Tina

Yes. Even though this 1993 bio-picture was a somewhat exaggerated retelling of 22 years (1958-1980) in the turbulent life of famed pop singer, Tina Turner - It was still, without question, certainly well-worth a view.

Packed with plenty of brutally-fierce drama, and high-energy musical numbers - Both actress, Angela Bassett, and actor, Laurence Fishburne gave convincing, top-notch performances as a pair of dynamic performers and ill-fated lovers whose repeated head-on collisions with each other could only lead to one final conclusion.

All-in-all - I recommend this picture, highly.

*Trivia notes* - Angela Bassett's singing was all dubbed by Tina Turner.

Director, Brian Gibson died in 2004.

"What's Love Got to Do With It" is a fascinating and absorbing portrayal of the first 43 years of Tina Turner's life. It accurately and convincingly depicts the abuse she underwent and her escape and, finally, salvation through Buddhism. Laurence Fishburne is one of this generation great actors and gives a riveting and observant performance as Ike Turner, but cannot come close to the overwhelming, breathtaking, and mighty presence of Angela Bassett as Tina. She deservedly won the Golden Globe as the Best Actress in a Comedy/Musical of 1993 and if the film had come out any other year than 1993 (during which Holly Hunter gave a performance of a lifetime in "The Piano"), she would have easily taken home an Oscar.

Music plays a huge part in the film and all of it is good. Though I'm only 12, I truly appreciate Tina's music and am always in awe when she sings "Proud Mary" (one of my favorite scenes in the film.) As Roger Ebert pointed out, one of the most triumphant scenes is where, after Tina and Ike have had a vicious and bloody fight, Tina runs away to the Ramada Inn where they take her in. It is one of the best acted scenes of this decade and I never tire of it when I see the film again.

"What's Love Got to Do With It" is one of the best films of 1993 (one of the greatest movie years in history- "Schindler's List", "The Piano") and one the most passionately and skillfully performed films of the decade.

**** out of **** (A)

Celebrity bio-pics are very hit or miss, but once in a great while a really good one comes along--and WHAT'S LOVE GOT TO DO WITH IT is one of them. Based on the autobiography of Tina Turner, the film offers a glossy but intense portrait of her rapid rise to stardom under the sponsorship of husband-manager Ike Turner--a relationship that quickly turned dark and became increasingly abusive as Tina's fame began to outstrip Ike's own.

Although the film is a bit on the obvious side, it is well-crafted and the two leads offer powerhouse performances. Angela Bassett is simply astonishing as Tina Turner; where most other actresses might have simply imitated, Bassett accomplishes the impossible: she makes you believe that she is Tina Turner, capturing both Tina's famous on-stage performing style (the concert scenes are really exciting) and giving a completely believable interpretation of her off-stage personality as well. The script offers Laurence Fishburne little more than a one-dimensional role, but he plays it brilliantly from start to finish, and both are well supported by the overall cast.

There is certainly a great deal more to the lives of both Ike and Tina Turner than this film conveys--but what it does show it presents with considerable power and conviction, and by the time Tina finally hits back at Ike you'll be roaring for her to hit him again--and again--and again--and eager to see her finally triumph entirely on her own. Recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer

It was gratifying to see rock legend Tina Turner earn the coveted Kennedy Center honor last month, certainly reason enough to revisit this wonderful biopic based on her 1987 self-affirming autobiography, "I, Tina" co-written with Rolling Stone editor Kurt Loder. Directed by the late Brian Gibson in an appropriately feverish manner, the 1993 movie still burns brightly thanks to the electrifying performances of Angela Bassett and Laurence Fishburne. There have been several fine performances in biopics of late - Jamie Foxx in "Ray", Joaquin Phoenix and Reese Witherspoon in "Walk the Line" - but I still feel Bassett and Fishburne maintain the high watermark as they seem to inhabit the roles of Ike and Tina completely in this film.

Adapting probably the most melodramatic parts of Tina's book, Gibson and screenwriter Kate Lanier built a dramatic framework about the former Anna Mae Bullock that is somewhat standard-issue and probably biased, but it works on a visceral level as a story of personal triumph punctuated by some of the most gut-wrenching scenes of domestic violence captured on film. Playing one of the most recognizable and enduring celebrities in the rock world, Bassett manages to capture the physical mannerisms, vocal patterns, and onstage energy of the real Tina, even though her voice obviously had to be dubbed. With her almost distracting musculature, she convincingly rips into all her musical performances with unabated fire, but it's really in her dramatic scenes, especially when she becomes an increasingly degraded victim of her husband's demons, that she soars. Fishburne has an extremely tough role, as he has to transcend the inherent villainy of Ike by displaying the bravado and talent that brought the pair the spotlight in the early years. He brilliantly manages to imbue a spirit that is at once frightening and pitiable.

With a relatively sparse filmography, Gibson provides surprisingly sturdy direction here, often using an effective faux-combination of grainy home movies and TV programs to make the movie feel like a "Behind the Scenes" rock documentary. I particularly liked how he edited the inevitable "Proud Mary" - complete with gyrating Ikettes and Tina in her classic cave woman mini - to show the passage of time between the late sixties to the mid-seventies. Unsurprisingly, no one else makes nearly the impression of the two stars, though Jenifer Lewis has a few funny moments as Tina's mother Zelma, and Vanessa Bell Calloway does what she can in her switch from hard-bitten back-up singer to becalming Buddhist. Regardless, see it for two actors - sadly underutilized since this movie was released, the wondrous Bassett in particular - giving all they have into this memorable movie. The DVD has no significant extras other than the original trailer.

I watched the film recently, and was amazed by how brilliant it was. Not knowing about Tina Turner's life, I was shocked. The movie was pretty hard hitting.

Laurence Fishburne was amazing in his role, he was very scary, and it just made you hate Ike for being so evil. Angela Bassett's performance was outstandingly amazing though - I've never seen so much good acting out of someone in a movie.

All in all, I loved the movie, and any awards for it were well rewarded.

10/10