NOTE IMDb
3,9/10
6,3 k
MA NOTE
Ajouter une intrigue dans votre langueCharles Dreyfus encounters Jacques Gambrelli, who reminds him painfully of Inspector Clouseau, the man who drove him insane. With good reason: Gambrelli is Clouseau's son.Charles Dreyfus encounters Jacques Gambrelli, who reminds him painfully of Inspector Clouseau, the man who drove him insane. With good reason: Gambrelli is Clouseau's son.Charles Dreyfus encounters Jacques Gambrelli, who reminds him painfully of Inspector Clouseau, the man who drove him insane. With good reason: Gambrelli is Clouseau's son.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Avis à la une
O.K. is the only possible way of analyzing this movie. It does what it set out to do. But if you have seen this movie and were disapointed, did you really think it was going to be as funny or enjoyable as earlier entries in the Pink Panther series? The movie's comedy is very lukewarm. Whether this is the fault of Blake Edwards, or maybe he intended it to be that way is unknown. Roberto Benigni is the Son. O.K, he is now an academy award winner, but in 1993 a complete unknown. If anyone on the movie wanted it to be a success then a bigger name should have been chosen, a David Jason, Dudley Moore or Rowan Atkinson. Benigni, does quite a good impersonation of Peter Sellers throughout the movie, but this aside isn't very funny or charming. The return of cast members like Herbert Lom, Graham Starke, Burt Kwouk and Liz Smith is good. But overall the movie seems forced and is something of a hit and miss. Lets hope the upcoming Mike Myers remake breathes new life into this series.
No pun intended - obviously Peter Sellers was no more by that time. But you have a lot of people involved who were there at the conception of the series (and what a story that is - check it out if you can, how the character came to be) ... and yet you can feel that the most important ingredient is missing. Even Steve Martin couldn't step into the (big) shoes ... not easy to fill.
Same is true for Roberto Begnini ... he has done some ... wonderful movies (see what I did there?), but this is not one of them. At least I wouldn't call it that. We have a love interest, we have again players you could be familiar with if you have seen the other movies ... and yet ... there is a big hole .. there is Sellers missing.
On the other hand, if you are able to just go with the flow ... just accept the silliness this serves you ... a good example is the Son dressed as a doctor "examining" the bad guy ... this is beyond ridiculous ... you'll either find it super funny or be super annoyed by it ... this informs how you feel about the rest of it.
The beginning of the movie with the chase scene is the same .... funny or not - your choice ... I've seen worse of course ... but also way better.
Same is true for Roberto Begnini ... he has done some ... wonderful movies (see what I did there?), but this is not one of them. At least I wouldn't call it that. We have a love interest, we have again players you could be familiar with if you have seen the other movies ... and yet ... there is a big hole .. there is Sellers missing.
On the other hand, if you are able to just go with the flow ... just accept the silliness this serves you ... a good example is the Son dressed as a doctor "examining" the bad guy ... this is beyond ridiculous ... you'll either find it super funny or be super annoyed by it ... this informs how you feel about the rest of it.
The beginning of the movie with the chase scene is the same .... funny or not - your choice ... I've seen worse of course ... but also way better.
While riding the subway eight years ago, I saw the billboards for "Son of the Pink Panther" and I really didn't think much about it then. I had yet to become a fan of Blake Edwards' work, and I really hadn't seen any of the previous Panther films.
Flash forward to 1999. Turner Classic Movies had shown the first six entries in the Panther series and I had watched them in chronological order, which I think is a good idea for anyone to do. I had seen "Curse" on tape and I decided to check out "Son of the Pink Panther" just out of curiosity. I had read some reviews, which were pretty dismal. So I had no reason to expect anything great.
Imagine my surprise when I found myself laughing a lot during the 95 minute running time of "Son". This was a clever, funny and very original entry in the long-running "Panther" series. Blake Edwards' instinct was right on the money when he cast Italian comedian Roberto Benigni in the role of Clouseau's illegitimate son. Benigni displays all the traits that made Peter Sellers such a great talent. He plays the comic scenes very straight which sells it so much better than if he had played it slyly. And the films he has made since ("The Monster", "Night on Earth" and "Life Is Beautiful", which was sort of his own "Being There") just confirms my initial reaction. And of course, what is a Panther film without Dreyfus, played as always by Herbert Lom, who works well with Benigni in many memorable sequences.
If I have a complaint about "Son", it is that it tends to get too preoccupied with the plot. The best Panther films didn't depend on plot as much as characterization and "Son" suffers because of it as did Edwards' previous disappointment "Switch". But "Son" has a manic comic energy and polish that "Switch" lacked and the payoffs work as in "Switch" they did not.
"Son of the Pink Panther" is a better film than "Curse", "Revenge" and the original film, but not "Strikes Again", "Return" and "A Shot in the Dark" (of which this film has its roots in) Sadly, Edwards retired from theatrical features after this although he still works in TV. He showed so much vigor and life in "Son" that makes me want to see him make another Panther film, especially with Roberto Benigni. I'm still waiting.
