Peter Derns voit ses projets d'avenir s'effondrer plus vite que le produit qu'il vend. L'espoir renaît sous la forme plantureuse de sa nouvelle intérimaire, Kris Bolin.Peter Derns voit ses projets d'avenir s'effondrer plus vite que le produit qu'il vend. L'espoir renaît sous la forme plantureuse de sa nouvelle intérimaire, Kris Bolin.Peter Derns voit ses projets d'avenir s'effondrer plus vite que le produit qu'il vend. L'espoir renaît sous la forme plantureuse de sa nouvelle intérimaire, Kris Bolin.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
- Nathan Derns
- (as Danny Swanson)
- Marla Higgins
- (as Demene E. Hall)
Avis à la une
Actually I really like this movie! Stunning and popular star Lara Flynn Boyle overtly titillating us and wearing skimpy outfits even including a bikini, Timothy Hutton, habitual scene stealer Oliver Platt during younger and thinner days, superstar Faye Dunaway, and Steven Webber from the TV show "Wings." How's that for voltage? Add in a proved plot-line with a long pedigree, some great whacky dialog, and top it off with the inspired idea of a corporate thriller set in a cookie company with the climax in an industrial kitchen, and yeah... I'll bank that. How could you possibly lose?
Overall rating: 7 out of 10.
Yes, it's a blank-from-hell picture and yes also, the blank in question happens to be a secretary/admin assistant (amazing how much mileage this particular career gets in this role), but "The Temp" jazzs up the stakes by making the stalkee --- in this case ad man Peter Derns (Timothy Hutton) --- a paranoid head case with anger management problems.
Lara Flynn Boyle of Twin Peaks fame plays the stalker with a mix of innocence and deliberateness that suggests a truly unhinged personality waiting to detonate. Watching her manipulate and provoke Hutton's character provides for some sick thrills --- it's like tormenting a wounded insect only the insect probably has more going on upstairs.
The plot is cheesy, for sure, but the script always keeps you watching. The dialogue is smooth for the most part and even when it borders on camp, it's not so over the line that it breaks the spell (until near the end when some of the action gets a bit superhero-ish).
Despite being a fun ride, "The Temp" suffers from one of the lamest closing lines ever (tied with "Get a Life" from "Sliver") but even that will give you a little chuckle. And there's worse things to get from grade B thrillers.
I`ve got to admit I`ve got a soft spot for these type of movies even though they`re all the same . As you`d expect THE TEMP plays out like the rest of them with an everyman character finding his life falling apart with the climax involving a physical life or death struggle . Timothy Hutton plays the everyman character fairly well in this , and the final scene isn`t as how you`d expect it . Without doubt the best scene involves some public samples of biscuits .
If you like these type of movies you`ll like THE TEMP . If not you won`t
Le saviez-vous
- AnecdotesReshuffles at the studio resulted in director Tom Holland having a different ending imposed on him, largely at the behest (it was rumored at the time) of Faye Dunaway who didn't want to be seen in a bad light.
- GaffesLess then 5 minutes into the movie you can see the camera visable when "Peter" gets into the elevator. Right as the doors are closing the camera is seen reflecting on the right side.
- Citations
Kris Bolin: He'd take off his shorts and I'd take off my bikini and we'd fuck underwater in front of the entire senior class on shore. They just thought that we were two lovers embracing. We could do that now. In front of Roger, Sara... and no one would know.
- Bandes originalesWicked, Nasty & Mean
By James Kalamasz and Alain Leroux (as Alain J. Leroux)
Meilleurs choix
- How long is The Temp?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Temp
- Lieux de tournage
- Cannon Beach, Oregon, États-Unis(coastal drive sequence)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 419 876 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 877 744 $US
- 15 févr. 1993
- Montant brut mondial
- 6 419 876 $US
- Durée
- 1h 36min(96 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1