L'histoire de l'ascension de la chanteuse Tina Turner vers la célébrité et comment elle a trouvé le courage de se libérer de son mari violent, Ike Turner.L'histoire de l'ascension de la chanteuse Tina Turner vers la célébrité et comment elle a trouvé le courage de se libérer de son mari violent, Ike Turner.L'histoire de l'ascension de la chanteuse Tina Turner vers la célébrité et comment elle a trouvé le courage de se libérer de son mari violent, Ike Turner.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 3 victoires et 16 nominations au total
- Young Anna Mae
- (as Rae'Ven Kelly)
- Choir Member
- (as Dorothy Thornton)
Avis à la une
Laurence Fishburne was amazing in his role, he was very scary, and it just made you hate Ike for being so evil. Angela Bassett's performance was outstandingly amazing though - I've never seen so much good acting out of someone in a movie.
All in all, I loved the movie, and any awards for it were well rewarded.
10/10
By necessity, biopics have to leave out people and incidents, often combining several incidents into one or skipping several steps. In no way does a knowledge of Tina Turner''s life detract from the impact of this film. It's a story of a woman's determination, beating the odds, suffering, perseverance and ultimate success.
Ike's and Tina's marriage was pretty much a horror show. Ike was always controlling, to the detriment of his own career, and as he turned to drugs, his abuse of Tina escalated. The most stunning scene in the film (besides the performances, which are fantastic) occurs when the couple fights in a limo en route to a hotel. Ike becomes physical; Tina has discovered Buddhism and finally gets the courage to fight back. A bloody mess, she runs away from him with only 36 cents in her purse.
Angela Bassett gives a searing, electrifying performance as Turner. Her sinewy body is a great match for Turner's, and she uses it to perfection in replicating Turner's performances (Turner's voice is used on the soundtrack). She shows the star's vulnerability, fear, and internal strength throughout.
Bassett is matched by Laurence Fishburne's terrifying performance as Ike. Fishburne seethes with manipulation and anger, even in scenes where he's being "nice." When Ike loses his temper, you can see how he can't stop and the violence just gets worth. A brilliant performance.
A must see. The latter part of Turner's life is not explored, but while she always remained popular in Europe, it was a long time before she could get a recording contract here after some failed recordings. Today she remains one of the greatest singing stars ever. But there were lots of valleys in between.
Adapting probably the most melodramatic parts of Tina's book, Gibson and screenwriter Kate Lanier built a dramatic framework about the former Anna Mae Bullock that is somewhat standard-issue and probably biased, but it works on a visceral level as a story of personal triumph punctuated by some of the most gut-wrenching scenes of domestic violence captured on film. Playing one of the most recognizable and enduring celebrities in the rock world, Bassett manages to capture the physical mannerisms, vocal patterns, and onstage energy of the real Tina, even though her voice obviously had to be dubbed. With her almost distracting musculature, she convincingly rips into all her musical performances with unabated fire, but it's really in her dramatic scenes, especially when she becomes an increasingly degraded victim of her husband's demons, that she soars. Fishburne has an extremely tough role, as he has to transcend the inherent villainy of Ike by displaying the bravado and talent that brought the pair the spotlight in the early years. He brilliantly manages to imbue a spirit that is at once frightening and pitiable.
With a relatively sparse filmography, Gibson provides surprisingly sturdy direction here, often using an effective faux-combination of grainy home movies and TV programs to make the movie feel like a "Behind the Scenes" rock documentary. I particularly liked how he edited the inevitable "Proud Mary" - complete with gyrating Ikettes and Tina in her classic cave woman mini - to show the passage of time between the late sixties to the mid-seventies. Unsurprisingly, no one else makes nearly the impression of the two stars, though Jenifer Lewis has a few funny moments as Tina's mother Zelma, and Vanessa Bell Calloway does what she can in her switch from hard-bitten back-up singer to becalming Buddhist. Regardless, see it for two actors - sadly underutilized since this movie was released, the wondrous Bassett in particular - giving all they have into this memorable movie. The DVD has no significant extras other than the original trailer.
Music plays a huge part in the film and all of it is good. Though I'm only 12, I truly appreciate Tina's music and am always in awe when she sings "Proud Mary" (one of my favorite scenes in the film.) As Roger Ebert pointed out, one of the most triumphant scenes is where, after Tina and Ike have had a vicious and bloody fight, Tina runs away to the Ramada Inn where they take her in. It is one of the best acted scenes of this decade and I never tire of it when I see the film again.
"What's Love Got to Do With It" is one of the best films of 1993 (one of the greatest movie years in history- "Schindler's List", "The Piano") and one the most passionately and skillfully performed films of the decade.
**** out of **** (A)
Le saviez-vous
- AnecdotesLaurence Fishburne turned down the role of Ike Turner five times. When he learned that Angela Bassett had won the role of Tina Turner, he changed his mind.
- GaffesIn a scene dated 1968, Ike and Tina open for the Rolling Stones, doing "Proud Mary." The Stones didn't do any concerts in 1968; Ike and Tina opened for them in 1969. Creedence Clearwater Revival's original version was released in 1970.
- Citations
Tina Turner: [Walks up to the hotel counter bruised and bloodied] I need to speak with your manager.
Hotel Clerk: Yes ma'am, right away. George!
Tina Turner: [George turns around] I'm... I'm Tina Turner. My husband and I just had a fight. I'm suppose to open at the Academy tonight. I have 36 cents and a Mobil card, but if you would give me a room, I SWEAR I will pay you back.
[She starts removing her jewelry]
George (the Ramada Inn Manager): No, no, no, that won't be necessary. Ms. Turner, I'd... I'd be honored, really. We'll take care of you.
Tina Turner: Thank you.
George (the Ramada Inn Manager): Nick, let's give Ms. Turner a room.
- Bandes originalesTina's Wish
Written by Ike Turner and Tina Turner
Published by Striped Horse Music and Zebra Discorde Music Group, Inc.
Performed by Tina Turner
Meilleurs choix
- How long is What's Love Got to Do with It?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Tina, la verdadera historia de Tina Turner
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 39 100 956 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 222 718 $US
- 13 juin 1993
- Montant brut mondial
- 39 100 956 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1