Ajouter une intrigue dans votre langueThe two worst barbers in Harlem become cops while a real estate developer forces people out of Harlem.The two worst barbers in Harlem become cops while a real estate developer forces people out of Harlem.The two worst barbers in Harlem become cops while a real estate developer forces people out of Harlem.
- Réalisation
- Scénario
- Casting principal
Vincent Pastore
- Tony 'Clams' Como
- (as Vinny Pastore)
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This film was so funny back in the day. In their first film, Ed Lover & Dr. Dre are hilarous as bumbling cops trying to slove a murder. The film is full of hip hop cameo's and is a semi classic when it comes to hip hop themed films mainly for the cameo's.
This movie was basically a poor excuse to put a lot of rap stars on screen. It was the biggest compilation of hip hop artists in a movie since Krush Groove or House Party. I guess they figured if they had enough big, well known names they wouldn't need to have a good story nor would they have to worry about anyone's acting ability.
There were legitimate actors thrown in there as well: Dennis Leary was one but he was horrible as the exaggerated police sergeant. Bernie Mac and Bill Belamy were also in it but they were there strictly for one-liners and coordinated zingers that I'm sure they hoped would catch on to become pop buzz-phrases like, "You got knocked out!" and other such phrases.
It was cool to see all of the various artists I know and loved when I was a teenager. A few of the iconic artists are now dead (Heavy D, Guru, Jam Master Jay, one of the Chrises from Kriss Kross, Bernie Mac, and maybe others). But gone are the days when I could be simply awed by my favorite artists and consider their movie good. I need substance, content, or at least quality laughs. This had none of that.
There were legitimate actors thrown in there as well: Dennis Leary was one but he was horrible as the exaggerated police sergeant. Bernie Mac and Bill Belamy were also in it but they were there strictly for one-liners and coordinated zingers that I'm sure they hoped would catch on to become pop buzz-phrases like, "You got knocked out!" and other such phrases.
It was cool to see all of the various artists I know and loved when I was a teenager. A few of the iconic artists are now dead (Heavy D, Guru, Jam Master Jay, one of the Chrises from Kriss Kross, Bernie Mac, and maybe others). But gone are the days when I could be simply awed by my favorite artists and consider their movie good. I need substance, content, or at least quality laughs. This had none of that.
Come on, people! This is when hip-hop really started to appeal to the masses, and if it's dated, then so am I! This film has moments that make the entire experience worthwhile. There are some jokes that are still genuinely funny, and the "message" continues to be timeless: do good by people and do good by your neighbors and your neighborhood.
If you are at ALL a fan of hip-hop (hell, I'm a white girl from the midwest, so if I call myself a fan, I should think that everyone who ever drew breath has to be *something* of a fan), you're going to enjoy this one, if for no other reason than the innumerable cameo apperances! You can see some favorites who have sadly left this realm (Run DMC), or those who started in hip-hop and found their way to the Academy Awards (go ahead, Queen Latifah!). And this is where I might be dating myself a bit, but has hip hop been as good since these days? I put this DVD on and find myself rump-shakin throughout the house. Yeah, I might have mentioned -- white girl from the midwest. :)
American Beauty this ain't. But if you want some giggles on a Friday night, and it's a cheap rental, I can't say a bad thing about this flick. It makes me wish "Yo! MTV Raps" was still on the air, and that's one helluva statement.
If you are at ALL a fan of hip-hop (hell, I'm a white girl from the midwest, so if I call myself a fan, I should think that everyone who ever drew breath has to be *something* of a fan), you're going to enjoy this one, if for no other reason than the innumerable cameo apperances! You can see some favorites who have sadly left this realm (Run DMC), or those who started in hip-hop and found their way to the Academy Awards (go ahead, Queen Latifah!). And this is where I might be dating myself a bit, but has hip hop been as good since these days? I put this DVD on and find myself rump-shakin throughout the house. Yeah, I might have mentioned -- white girl from the midwest. :)
American Beauty this ain't. But if you want some giggles on a Friday night, and it's a cheap rental, I can't say a bad thing about this flick. It makes me wish "Yo! MTV Raps" was still on the air, and that's one helluva statement.
