Un tandem de choc

I have long since packed away the Due South videotapes I own and stashed them in an unobtrusive corner, but that didn't stop me from checking out the IMDb entry and the fans' comments while surfing through here. I want to put in my two cents worth because I loved that show and I hope that one or two other persons who read this will seek it out and come to enjoy it too. Other fans have written great things about the overall quality and the subtle humor of the series - two of the best reasons to watch, so I shall stick to how I feel about the show.

Due South is a courageous show. Week after week, the writers put the comically unflappable Mountie Fraser in center court, fighting crime in his bright red ceremonial uniform. This raised eyebrows and started snickers. It was ridiculed for its ostentatiously feel-good storylines and ignored as "another one of those cop buddy series". But those who overcame their initial cynicism and stayed to watch a full hour of the show discovered a gem. The message of the show was - don't be afraid to show what's in your heart and mind. Due South the series, by being on air and gaining a loyal following, led by example.

Due South promotes old fashioned virtues. Mountie Fraser opens doors and helps old ladies cross streets. He always goes the extra mile for everyone he knows. Detractors claimed that the character was cartoonish. But again, they missed the point. I am reminded of a forwarded e-mail that encouraged the reader to wear bright colored clothes to improve the mood, spike the energy level and increase productivity in general. Another e-mail said to smile frequently so that one will feel better about oneself and be attractive to others at the same time. Due South embodies the spirit of those quaint but universally sound advice. You bring out the best in others by exhibiting the best in yourself. In our modern world of depressing grays and browns, Fraser's scarlet served as a flashing reminder that passion, over any issue, causes us to care about others and may yet redeem us from the selfish, individualistic blackhole that society is sleepwalking towards.

And my favorite reason, Due South is about friendship. Fraser and Ray took bullets for each other. I can recall a few other cop and soldier shows that had the lead characters do the same but more often than not, it's done to grandstand the machismo of the protagonists. Due South says what's really important is to be a hero for your loved ones, the people who actually need that from you. In real life, those who were passionate about the show became good friends, making full use of the (then) infant Internet to clamor for the revival of the show after its first season. I made friends with fantastic people who shared my love for Due South, people who understood and placed a high value on the kind of "through thick and thin" relationship that the show emphasized.

Due South resounds with the hope that we will remember to have love in our hearts and empathy in our actions. It doesn't try to shock or sensationalize. Instead, it requires the viewer to reflect a little after the television set is switched off. It appeals to the brain as much as it does to the heart and the funny bone. It will always be one of the best shows I know.

I was very disappointed to hear in 1995 that "Due South" was being canceled, because it was one of the few interesting Canadian/American endeavors to hit the tube in years. Paul Gross and David Marciano were well-matched as partners, and were what made the series fun. It's surprising that "Due South" rated so poorly in both Canada and America, because it had a wit and humor that is often lacking in some of the more popular American dramas. Benton Fraser (Gross) and Ray Vecchio (Marciano) launch pithy one-liners off of each other, never batting an eyelash when the other does something that seems outlandish to them. Fraser can be a tad over-exaggerated as a result of the American desire to create the stereotypical Canadian, but this seems to decrease somewhat in the second season, after the US stepped away from the show. Marciano continues through both seasons to be well-written and funny, both with his personal fashion sense and his large, over-bearing family. A nice get-away from the usual violent cop show.

I loved the show first-run and was thrilled last December (2002) when a local tv station in southern Sweden began to replay every episode as a daily filler. It's extremely clever, with wonderful, witty dialogue. The exchanges that Fraser has with the deaf Dief and his father's ghost are priceless as is the subtle (and not so subtle) sarcasm.

Just a few complaints:

*My favorite storyline was "Victoria's Secret" -- but what happened to Victoria? There should have been an ending there.

*By the time I got used to the "other" Ray (Stanley) being in the cast, they made him cartoonish and dumb.

*I think at the end, there was too much junk about women mooning over Frasure. All the googly-eyed stuff from his superior just plain embarassed me.

*Fraser should have ended up with a woman -- a good woman who would make him more human and save him from his own perfection.

It was a clever, clever bit to use actor Paul Gross' (Fraser) real-life wife as the ghost of his mother in the last episode. I have read that Gross "is sick of" this show and resents being remembered for it. If it's true, that's a shame. "Due South" will forever be one of my favorite television programs.

"Less is more" is the concept that makes this series so compelling and fun to watch. The cast displays rare talent, with Paul Gross portraying a unique leading man, a refreshing change from other carbon-copy cop shows. Gordon Pinsent, as his ghost-of-a-father, is delightful and completely at ease as he appears to Gross to guide, advise and torment. He is, indeed, one of the most underused and underrated actors of our time. This series is a perfect example of what good quality television the United States is missing.

Due South was a breakthrough in many ways. It proved that a U.S./Canadian weekly co-production which satisfied to both cultures was indeed possible and that it could be done with a lot of class and taste.

Every upcoming episode possessed some form of anticipation. It was never known what tone the next episode may possess, for some were comedic, some were dramatic, some were a decent mix of both. Most of all, its viewers were left feeling good in the end despite the fact that not every issue had been resolved. Most of all, any farfetched twists were minimal, leading one to believe that people like Fraser do indeed exist. Throughout the first two seasons, Fraser and Ray involved themselves in the lives of characters in trouble who needed to turn their lives around. The retooled version of the show which appeared in 1997 loses that quality, choosing to set its leads in precarious situations and mainly helping themselves rather than the people living in the city of Chicago.

Paul Haggis should be proud of his creation. It was a terrific show while he remained a part of the production. Unfortunately, it never again regained its peak once he and Kathy Slevin departed.

The fans are hoping we may perhaps see a sequel to "Victoria's Secret" within the next while? Only once Providence is cancelled (if ever), may it be a reality! Melina Kanakaredes' newfound popularity may entice potential new viewers to respond as well.