***1/2 out of 4 stars
Flash forward to 1999. Turner Classic Movies had shown the first six entries in the Panther series and I had watched them in chronological order, which I think is a good idea for anyone to do. I had seen "Curse" on tape and I decided to check out "Son of the Pink Panther" just out of curiosity. I had read some reviews, which were pretty dismal. So I had no reason to expect anything great.
Imagine my surprise when I found myself laughing a lot during the 95 minute running time of "Son". This was a clever, funny and very original entry in the long-running "Panther" series. Blake Edwards' instinct was right on the money when he cast Italian comedian Roberto Benigni in the role of Clouseau's illegitimate son. Benigni displays all the traits that made Peter Sellers such a great talent. He plays the comic scenes very straight which sells it so much better than if he had played it slyly. And the films he has made since ("The Monster", "Night on Earth" and "Life Is Beautiful", which was sort of his own "Being There") just confirms my initial reaction. And of course, what is a Panther film without Dreyfus, played as always by Herbert Lom, who works well with Benigni in many memorable sequences.
If I have a complaint about "Son", it is that it tends to get too preoccupied with the plot. The best Panther films didn't depend on plot as much as characterization and "Son" suffers because of it as did Edwards' previous disappointment "Switch". But "Son" has a manic comic energy and polish that "Switch" lacked and the payoffs work as in "Switch" they did not.
"Son of the Pink Panther" is a better film than "Curse", "Revenge" and the original film, but not "Strikes Again", "Return" and "A Shot in the Dark" (of which this film has its roots in) Sadly, Edwards retired from theatrical features after this although he still works in TV. He showed so much vigor and life in "Son" that makes me want to see him make another Panther film, especially with Roberto Benigni. I'm still waiting.
***1/2 out of 4 stars
The "Pink Panther" franchise has spawned a number of movies. The last one in the series is "Son of the Pink Panther." It stars Roberto Benigni as the original Inspector Jacques Clouseau's son. He does a good job stumbling and bumbling his way through the story. It's easy to picture Benigni as a Clouseau-type stumblebum. And a number of characters appear that, although they did not appear in "The Pink Panther," have become familiar in other "Panther" movies. But the last in the line differs somewhat from the original. Its tone isn't quite as lighthearted as the first. It has a lot of violence that seems to taint the movie. Although there are a few good scenes, this movie reminds us all how sorely Peter Sellers is missed.
No this movie is not as good as the earliest Pink Panter movies and no, Roberto Benigni ain't no Peter Sellers but fair is fair, this is an entertaining and fun enough comedy, that showed some potential for a new fresh start of the Pink Panther series.
Everything in this movie indicated that they intended this movie as a new and fresh start of the Pink Panther series. The movie was more of its time and modern and looked more like a James Bond movie done comedy style than an old fashioned made slapstick, like all of the other previous Pink Panther movies were done in.
Too bad that people never really gave this movie a fair change. People just thought that the Pink Panther series should had stopped with the death of Peter Sellers in 1980 and director Blake Edwards should had never went on making more Pink Panther movies, as he did. This was the third Pink Panther movie without Peter Sellers, so people were already mostly fed up with it and after the previous too disappointing Pink Panther entries, the expectations for this movie naturally weren't really high. But I for one however wouldn't had mind seeing more Pink Panther movies with the son of Clouseau in it.
No, I never really have been a Roberto Benigni fan, since he mostly only plays naive, smiling, jumping and screaming comical characters but he simply was well cast in this movie and did a good job with his role. I think it was a good move that they didn't let hem try to impersonate Peter Seller's performance as the famous 'brilliant' inspector but instead letting him be a total different character with Benigni his own interpretation.
Nevertheless it's not a movie that totally abandons the style or spirit of the previous Pink Panther movies. It still let some old character re-appear in this movie such as Police Commissioner Charles Dreyfus (finally he got his promotion), Professor Auguste Balls, Cato and Sergeant Francois Duval. It however also becomes painfully obviously that by now the actors who are portraying the characters got terribly old and it became time for some fresh blood. As much as I loved Herbert Lom in all of the previous Pink Panther movies as Dreyfus, he really was too old for his role in this movie to be still believable and good in it. Same goes for Burt Kwouk as Cato, who at the time of this movie already was well in his 60's.
The fact that this is a more comical approach of James Bond also means that there is some more story present this time, with a real villain and a love interested, action, shooting as well as most other typical genre clichés. The feeling that this is a more comical version of James Bond is being strengthened by the presence of Robert Davi, who previously played the main villain in the James Bond movie "Licence to Kill". Basically he plays the same role as he always does; a ruthless criminal boss who always is looking for more power and money. But if you're so great at playing these sort of roles, why wouldn't you take it? A only complaint could be that he doesn't play his role comically enough. He is serious as always, though I'm not to sure if this was what the film-makers originally had in mind. The different approach of the entire movie might also be a reason why some people have difficulties accepting this as a Pink Panther movie but I in fact think that all of the Pink Panther movies are somewhat- and always wanted to be like James Bond movies, only done in a complete different comical style.
