Priscilla, folle du désert

This film goes down in my books as one of the best. The emotion involved with everything that happens is just heartwrenching. One moment i was laughing the next in tears. I would reccomend this film to anyone who wants a realistic look at gay life in the 80's. It's amazing how narrow minded people can be, but these people show us the true meaning of life, love, fatherhood, and most of all friendship and loyalty. Using humor and good natured prodding of controversial issues, the filmmaker is able to break through the barrier of bias, and get to the core of these three magnificent people. Fantastic Job!

Chris Rogers

...and that's a GOOD thing. Basically, before I truly became aware of "Priscilla", I had only thought of its three central actors as just regular, boring guys who were fine enough at acting, but really weren't anything special. Wrong. I had heard about this mysterious movie once or twice, but had no idea who was in it, nor what it was about (beyond the rather vague concept of drag queens/transvestites), and when I decided to read more about it, and find out who was in the cast - SURPRISE! Guy Pearce (of whom I had had a bad first impression when I discovered him in that travesty "The Time Machine"), Hugo Weaving (Agent Smith himself!!!), and Terence Stamp (whom I don't think I ever saw in any films, but whom I still knew a fair bit about)! How genius is that? I had to see this to believe it, and when I did, I was not let down! Beautiful scenes, costumes, dialogue and music made this probably one of the most interesting and memorable movie experiences of my life! I wasn't the least bit uptight about it (as some people were turned off by the flamboyant behaviour and distasteful jokes, which I found refreshingly great!), and delighted in the campy antics of this fantastic trio! It's a beautiful, feel-good comedy that I recommend to anyone with a catty sense of humour (and a VERY open mind).

All three leading ladies and their performances are outstanding. The story is very amusing, quite often hilarious but also grounded with the prejudices they encounter on their journey. If you need something to put a smile on your face, to put in perspective your own dilemmas, to distract you from the humdrum of daily life, then jump on Priscilla and let the girls keep you thoroughly entertained.

What unlikely trio to fall in love with, just as unlikely as the landscape. When a movie fits so well without a tag that links it to anything else in its historic film context, it can only be described as a happy accident. Premeditated for sure, but accident nonetheless. Terence Stamp, is an actor with a spectacular career. Varied and surprising. It defies description, but let me try. Peter Ustinov's "Billy Budd" William Wyler's "The Collector" Federico Fellini's "Spirit of the Dead" John Schlesinger's "Far From The Madding Crowd" Pier Paolo Pasolini's "Teorema" Joseph Losey's "Modesty Blaise" Oliver Stone's "Wall Street" Stephen Frear's "The Hit" Richard Donner's "Superman" "Steven Sodebergh's "The Limey" Am I making my point? He is an actor for all seasons, beautiful beyond belief to boot. In "The Adventures of Pricilla Queen of The Desert" he unveils another unexpected side to his considerable talents. A Woman. And what a woman, a Meryl Streep with a past and, thanks to director Stephan Elliot, with a future. Dressed by geniuses. More human than ever. He is flanked by two spectacular Aussies. Hugo Weaving (The Matrix) giving a performance of such tenderness that even my brother in law, a homophobic macho man of the first order,loved him. And Guy Pearce (L A Confidential) He is such a beautiful,sexy, funny girl that made me long for a her/he all to myself. Some other monstrously cloned movies were rushed into production trying to capitalize on the success of Pricilla. They all failed miserably and rightly so. Frank Capra, accepting his AFI Lifetime Achievement Award sent a profound and heartfelt advise to young filmmakers. "Don't follow trends, start new ones" Well done Mr Elliot. Well done.

Two drag queens (Guy Pearce as bitchy Felicia, and Hugo Weaving as Mitzi) and a transsexual (Terence Stamp, marvellous as the widowed Bernadette) make a trip to Alice Springs in a pink bus called Priscilla.

Cue a soundtrack of mostly Abba songs (plus an off-the-cuff 'I Will Survive', and C E Peniston's 'Finally' - a great set-piece) and three towering performances. From the initial hilarious premise we follow the trio through the Australian desert and meet the various inhabitants of places they pass through. It remains fast-paced and touching within the comedy. Wonderful.