Dans la Pologne occupée par les Allemands durant la Seconde Guerre mondiale, Oskar Schindler se préoccupe peu à peu de sa main-d'oeuvre juive après avoir été témoin de la persécution des All... Tout lireDans la Pologne occupée par les Allemands durant la Seconde Guerre mondiale, Oskar Schindler se préoccupe peu à peu de sa main-d'oeuvre juive après avoir été témoin de la persécution des Allemands nazis.Dans la Pologne occupée par les Allemands durant la Seconde Guerre mondiale, Oskar Schindler se préoccupe peu à peu de sa main-d'oeuvre juive après avoir été témoin de la persécution des Allemands nazis.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 7 Oscars
- 91 victoires et 49 nominations au total
- Poldek Pfefferberg
- (as Jonathan Sagalle)
- Victoria Klonowska
- (as Malgoscha Gebel)
- Wilek Chilowicz
- (as Shmulik Levy)
- Ingrid
- (as Beatrice Macola)
Résumé
Avis à la une
This was, and will forever be, one of the best films ever made, not just the ultimate story of The Holocaust, but truly as masterpiece, one of the best.
If you can sit through it without being moved to the point of tears, you're made of stronger stuff than I am, the atrocities committed on those innocent people will never be forgotten. The realisation here is chilling.
The film's pacing is quite remarkable, it's a three hour film that flashes by quickly, but it's three hours that will live with you forever, some of the scenes will rightly never be forgotten.
What has always struck me, is the way that everything became normalised, people first losing their businesses, their homes, their freedom, and ultimately their lives, it is truly one of the bleakest points in human history, that's what this film details perfectly.
The Cinematography is incredible, it's understated, but perfect, fits the film perfectly, the sheer scale of it is so impressive. The scene with the little girl in the red coat has always been one of the standout moments.
No wonder it won a string of Oscars, the acting is outstanding throughout, I have always regarded this is Liam Neeson's best ever performance, but Ben Kingsley and Ralph Fiennes are remarkable also.
It's a film that informs, moves, and makes you think in equal measures. If you think it's going to be too much, I'd say this, it is very upsetting at times, but it does also give some real glimpses of hope, the remarkable human spirit.
A jaw dropping, powerful movie, it's one of the best ever made.
10/10.
Movie brought to life this great man who really shouldn't be forgotten, and thanks to Steven Spielberg, I think he'll be remembered for generations to come. Movie like this should be made once in a while. Not that movie should be used for evangelistic purposes but some story should be told well, and movie is still the best vehicle to do so.
I still think that Oskar Shindler's last words in this movie was one of the best dialog in movie history - "Why did I keep this badge ? I could have saved a person. Why did I keep this car ?, I could have saved five more people."
Shows you the war is bad for everyone. Shows you een the little kindness is the greatest thing. Shows you "Whoever saves one life, saves the world entirely."
I saw so many World War II movies, non of them gave me these feelings. Most of them are just too sided with USA. Some of them just made with fictional characters. And I don't know how but some of them says war is a good thing if you're shooting bad people.
Besides one of the greatest historical Screenplay, the Acting Performances just superb. I don't imagine any better casting for any character. They all chosen well. With Liam Neeson's Schindler, Ben Kingsley's Stern and the great villain Ralp Fiennes' Amon Goth.
Scores is the soul of the movie. John Williams mades you feel that.
Cinematography is too great, watching this movie with these colors makes the movie too much realistic. I don't know how is it doing that. I know some of the movies are trying that when flashback scenes are coming, but most of them are not being successful at.
Art Direction and Set Decoration is also too varied. They managed to do an enormous job. You feel the greatness in the movie with varied places and objects.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Le saviez-vous
- AnecdotesWhen survivor Mila Pfefferberg was introduced to Ralph Fiennes on the set, she began shaking uncontrollably, as he reminded her too much of the real Amon Göth.
- GaffesAt the end of the film, it is written that Oskar Schindler was declared righteous in 1958. Schindler, however, was not declared righteous until 1993, the same year the film was released and 19 years after his death.
- Citations
Oskar Schindler: Power - is when we have every justification to kill, and we don't.
Amon Goeth: You think that's power?
Oskar Schindler: That's what the Emperor said. A man stole something, he's brought in before the Emperor, he throws himself down on the ground. He begs for mercy, he knows he's going to die. And the Emperor - pardons him. This worthless man, he lets him go.
Amon Goeth: I think you are drunk.
Oskar Schindler: That's power, Amon. That - is power.
- Crédits fousThe theatrical version juxtaposed images from the film of the actors portraying certain identified "Schindler Jews" as each actual person placed a stone on Schindler's grave. The VHS version does not use this device, showing only the actual persons, credited by name.
- Versions alternativesAs shown in most countries, the film had the song "Yerushalayim Shel Zahav" - Jerusalem of Gold - at the end. When the film was shown in Israel, audiences laughed at this, as this song was written as a pop song in 1967 after the Six-Day War. The film's ending was re-dubbed with the song "Eli Eli" by Hannah Sennesh, written during World War II.
- ConnexionsEdited into 365 days, also known as a Year (2019)
- Bandes originalesMamatschi (Mommy, Buy Me a Pony)
Written by Oskar Schima and Franz Xaver Kappus (as F.X. Kappus)
Performed by Mimi Thoma
Courtesy of The RCA Records Label of BMG Music
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- La lista de Schindler
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 22 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 96 898 818 $US
- Week-end de sortie aux États-Unis et au Canada
- 656 636 $US
- 19 déc. 1993
- Montant brut mondial
- 322 161 245 $US
- Durée3 heures 15 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1