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Ajouter une intrigue dans votre langueAlex Murphy is RoboCop, a cybernetic policeman. A creation of a vast corporation, he fights crime and occasional corporate conspiracy in the near-future of Old Detroit.Alex Murphy is RoboCop, a cybernetic policeman. A creation of a vast corporation, he fights crime and occasional corporate conspiracy in the near-future of Old Detroit.Alex Murphy is RoboCop, a cybernetic policeman. A creation of a vast corporation, he fights crime and occasional corporate conspiracy in the near-future of Old Detroit.
- Récompenses
- 12 nominations au total
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Now, I know that many people have been knocking the '94 RoboCop series.
As much as I'd like to put a stop to that, I sadly cannot. I saw the series back when I was about 10 or so, so I can't remember much, and I only saw occasional glimpses, and maybe an episode or two in '98, or around that area.
I grew up with RoboCop, needless to say. The Series had a big influence on me, and since I was 10 (around there), I was astounded. Violence didn't matter much to me, but I always looked up to RoboCop as my hero. RoboCop had became a household name in my family, and I can recall watching the original movie endless amounts of time when I was 5 or so.
But this isn't about the original RoboCop.
It's about the supposedly live-action series made in '94. (I honestly couldn't tell the difference, I was too young.)
Though I noticed that the violence had been toned down a bit, it didn't matter to me. It was RoboCop, simply put, my childhood hero (whom is still my hero), and that was all there was to it. RoboCop: The Series was a finely done project, and I'm sure many think that way. Many seem to think violence is what made RoboCop so good, and I agree in many situations.
RoboCop: The Series is a classic. In fact, aside from Prime Directives, which, might I add, came out this year, or around there (I can't recollect the date.), The Series is one of the best RoboCop sequels/continuations of the 'franchise'.
It goes deeper into Murphy's past, explaining much more, but it only had 23 episodes. People just got sick of it, I guess, but, I loved every second of it.
Remember, friends, before you bash RoboCop: The Series, remember the positive things about it and the little things that made it at least a smidgen good. It was made in 1994, not now.
... If they could have only gotten Peter Weller back...
As much as I'd like to put a stop to that, I sadly cannot. I saw the series back when I was about 10 or so, so I can't remember much, and I only saw occasional glimpses, and maybe an episode or two in '98, or around that area.
I grew up with RoboCop, needless to say. The Series had a big influence on me, and since I was 10 (around there), I was astounded. Violence didn't matter much to me, but I always looked up to RoboCop as my hero. RoboCop had became a household name in my family, and I can recall watching the original movie endless amounts of time when I was 5 or so.
But this isn't about the original RoboCop.
It's about the supposedly live-action series made in '94. (I honestly couldn't tell the difference, I was too young.)
Though I noticed that the violence had been toned down a bit, it didn't matter to me. It was RoboCop, simply put, my childhood hero (whom is still my hero), and that was all there was to it. RoboCop: The Series was a finely done project, and I'm sure many think that way. Many seem to think violence is what made RoboCop so good, and I agree in many situations.
RoboCop: The Series is a classic. In fact, aside from Prime Directives, which, might I add, came out this year, or around there (I can't recollect the date.), The Series is one of the best RoboCop sequels/continuations of the 'franchise'.
It goes deeper into Murphy's past, explaining much more, but it only had 23 episodes. People just got sick of it, I guess, but, I loved every second of it.
Remember, friends, before you bash RoboCop: The Series, remember the positive things about it and the little things that made it at least a smidgen good. It was made in 1994, not now.
... If they could have only gotten Peter Weller back...
Low-key series version of the blockbuster film does much with its far more modest resources. The story is much the same, but the satirical elements and personal stories are done more stylishly here; they take up some of the slack left by the absence of much of the large-scale violence and futuristic hardware (necessitated by the lower budget inherent in syndicated television). The cast is surprisingly strong: Yvette Nipar as lead cop Madigan and Andrea Roth as Diana/Neurobrain are both highly charismatic. Richard Eden does a fine job but is largely wasted. Emmy-nominated on "Santa Barbara," here he is stuck playing a machine with little opportunity to show even the slightest bit of emotion. The satirical elements of the show are particularly strong; I have some feeling "Robocop" would be much more successful had it been produced in 2001 or 2002 rather than 1994. Unfortunately, only one season of episodes was produced.
