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5,4/10
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Ajouter une intrigue dans votre langueAn order of Druids train their children to battle an evil Warlock determined to unleash Satan upon the world by bringing a collection of five mystic rune stones together.An order of Druids train their children to battle an evil Warlock determined to unleash Satan upon the world by bringing a collection of five mystic rune stones together.An order of Druids train their children to battle an evil Warlock determined to unleash Satan upon the world by bringing a collection of five mystic rune stones together.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Wren T. Brown
- Assistant
- (as Wren Brown)
Gary Carlos Cervantes
- Cabbie
- (as Gary Cervantes)
Bryan Travis Smith
- Jimmy
- (as Bryan Smith)
Mihaly 'Michu' Meszaros
- Augusto
- (as Michu Meszaros)
Avis à la une
The son of Satan is born and has 5 days to capture 5 sacred stones to open the gateway for Satan to return to earth and rule forever. Only a pair of warriors can stand in his way.
This is a stupid, pointless horrible sequel that is merely an attempt to make more money rather than make an entertaining horror movie. First the plot is dumb. These sacred stones are the only way to open a gateway to hell....so you'd assume that they would be pretty well protected, or at least a group of zealots would be hunting for them? No - the warlock finds them at a fashion show, in a businessman's office and in a circus freak show. No explanation of how they got there or how the warlock finds them so precisely in such a short time. Also the warriors are of course teenagers who die and come back to life. The whole thing is just stupid and without merit.
The horror is also lazy. There's no tension and no suspense - just gory effects. And poor ones at that, all the effects are very cheap and unconvincing. Also the murders are lazy and just gory for the sake of it, each time the warlock collects a stone he kills the owner in a twisted gory way. At one point he picks up at hitchhiker just to scalp her and then kill her 30 seconds later. It's all done with so little ceremony that it just feels tired.
This drags down the whole film. Add to that terrible performances by Sands (has he ever been good?) and the two teenage warriors (Young and Marshall) and the whole thing stinks.
There is no "yeah it's bad, but...." - it's just bad. The most terrifying moment in this "horror" is the final shot that leaves it open for another sequel. God save us.....
This is a stupid, pointless horrible sequel that is merely an attempt to make more money rather than make an entertaining horror movie. First the plot is dumb. These sacred stones are the only way to open a gateway to hell....so you'd assume that they would be pretty well protected, or at least a group of zealots would be hunting for them? No - the warlock finds them at a fashion show, in a businessman's office and in a circus freak show. No explanation of how they got there or how the warlock finds them so precisely in such a short time. Also the warriors are of course teenagers who die and come back to life. The whole thing is just stupid and without merit.
The horror is also lazy. There's no tension and no suspense - just gory effects. And poor ones at that, all the effects are very cheap and unconvincing. Also the murders are lazy and just gory for the sake of it, each time the warlock collects a stone he kills the owner in a twisted gory way. At one point he picks up at hitchhiker just to scalp her and then kill her 30 seconds later. It's all done with so little ceremony that it just feels tired.
This drags down the whole film. Add to that terrible performances by Sands (has he ever been good?) and the two teenage warriors (Young and Marshall) and the whole thing stinks.
There is no "yeah it's bad, but...." - it's just bad. The most terrifying moment in this "horror" is the final shot that leaves it open for another sequel. God save us.....
Not bad, WARLOCK: THE ARMAGEDDON does seem better than the first. Even though there are many body counts, and we do see some improvements in the special effects, something still seemed to be wrong......
There are still scenes that reveal a load of cheesy effects such as the scene where the receptionist's lips are sealed (VERY obvious stop-motion). But in this sequel, some REALLY cool action takes place, scenes where the Warlock meets the people against him. My personal favorite was the scene where Julian Sands shot down two old magic dudes with his "hand gun". This sequel does contain creepier scenes that prophecizes the reborn (?)Warlock, and scenes that hints an upcoming bodycount. Overall, this sequel is worth watching.
9.5/10 -0.5 for cheesy level, but only half the points are removed due to the other cool scenes.
There are still scenes that reveal a load of cheesy effects such as the scene where the receptionist's lips are sealed (VERY obvious stop-motion). But in this sequel, some REALLY cool action takes place, scenes where the Warlock meets the people against him. My personal favorite was the scene where Julian Sands shot down two old magic dudes with his "hand gun". This sequel does contain creepier scenes that prophecizes the reborn (?)Warlock, and scenes that hints an upcoming bodycount. Overall, this sequel is worth watching.
9.5/10 -0.5 for cheesy level, but only half the points are removed due to the other cool scenes.
Julian Sands as the warlock (son of Satan) is back at it again, and his suave presence fitting as usual in a rather devilish sequel. This time around he makes much more of a bloody mess as he cruelly and imaginatively toys around with the owners of the scattered magical runestones, Druid Guardians and two meddling small-town teenagers who are the only ones that can stop him from opening the gateway to hell.
When we get Sands making people look foolish, it was a wicked blast - from the sardonic wit to the sexed-up vibes and the graphic shocks heavily reliant on practical make-up effects (like the insane birth sequence?!). However when it was just the cornball love struck teens getting together, or preparing for their epic encounter my interest sort of dipped, and pacing stuttered. Luckily when the two forces come together in the final half-hour there's all kinds of crazy excess, flourishing visuals and magic jousting. Makes the wait well worth it.
