into a hunted animal is really good. Stowe is also really good and the support cast also has quality whether it be Charles Dance or a young looking Del Toro.
Overall this may not break box office records but as a thriller it is twisty, contains plenty of good lines and has a great lead performance from Harris.
There are enough twists and turns to keep you off-balance, but without the story confusion that often accompanies that kind of plot complexity. A surprise final scene provides a satisfying closure. The murder and resulting forensics are on the bloody side, but it's not out of place in the story line. Harris and Stowe turn in believable performances, making for an overall rating of 7 out of 10 stars.
Le saviez-vous
- AnecdotesFilmed in 1990-91, it was thrown into limbo when production company Orion filed for bankruptcy in late 1991. After a reorganization, the film finally had its theatrical debut in 1994.
- GaffesRachel states that she has an unregistered gun. It is against FL Statute to require gun registration.
Saying that she has an unregistered gun is not against FL Statute though.
- Citations
Kyle Bodine: I don't much like holidays.
Rachel Munro: Poor baby. Are you an orphan?
Kyle Bodine: Yeah. I'm an orphan of destiny.
- Bandes originalesWell, Well, Well, Baby-La
Written by Rose Marie McCoy and Charles Singleton
Used by permission of Screen Gems-EMI Music Inc.
Performed by Anson Funderburgh & The Rockets Featuring Sam Myers
Courtesy of Black Top Records
Meilleurs choix
Détails
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 038 499 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 183 843 $US
- 6 mars 1994
- Montant brut mondial
- 3 038 499 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1