Nobody makes me laugh like Denis Leary so when I first heard about this movie, I was dying to see it. I kept trying to rent it at the video store, but every time I went, it was checked out so I gave up trying to get it for a while. A few months later, I caught it on TV and I laughed my butt off. Although Denis Leary wasn't in it as much as I would have liked, I loved it. It instantly became one of my favorites despite all of its flaws. The cast is great, especially Doctor Dre and Ed Lover in what are sadly their only starring roles to date. The supporting cast, which consists of some of the coolest people ever, is great as well. I thought there was a good chance that this movie would really suck, but I was wrong. This is a classic 90s film. Movies like this just aren't made anymore. ***
Cards on the table: I'm an old white guy. I don't know Dre or Lover.
I like some slapstick, and some I don't. For your reference, I never much cared for Abbott & Costello or the 3 Stooges, but I love Laurel & Hardy and the Marx Brothers. Dre & Lover got lots of personality and good humor. Love watching their comedy routine -- the best part of the movie.
Ice-T has a small part, must be one of his first on the screen. Would like to see him in bigger parts; he's on TV a lot lately and he's an interesting actor.
The closing credits are playing to some hip-hop. The lyrics use the "N" word, but it occurs to me that I don't remember hearing it in the movie's dialog. It's the end of 2006 and it's finally going out of style, but avoiding it 13 years ago was a touch of class.
I've got Cinemax playing on the TV. The next movie is coming on, which they rate "MV" for Mild Violence. If I were to rate "Who's the Man," I wouldn't give it any violence rating. A gun was waived around menacingly, once. Otherwise, they're too busy having fun. Bring the kids. (Apparently, the professional movie-raters disagree. Maybe society has changed a lot in 13 years. Either that, or professional movie-raters are fuddy duddies.)
I like some slapstick, and some I don't. For your reference, I never much cared for Abbott & Costello or the 3 Stooges, but I love Laurel & Hardy and the Marx Brothers. Dre & Lover got lots of personality and good humor. Love watching their comedy routine -- the best part of the movie.
Ice-T has a small part, must be one of his first on the screen. Would like to see him in bigger parts; he's on TV a lot lately and he's an interesting actor.
The closing credits are playing to some hip-hop. The lyrics use the "N" word, but it occurs to me that I don't remember hearing it in the movie's dialog. It's the end of 2006 and it's finally going out of style, but avoiding it 13 years ago was a touch of class.
I've got Cinemax playing on the TV. The next movie is coming on, which they rate "MV" for Mild Violence. If I were to rate "Who's the Man," I wouldn't give it any violence rating. A gun was waived around menacingly, once. Otherwise, they're too busy having fun. Bring the kids. (Apparently, the professional movie-raters disagree. Maybe society has changed a lot in 13 years. Either that, or professional movie-raters are fuddy duddies.)
Le saviez-vous
- AnecdotesTerrence Howard's film debut.
- GaffesDemetrius makes mention of a bible scripture "Every man's sword will be against his brother". He says this is from the book of Daniel. It is actually from Ezekiel 38:21.
- Citations
Sgt. Cooper: You fucked me! You fucked me! You might as well kiss me 'cause you're fucking me!
- Bandes originalesPrecious Lord, Take My Hand
Vocal by Bowlegged Lou (Courtesy of Capitol Records)
Written by Thomas A. Dorsey
Produced by Full Force
Published by Warner/Chappell Music, Inc.
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- How long is Who's the Man??Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Кто этот тип?
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 11 299 730 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 533 392 $US
- 25 avr. 1993
- Montant brut mondial
- 11 299 730 $US
- Durée1 heure 25 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Who's the Man? (1993) officially released in India in English?
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