Genre journeyman director Anthony Hickok shows ticker and provides few deft, and offbeat touches to how he framed some of the set-pieces. I must admit there were moments when the visual effects are beyond hokey (floating baseball), but the sheer absurdity of it makes up for it. I'm just surprised this follow-up didn't get a theatrical release, as it a solid offering.
When we get Sands making people look foolish, it was a wicked blast - from the sardonic wit to the sexed-up vibes and the graphic shocks heavily reliant on practical make-up effects (like the insane birth sequence?!). However when it was just the cornball love struck teens getting together, or preparing for their epic encounter my interest sort of dipped, and pacing stuttered. Luckily when the two forces come together in the final half-hour there's all kinds of crazy excess, flourishing visuals and magic jousting. Makes the wait well worth it.
Genre journeyman director Anthony Hickok shows ticker and provides few deft, and offbeat touches to how he framed some of the set-pieces. I must admit there were moments when the visual effects are beyond hokey (floating baseball), but the sheer absurdity of it makes up for it. I'm just surprised this follow-up didn't get a theatrical release, as it a solid offering.
Julian Sands returns here, but I don't know if he is supposed to be the same guy are not. The rules are all changed around here and in many ways it is almost an entirely different movie. The Warlock in this movie seems nearly indestructible than in the first, and instead of the puritan types that were the ones to try and stop him in the first one, here he must be stopped by druids. This time the Warlock makes a most memorable first appearance, and then he goes after these magic stones so he can release Satan into the world. This makes the druid angle seem rather dumb as I don't think they believe in such things. However, it still is a rather good movie, just not as good as the first...in fact this movie might have seemed better if the first one never happened. The movie though does follow a certain pattern. You see scenes of this kids coming into terms with their special powers to stop the Warlock, then a scene of the Warlock finding one of the stones, finally whoever has the stone is killed in an unusual way, and then repeat. This happens till the end and the big showdown occurs. I do so enjoy the shotgun scene. That is about all there is too it, but then the Warlock does kill people in vastly different and interesting ways. Not a great movie, but it is okay and worth checking out, though it is rather gruesome at times.
This film upon first glance was a one of a string of films i have recently seen, that looks, in the TV guide, like it could be pathetic to the point that it is funny to watch due to the year it was made and by the description. The words used "horror sequel", "son of devil" and made in 1993, simply branded it a must see film between me and my mate Mark.
This film turned into one of the funniest films I have ever seen and to say it is a horror would be a mockery to all horror films. However place it within the genre of comedy, and it is up there challenging with the best of comedy films.
The basic storyline made it easy to understand i.e. did not have to concentrate, which is good because i was crying with laughter too much.
It follows the old theme of the evil being lead back to the main characters at the end, via the collection of 6 stones, randomly placed around the world, from Circuses to museums.
Excellent acting from the son of the devil, made me believe that he actually was the son of the devil and his ways of murdering the stone holders was humorous to say the least, except for the one in the circus where that brought genuine fear to my mind.
A well written script with such instances as rabbits being run over and hair being pulled off makes for an exciting and humorous viewing of one of my favouritist films of all time.
Simply an 8.5/10 due to effective blood ridden moments, great acting and funny moments.
Hail the guy that created this masterpiece
This film turned into one of the funniest films I have ever seen and to say it is a horror would be a mockery to all horror films. However place it within the genre of comedy, and it is up there challenging with the best of comedy films.
The basic storyline made it easy to understand i.e. did not have to concentrate, which is good because i was crying with laughter too much.
It follows the old theme of the evil being lead back to the main characters at the end, via the collection of 6 stones, randomly placed around the world, from Circuses to museums.
Excellent acting from the son of the devil, made me believe that he actually was the son of the devil and his ways of murdering the stone holders was humorous to say the least, except for the one in the circus where that brought genuine fear to my mind.
A well written script with such instances as rabbits being run over and hair being pulled off makes for an exciting and humorous viewing of one of my favouritist films of all time.
Simply an 8.5/10 due to effective blood ridden moments, great acting and funny moments.
Hail the guy that created this masterpiece
Le saviez-vous
- AnecdotesFrank LaLoggia was originally slated to direct this movie, but he was let go by the studio when his vision of the film proved to be too expensive.
- GaffesWhen Warlock is pushing a rock onto Sam, you can see crew behind the rock along with cameraman.
- Versions alternativesThe region 2 DVD has an extended version of the Warlock leaving the elevator after Ted's death.
- ConnexionsFeatured in The Making of 'Warlock: The Armageddon' (1993)
- Bandes originalesWHAT CAN YOU DO FOR ME (SALT LAKE MIX)
Performed by Utah Saints (as The Utah Saints)
Written by J. Willis and G. Guthrie
Published by NTV Music (UK) Ltd. / Tiju Music, Inc. /
PRI Music, Inc.
Courtesy of London Records
By Arrangement with Polygram Special Markets
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Détails
Box-office
- Budget
- 3 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 902 679 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 747 317 $US
- 26 sept. 1993
- Montant brut mondial
- 3 902 679 $US
- Durée
- 1h 38min(98 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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