Director Blake Edwards with this movie shows that old fashioned slapstick can still be incorporated properly into 'modern' movies, if done and handled correctly. Blake Edwards with this movie shows that he still had it in him, which also makes it sort of a shame that his career pretty much died right after this movie.
Give this movie a fair change and you might end up liking it for what it is.
6/10
http://bobafett1138.blogspot.com/
Everything in this movie indicated that they intended this movie as a new and fresh start of the Pink Panther series. The movie was more of its time and modern and looked more like a James Bond movie done comedy style than an old fashioned made slapstick, like all of the other previous Pink Panther movies were done in.
Too bad that people never really gave this movie a fair change. People just thought that the Pink Panther series should had stopped with the death of Peter Sellers in 1980 and director Blake Edwards should had never went on making more Pink Panther movies, as he did. This was the third Pink Panther movie without Peter Sellers, so people were already mostly fed up with it and after the previous too disappointing Pink Panther entries, the expectations for this movie naturally weren't really high. But I for one however wouldn't had mind seeing more Pink Panther movies with the son of Clouseau in it.
No, I never really have been a Roberto Benigni fan, since he mostly only plays naive, smiling, jumping and screaming comical characters but he simply was well cast in this movie and did a good job with his role. I think it was a good move that they didn't let hem try to impersonate Peter Seller's performance as the famous 'brilliant' inspector but instead letting him be a total different character with Benigni his own interpretation.
Nevertheless it's not a movie that totally abandons the style or spirit of the previous Pink Panther movies. It still let some old character re-appear in this movie such as Police Commissioner Charles Dreyfus (finally he got his promotion), Professor Auguste Balls, Cato and Sergeant Francois Duval. It however also becomes painfully obviously that by now the actors who are portraying the characters got terribly old and it became time for some fresh blood. As much as I loved Herbert Lom in all of the previous Pink Panther movies as Dreyfus, he really was too old for his role in this movie to be still believable and good in it. Same goes for Burt Kwouk as Cato, who at the time of this movie already was well in his 60's.
The fact that this is a more comical approach of James Bond also means that there is some more story present this time, with a real villain and a love interested, action, shooting as well as most other typical genre clichés. The feeling that this is a more comical version of James Bond is being strengthened by the presence of Robert Davi, who previously played the main villain in the James Bond movie "Licence to Kill". Basically he plays the same role as he always does; a ruthless criminal boss who always is looking for more power and money. But if you're so great at playing these sort of roles, why wouldn't you take it? A only complaint could be that he doesn't play his role comically enough. He is serious as always, though I'm not to sure if this was what the film-makers originally had in mind. The different approach of the entire movie might also be a reason why some people have difficulties accepting this as a Pink Panther movie but I in fact think that all of the Pink Panther movies are somewhat- and always wanted to be like James Bond movies, only done in a complete different comical style.
Director Blake Edwards with this movie shows that old fashioned slapstick can still be incorporated properly into 'modern' movies, if done and handled correctly. Blake Edwards with this movie shows that he still had it in him, which also makes it sort of a shame that his career pretty much died right after this movie.
Give this movie a fair change and you might end up liking it for what it is.
6/10
http://bobafett1138.blogspot.com/
Le saviez-vous
- AnecdotesFinal film of composer Henry Mancini as he died a year later after the films release.
- GaffesWhen Commisioner Dreyfus accidentally ejects himself from his hospital bed, person being ejected is a clearly a stunt double, with darker hair, and more of it.
- Citations
Maria Gambrelli: Your father played the violin. Not well, but passionitely. He made love the same way.
- Crédits fousThe opening credits have the Pink Panther stepping out of a cinema screen to conduct a live-action orchestra to his theme music (taking the baton from composer Henry Mancini). He does a superb job... until an animated Inspector Gambrelli mucks things up.
- Versions alternativesItalian prints (available on DVD in Italy) contains several alternate scenes, different camera angles and sound effects. This version runs at 86 minutes, seven minutes shorter of the U.S. cut. The alternate scenes are somewhat bawdy and make for a much funnier film:
- Gambrelli, riding in the car with Dreyfus and Francois Duval, sneezes and then grabs for a rag to wipe down the mess, but pulls out a condom instead. From there he starts stretching it and inflating it like a balloon. The condom then pops.
- Gambrelli's lock up with the princess: Hans drops his body on the floor in Yasmin's room before leaving. Gambrelli comes to his senses seeing Yasmin, collapsing onto Yasmin's lap in a stupor. He then pulls himself onto her chest, resting on her shirt, and makes love with the aroused Yasmin. He attempts to burst out the door, but gets flung back onto the floor. The scene ends with implied oral sex as the shot focuses on Yasmin's face, much to her satisfaction.
- The Balls scene has been excised.
- Dialogue from Gambrelli has been added to some sequences, particularly at the end with the Pink Panther animated segment.
- ConnexionsFeatured in MGM/UA Home Video Laserdisc Sampler (1990)
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- How long is Son of the Pink Panther?Alimenté par Alexa
Détails
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 438 031 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 129 689 $US
- 29 août 1993
- Montant brut mondial
- 2 438 031 $US
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