L'histoire de la relation entre un adolescent rebelle des années 1950 et son beau-père violent, basée sur les mémoires du professeur Tobias Wolff, écrivain et professeur de littérature.L'histoire de la relation entre un adolescent rebelle des années 1950 et son beau-père violent, basée sur les mémoires du professeur Tobias Wolff, écrivain et professeur de littérature.L'histoire de la relation entre un adolescent rebelle des années 1950 et son beau-père violent, basée sur les mémoires du professeur Tobias Wolff, écrivain et professeur de littérature.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 3 nominations au total
Zachary Ansley
- Skipper
- (as Zack Ansley)
Robert Zameroski
- Arch Cook
- (as Bobby Zameroski)
Avis à la une
For the last year or so, I've had my freshman writing classes read the Tobias Wolff memoir, "This Boys Life". A lot of them always think they can get away with watching the movie on cable instead, but of course (as with most movies based on books), much is missed in the screen version of this true story. The film would have you believe that young Toby is a loveable brat who fancies trouble, but the book tells of a more complex and disturbed child--one who has a rich imagination, and is essentially kind (especially to his mother), but who lies consistently and refuses to accept his own faults. Dwight is portrayed well in the film as a mean and immature man, but the movie fails to show how Toby himself paralells Dwight: they are both liars, for one; and Dwight's insistence on "molding" Toby make one wonder...Throughout the book, Toby's greatest danger at the hands of his step-father is the possibility that Dwight will succeed in turning Toby into him.
There are other things that the movie tries to work in, but does so awkwardly: Toby's friendship with Arthur, the gay boyscout, is one. As is Toby's desire to "get away" from the abusive Dwight (in the book, Toby doesn't so much want to get away from Dwight as he does want to run away and go on great swashbuckling adventures). The worst injustice on the movie's part is the ending, of course. It is completely hollywood.
The movie is enjoyable for its performances (especially DeNiros'), but viewers should realize that the "True Story" behind this movie has been given the hollywood golden touch.
There are other things that the movie tries to work in, but does so awkwardly: Toby's friendship with Arthur, the gay boyscout, is one. As is Toby's desire to "get away" from the abusive Dwight (in the book, Toby doesn't so much want to get away from Dwight as he does want to run away and go on great swashbuckling adventures). The worst injustice on the movie's part is the ending, of course. It is completely hollywood.
The movie is enjoyable for its performances (especially DeNiros'), but viewers should realize that the "True Story" behind this movie has been given the hollywood golden touch.
I heard of this movie before, but I had no knowledge of what it was about, and basically rented it because it looked good and Robert DeNiro is the star--my Number One favorite actor.
Well, DeNiro's performance is one of the high points of the film, and he is extraordinary as the abusive father who seems pleasant and jovial at times, but can turn violent when you push his buttons. Leonardo DiCaprio is also great, in one of the best performances of his career. Over the years, he's been gaining a reputation as a glamour guy. And that he is, but you must see his performance in this movie before regarding him as "just another pretty face." He was still in his early teens (I'm guessing) when he made this film, so this was a long time before he hit it big with "Titanic." Ellen Barkin is also good, but I wish her character could've been developed a little more. I kept wondering, during the course of the film, why she felt like withstanding Dwight's abuse for such a long period of time. In the beginning of the film, she's established as a free spirit--the kind of woman that romances a man, then drives off to another state to find her next man. Well, why didn't she do the same thing with this jerk? The film is based on a true story, so I'm sure she really did stay with him that long, but I just wanted to know her motives.
"This Boy's Life" is a solid, beautifully made slice-of-life that kept me glued to the screen from start to finish. The climax is an emotional powerhouse that made me want to stand up and cheer. Please check out this underrated masterpiece!
My score: 9 (out of 10)
Well, DeNiro's performance is one of the high points of the film, and he is extraordinary as the abusive father who seems pleasant and jovial at times, but can turn violent when you push his buttons. Leonardo DiCaprio is also great, in one of the best performances of his career. Over the years, he's been gaining a reputation as a glamour guy. And that he is, but you must see his performance in this movie before regarding him as "just another pretty face." He was still in his early teens (I'm guessing) when he made this film, so this was a long time before he hit it big with "Titanic." Ellen Barkin is also good, but I wish her character could've been developed a little more. I kept wondering, during the course of the film, why she felt like withstanding Dwight's abuse for such a long period of time. In the beginning of the film, she's established as a free spirit--the kind of woman that romances a man, then drives off to another state to find her next man. Well, why didn't she do the same thing with this jerk? The film is based on a true story, so I'm sure she really did stay with him that long, but I just wanted to know her motives.
"This Boy's Life" is a solid, beautifully made slice-of-life that kept me glued to the screen from start to finish. The climax is an emotional powerhouse that made me want to stand up and cheer. Please check out this underrated masterpiece!
My score: 9 (out of 10)
A highly disturbing film about the violent relationship between a disturbed man, and his adolescent step-son. Remarkable performances from Robert DeNiro and Leonardo DiCaprio. The desperation and hatred is clearly conveyed by both of them; to the point that it's downright scary.
Deniro's character is so seemingly normal, and yet so menacing and terrifying. Another remarkable acting performance from him.
The taunting of the step-son, and the violent confrontations between the two are ugly, yet mesmerizing. You feel the claustrophobic feeling the boy must have had living in this small town, trapped into this relationship. Some of this is very tough to watch.
Deniro's character is so seemingly normal, and yet so menacing and terrifying. Another remarkable acting performance from him.
The taunting of the step-son, and the violent confrontations between the two are ugly, yet mesmerizing. You feel the claustrophobic feeling the boy must have had living in this small town, trapped into this relationship. Some of this is very tough to watch.
This was an excellent tale of what some people's lives are really like. The acting was flawless, the story rang true, and the dialogue was some of the best ever. Barkin was perfect as the man crazy, brainless mother, and De Niro captured the role of a bullying, phoney drunk completely. Men do indeed act like this every day, and women allow them to. Don't miss this one.
The title got it right. This is Leonardo's movie through and through. You can't wait for him to get away from his ineffectual Mother and his Stepfather. Not many young actors could hold their own with DeNiro, but Leonardo succeeds beautifully. See this movie if you still have any doubts about his acting ability; for once, the 12-year-old girls got it right by anointing him the actor of this generation.
Le saviez-vous
- AnecdotesWhen Robert De Niro saw Leonardo DiCaprio's acting in this movie, he called Martin Scorsese to tell him about the kid and he must check him out. Scorsese has since said that this was very unusual as De Niro wouldn't normally have this level of praise for a fellow actor. The three would finally work together in Killers of the Flower Moon (2023).
- GaffesIn the film, the children of Concrete go to high school in Chinook, as there is no high school in Concrete. In fact, Chinook is 268 miles away from Concrete, on the opposite end of the state.
- Citations
Dwight Hansen: I know a thing or two about a thing or two!
- Bandes originalesLet's Get Away from It All
Written by Tom Adair and Matt Dennis
Performed by Frank Sinatra
Courtesy of Capitol Records
By arrangement with CEMA Special Markets
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- How long is This Boy's Life?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 4 104 962 $US
- Week-end de sortie aux États-Unis et au Canada
- 74 425 $US
- 11 avr. 1993
- Montant brut mondial
- 4 104 962 $US
- Durée
- 1h 55min(115 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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