Totally F***ed Up

I've seen all of Gregg Araki's Films except the ones before "The Living End" and I thought all of them were fantastic. But not this one, it is a peice of garbage. First of all, this film gives no incite whatsoever on what it is like to be a gay teen. It never delves deep into the characters to show how they feel, and in the end we are left wondering what the hell happened. Ok so I saw the film about two years ago, so I can't comment fresh after seeing it. I have never been so aware of a film being shot on film as I was with this one. Araki uses WAY too many close-ups (which work for his other films) but in this one all there seems to be is CLOSE-UPS, CLOSE-UPS, CLOSE-UPS! It drove me insane. This probably would have worked if ANY of the characters were interesting in the slightest, but instead we are treated to LONG close-up pseudo documentary like shots of boring dialogue delivered by boring actors. I am so angry that I spent 100 dollars to import two copies of this for me and my friend, who is also a big Araki fan and couldn't even finish watching this piece of crap. Final Verdict, you will most likely not enjoy this film even if you are a big Araki fan. watch his other movies instead (except for Splendor ech!)

with obvious allusions to vivre sa vie (the film is divided into 14 seemingly randomly segregate segments), gregg araki takes a journey into the lives of a group of gay teens in LA (not ALL gay teens, just a group). Well, maybe journey is the wrong word for it. Those familiar with Araki's other works are aware that they are loud, colorful, bombastic, and over-exentuated. They are also very MOBILE, in that a lot happens in the stories (usually someone gets killed, they run from johnny law, etc.). Totally F**ked up is not a mobile film. It doesn't go anywhere. Araki seems to proscribe in this film to the philosophy ( a Rossellini/ Godard staple) that life is less about actions or even interactions than boredom and other people's stories. James Duval plays a teen who broods in self-antipathy, spouting off despeate (and often pathetic) catch phrases like "life is sh**." or "love does not exist." But the underlying notion is that he really has lost faith and all hope, and as much as it ills him to become a statistic he keeps creeping that way, unable to find an outlet to truly express his real dismays.

Araki's trademark self-coined slang and gother-than-thou art references are still in tact as we view this period of life that is less transitional emotionally than just a shift of behaviors- as we all act like babies. maybe it's just making up excuses - a character being lured into cheating because of a bootleg nine inch nails video- or maybe it's just talking in goofy language and popping pills in abandonned garages to watch each other fall over.

as for the film's "crappy" look, I could either chock it up to lack of funds or intentional grainy filming. After all, every single one of his films are laced with characters using intentionally awful dialogue and intentionally bad acting to disguise its actual intentions. it makes since that he could do this visually too. And with the interspersed interviews with steven's video camera- it could easily be construed as the actual camera eye of the group, a 7th member if you will. either way, it didn't distract me.

People who enjoyed Araki's other films because of the pretty colors and big loud noises need not apply themselves to this film, because it does take patience. but the result is a rewarding experience.

This is the first film from Gregg Araki, the man who made "Doom Generation" and "Nowhere". Like those films, the theme is the end of the world and features a backdrop of industrial music (Ministry, My Life With the Thrill Kill Kult, 16 Volt, etc.). The only difference is the lack of budget and big name actors (no Rose McGowan or John Ritter). We follow the lives of a group of gay and lesbian teenagers over the course of roughly two weeks. We see their struggles against oppression, their personal lives. An AOL user would summarize this films as "Buttsecks? O RLY? Ya RLY." but that's just ignoring the overall themes to focus on the more distasteful aspects of the film. If you're ans Araki fan or want a new experience, check this film out. It's not nearly as weird as his other films (no aliens or talking decapitated heads), but it will warp your perception of the world. And the end, while very abrupt, leaves something of a lasting effect.

A rare movie to find. If you find it, you are one of the few.

I think that this is a good movie for sexually confused teenagers to watch. I think that some kids can connect with it and know that they are not the only ones out there who have the same situations occur in their life as in this movie. Some good issues are brought up in this movie. Some real stereotypes are stepped on in this movie. This movie lets kids know that it's okay to be something other than hetero.

It's obvious that the other person who did a review of this movie was not an Araki fan. In order to understand this movie, you have to be a hardcore Gregg Araki aficionado. This was one of his first films, and he was just beginning to develop his unique style of directing and writing. The language used is supposed to emphasize the immaturity of our generation even though we are in such serious situations as shown in the movie. It's actually a great juxtaposition. As for the cinematography, I would rather see a movie filmed in the way Totally F***ked Up was than any other uninterestingly-filmed movies. At it's core, this is really a story about the struggles of anyone who has ever felt like an outcast. It does leave us hanging at the end, but so do other Araki movies. That's just his style; and if you don't like it, then too bad for you. If you do happen to like this film or are interested, I urge you to see the rest of the Teenage Apocalypse Trilogy [next: The Doom Generation, Nowhere], and all other Araki films. They are all interesting and stylish.