Cabin Boy

While a number of critics have discussed at length "Cabin Boy"'s allusions to earlier sea epics, such as "Mutiny on the Bounty", "Moby Dick" and "Humanoids of the Deep", surprisingly little attention has been devoted to it's social commentary. Although it may, perhaps, be an overstatement to call Chris Elliot's script "revolutionary", its message has a decidedly socialist bent. In fact, I would venture to say that none of Elliot's other work, prior to OR since "Cabin Boy" has had a comparable impact on the way ship captains treat their crew - or for that matter, on the labor movement in general in this country. It's safe to say that the success of "Cabin Boy" is a product not only of Elliot's vision, but also a fortunate case of being "the right film at the right time", so to speak.

Additionally, the cast must be credited. Brian Doyle-Murray, Russ Tamblyn and many others give the performances of their careers. The stand-out, of course, was Ritch Brinkley in a magnificent portrayal of Captain Greybar, captain of "The Filthy Whore." Far from the stereotypical old salt sea captain, Brinkley's Greybar is hard, harsh, irritable and irrascible, and yet even-handed and even sensitive, giving a textured character which is so clearly missing from many other sea films. Particularly touching is the scene when Elliot's character, Nathanial Mayweather, serves "fish-stick kitties" for the crew's lunch. Words cannot describe the emotion that Brinkley's face conveys. It's so touching because it's true!

While "Cabin Boy" has its flaws, I have no doubt that it will be greatly appreciated by landlubbers and sea captains alike, particularly those who, like myself, started their careers as lowly cabin boys.

No, not in the 'it's so bad it's good' way. I truly think it's one of the funnier comedies of the last 20 years or so. Perhaps a lot of it depends on how you feel about Chris Elliot to begin with. I think he's priceless. Used to love his old show Get A Life and have followed him ever since. The plot of this, kind of a twisted version of Captains Courageous, really doesn't matter. What's fun are the numerous sight gags, Elliot's constant barrage of sarcastic one-liners and the generally anything goes attitude of the whole enterprise. The ship's crew, filled with a number of character actors we're not used to seeing in this kind of thing, are a wonderfully sleazy bunch. David Letterman's hysterically amateurish cameo at the beginning is the stuff of legend. "Wanna buy a monkey?" Ha! OK Citizen Kane it ain't. I own that on DVD btw. Right next to it is Cabin Boy.

Films are so much better today than anything made more than twenty years ago, especially comedies. This is one of the funniest films ever made. Just compare this film to anything that Jack Oakie was in and I think I can prove my point. Up until Cabin Boy I would have guessed no film could have been made to beat the comedy classic Meatballs 3, but as much as I adore that film, Cabin Boy surpasses it. If you like Meatballs 3 definately see Cabin Boy. If you don't like Meatballs 3, see Cabin Boy anyway because it is a funnier film. If you haven't seen Meatballs 3, skip it and watch Cabin Boy, it's a funnier film. Fans of Cabin Boys will tend to be younger and intelligent and critics will tend to be older and dumber. David Letterman does a cameo, but it's not very funny...probably because he's old.

Those who gained their initial fame on television -- even at the highest level and with top popularity -- have often found their feature films finishing at the other end of the scale. Bill Cosby and Ray Romano are two examples of this -- Bill Murray one of the few exceptions.

Chevy Chase has had some sporadic success, and even Martin Short -- one of the comedic geniuses of all-time -- has found his big-screen offerings sporadic.

I think one of the reasons is that we are just too used to seeing them on the small screen, and/or in the characters/personas with which we have become accustomed. It also seems that their films often seem to be stories which would lend them to 10- or 12-minute skits, or the 22 minutes or so contained within a half hour program.

Chris Elliott avoids this completely in this funny presentation. He succeeds in taking this character over-the-top, with the same quirky skill we've seen him employ on television so often.

At 80 minutes, he also avoids making it overlong, and the supporting cast and Letterman's cameo are all well-presented, too.

It's "quirkiness" is likely the reason this film didn't receive a higher overall rating in this site, and among professional reviewers.

However, for me it's a thoroughly entertaining and engaging movie, and best of all, funny as hell.

I recently found this DVD in the bargin bin at WalMart and couldn't have been more pleased with the discovery. I first saw it in 1995 and scenes and dialouge from the movie have been stuck in my mind ever since. This movie is absolute fun with a smart and hyperbolic humor that is far removed from the flatulence jokes of most recent Hollywood junk. The movie is intentionally what it is, the acting, the jokes and the situations, the combination of which makes it artfully hilarious. This movie is in no way intended to be the best movie ever made and so those who have commented that it is the worst movie ever made have completely missed the point. The worst movies ever made are those which ascribe to and are promoted as being on a level that they fall painfully short of, a recent example being God's and Generals. One should expect painful and unique silliness from Chris Elliot, which is what the movie delievers. I agree with those who write that this movie will be better appreciated in times to come.