This TV series actually manages to capture more of the original than either of the two theatrical sequels. Okay, it's toned down for television, but the self-parodying humor is there in all the right places. It's basically a live-action cartoon, as the like of Cray Z. Mollardo, the E Coli Brothers, and Pudface Morgan return time and time again to battle the stone-faced Robocop. We get a bit more on Murphy's background (although his wife shows up _way_ too often), and there are lot of parody-commercials. It's a lot better than a lot of the first-run syndication stuff out there. Catch it on the Sci-Fi Channel.
Although there is more than one way RoboCop could have been adapted for television, this is a very good way to do it. Although movie director Verhoeven's touch is missing on the series, the original writers Miner and Neumeier return (at least for the pilot) to put Robocop back on track. The content is somewhat toned down over the original movie (both because of its conversion to television and because it is aimed at a younger audience), but the spirit of the original is in most ways preserved: the satire, personal drama (mostly regarding Alex Murphy/Robocop), and the good-guy vs. bad-guy action. The drama regarding Murphy is expanded on, as we get more exposure to his memories and to his family, and there is added a character, in the form of Delta City's new brain, who shares in many ways Murphy's plight. Ultimately, the television series comes off closer to the original movie than either of the two theatrical sequels.
The television series does take a slightly different spin than the movie, but ultimately it works out for the best. Robocop here is more of a comic book superhero, but not necessarily in a bad way. He is superhuman both physically and morally, and yet we remain sympathetic to his plight throughout. He is someone we really want to root for. (Personally, I think RoboCop makes the most interesting superhero since Batman.) The villains are more comic-bookish as well, but they do not seem out of place given the change in tone. The series can be serious and yet be silly in an almost Batman-like way at times, without the two ever seeming at odds with each other. Also changed is the tone; the series moralizes more, and has cut the graphic violence of the original. It is sort of RoboCop with more of a conscience.
In addition to its other virtues, the series adds surprisingly high production value and more than tolerable acting (Richard Eden especially does an interesting job as Robocop - very mechanical, quite appropriate). For fans of RoboCop or of comic-book-style action shows like Batman and Superman or hardcore sci-fi fans this is a must see. For anyone willing to experience something out of the ordinary, this is very good viewing. It is a shame it only made it one season, I would have loved to see more.
The television series does take a slightly different spin than the movie, but ultimately it works out for the best. Robocop here is more of a comic book superhero, but not necessarily in a bad way. He is superhuman both physically and morally, and yet we remain sympathetic to his plight throughout. He is someone we really want to root for. (Personally, I think RoboCop makes the most interesting superhero since Batman.) The villains are more comic-bookish as well, but they do not seem out of place given the change in tone. The series can be serious and yet be silly in an almost Batman-like way at times, without the two ever seeming at odds with each other. Also changed is the tone; the series moralizes more, and has cut the graphic violence of the original. It is sort of RoboCop with more of a conscience.
In addition to its other virtues, the series adds surprisingly high production value and more than tolerable acting (Richard Eden especially does an interesting job as Robocop - very mechanical, quite appropriate). For fans of RoboCop or of comic-book-style action shows like Batman and Superman or hardcore sci-fi fans this is a must see. For anyone willing to experience something out of the ordinary, this is very good viewing. It is a shame it only made it one season, I would have loved to see more.
This excellent sci-fi TV show is highly recommended for all RoboCop fans. Casual Sci-Fi fans may find the show hard to follow, since there is not much background given outside of the opening theme sequence. The show is somewhat violent, but not graphically so. Parental Guidance suggested. This show is currently re-running on the Sci-Fi Channel.
Le saviez-vous
- AnecdotesThe opening credits contains clips from original film "RoboCop (1987)," such as: Murphy is rushed into the operating room, Robocop busts down the front door to the cocaine factory, and (before RoboCop first comes on-line in front of the OCP executives) the static across his system's readout screen.
- ConnexionsFeatured in Science Fiction: A Journey Into the Unknown (1994)
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