Thiruda Thiruda

I usually dont write reviews but felt like writing one for this movie as I enjoyed and also likes a couple of songs in it. I found it strange that there are so many negative reviews for this movie. I wouldnt call it a master piece but at the same time is way better than the majority of the tamil movies out there. Its got a good plot and good music to go along with it.

Well,this movie was not a great commercial success to mani sir's team,but i think this movie is technically superb.P.C.Sreeram,has don't an awesome job as usual for mani sir,but he used exceptionally good lighting techniques for songs.For the song "koncham nilavu",the lighting techniques were amazing.The story is pretty simple one,it is all about how a bank robbery makes two thiefs,a spy and a rural girl come together.The story was narrated in a simple way,as there is not much seriousness in the topic.This movie would be definitely enjoyed by people who like adventures and stuff like that.The songs are mind blowing in my opinion.though i like A.R.Rahman's compositions but this one is totally unique in my opinion.The song "thee thee"was composed with a mixture of Indian and western genres....is the best song in this movie.In fact,most of the people don't know the fact that,the lighting technique used in this movie was indeed used again in Lagaan-once upon a time in India which was nominated for the Oscars.Finally this one is a typical pop corn movie,and it does not tell any moral values or things like that to you as most of mani sir's movies tell....but it is quite enjoyable.I'd recommend the DVD!!

This movie is visually good.Mani and Sriram has tried different filters to get the mood of a mis en scene.The song Putham puthu bhoomi.. is gorgeously pictured.But mani has completly forget the script, it travels as it wish with Sriram.If they have faithfully stick to the original I believe this movie might be saved.

Mani Ratnam's adroit transposition of the Butch and Sundance story into a quirky rural setting with a distinctively Indian sensibility is ceaselessly entertaining, if eventually a little too long. You can find in it the major elements of Indian commercial cinema -- set-piece action scenes and dance numbers--but the film distinguishes itself with stylish camera work, superb music and, above all, a deliciously maverick, fantastical tone embellished with sparkling humor, very reminiscent of Terry Gilliam (Monty Python, Time Bandits, Adventures of Baron Munchhausen) in his prime.

The film borrows liberally from "Butch Cassidy and the Sundance Kid", both in letter and spirit. The more-or-less irrelevant plot involves two small-time thieves who inadvertently end up in control of the vast loot resulting from a major heist. Hot on their heels are the original mastermind of the heist, and a frantic police force led by an overweight, deceptively slow detective (S.P. Balasubramanian in the role of his life). Predictable complications ensue, but the pleasure is in the perceptive, droll sense of humor and the Indiana Jones-esque sense of adventure with which the story is told.

Shockingly enough, this film brings together Mani Rathnam, Ram Gopal Varma, and A.R.Rehman. The music is decent, but the technical work is shoddy, the script is terrible, and the performances fairly ordinary. Not suprisingly, Ratnam and Varma never worked together again.