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Le saint de Manhattan

Titre original : The Saint of Fort Washington
  • 1993
  • R
  • 1h 43min
NOTE IMDb
7,0/10
2,9 k
MA NOTE
Matt Dillon and Danny Glover in Le saint de Manhattan (1993)
Drame

Ajouter une intrigue dans votre langueA homeless schizophrenic seeks the help of a streetwise combat veteran as they attempt to overcome cruel life on the streets.A homeless schizophrenic seeks the help of a streetwise combat veteran as they attempt to overcome cruel life on the streets.A homeless schizophrenic seeks the help of a streetwise combat veteran as they attempt to overcome cruel life on the streets.

  • Réalisation
    • Tim Hunter
  • Scénario
    • Lyle Kessler
  • Casting principal
    • Danny Glover
    • Matt Dillon
    • Rick Aviles
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    2,9 k
    MA NOTE
    • Réalisation
      • Tim Hunter
    • Scénario
      • Lyle Kessler
    • Casting principal
      • Danny Glover
      • Matt Dillon
      • Rick Aviles
    • 23avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 2 nominations au total

    Photos23

    Voir l'affiche
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    + 16
    Voir l'affiche

    Rôles principaux53

    Modifier
    Danny Glover
    Danny Glover
    • Jerry
    Matt Dillon
    Matt Dillon
    • Matthew
    Rick Aviles
    Rick Aviles
    • Rosario
    Nina Siemaszko
    Nina Siemaszko
    • Tamsen
    Ving Rhames
    Ving Rhames
    • Little Leroy
    Joe Seneca
    Joe Seneca
    • Spits
    Harry Ellington
    • Arthur
    Ralph Hughes
    • Jason
    Bahni Turpin
    Bahni Turpin
    • Gloria
    Robert Beatty
    • Ex-Pharmacist
    • (as Robert Beatty Jr.)
    Reuben Schafer
    • Greek Man
    • (as Reuben Schaefer)
    Louis Williams
    • Ennis
    Adam Trese
    Adam Trese
    • John
    Kevin Corrigan
    Kevin Corrigan
    • Peter
    Brian Tarantina
    Brian Tarantina
    • Fred
    Irma St. Paule
    Irma St. Paule
    • Neighbor Lady
    • (as Irma St. Paul)
    Aida Turturro
    Aida Turturro
    • State Employee
    Marvin Gardener
    • Sandwich Man
    • Réalisation
      • Tim Hunter
    • Scénario
      • Lyle Kessler
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs23

    7,02.9K
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    10

    Avis à la une

    9elgatony

    Makes you wonder how Russell Crowe got an Oscar before Matt Dillon.

    I first saw this movie on late night cable several years ago and found myself riveted to the point where I decided to tape it and now, 10 years later still find myself unable to record over it. It's just that good!! Matt Dillon and Danny Glover deliver performances subtle but powerful enough to make you forget they are actors. The New York locales add to the feeling of authenticity and makes you wonder if mayors past and present (including "America's Mayor" Rudy Giuliani) are barking up the wrong tree in attacking squeegie men trying to make a buck rather than concentrating on more important things.

    Anyhow, back to the film: Ving Rhames appears as a thug our duo just can't seem to escape for as hard as they try to achieve their dreams, they are constantly forced to spend the night in a shelter with him. In seeing this film you also will be unable to shake feelings of frustration we all meet at one time or another at the hands of bureaucracy. Matt Dillon's character can't receive a check because he has no ID, Danny Glover can't mourn at a paupers cemetery because it's against regulations, etc.

    This film is about trying to maintain hope, beauty, humor, dignity and caring when homeless and if this just sounds like your typical tear-jerker, just remember, as Glover's character points out when condescended by a yuppie: "three missed checks and that guy's living on the streets just like us." It's a powerful message when you begin to see just how hard it is to climb out of the pit once in it. Rent this film, you'll be be glad you did. This is a gem despite Leonard Maltin's half-assed review. This film deserves to be recognized more than it has been for Dillon proves he can act any of our "stars" under the table with just a filmless camera. You may need a hanky though. I can sit through the bloodiest of movies while eating yet this film moved me. I give this movie a 9.5 out of 10. SEE THIS MOVIE!!!
    DOLANGLO

    A credible, wonderful film.

    One of the movies you will remember always. Matt Dillon is just riveting in his role as Matthew. If you don't think much of him as an actor, then this is a must see. Not playing a misguided teen in this one, but a sad person you want to see win in a world you can't win in. Danny glover is as always great and together they're a real team.

    Do yourself a favor, and watch this moving sweet film. Don't forget to tell others about it. I will watch it again. I think you will too.
    giatime

    So realistic it's scary!

    As a former NYPD officer I can tell you this film is so realistic it's scary. the terrifying homeless shelters of NY are one step above Dante's Inferno. Potters field on Hart's island is also portrayed exactly as it is.

    This Matt Dillon is some kind of actor. How do actors like this get passed over while morons like Sandler and Stiller are so highly praised? This world is just a little upside down. I have a feeling we wont be seeing many more movies like the saint of fort washington now that shrek 2 has busted all previous box office records. Like I said this world is just a little upside down! Danny Glover is also great in his role. So sad that we can spend 200 billion in Iraq and not provide proper facilities for our own mentally disturbed people.
    karlericsson

    USA - what a disgrace!

    There are some people, who don't manage to make the american dream, because they are not 'good' enough when it comes to cheating your fellow man of his money or somehow lie yourself to the top. In old Germany there was a saying: "And even if the business is ever so small it still gives you more than honest work."

    And then there are some people who find market economy offensive, find all business offensive and deeply immoral and who therefor are unable in 'making it'.

    And then there are some who have gifts, which are of a kind, that they simply do not fit in in this abomination we call the 'free world' and that world hits down on them real hard and it seems that world wants to rot out every bit of decency that is left amongst mankind.

    A society is not measured by how it treats it most rich and powerful people. If so, there would be no difference between countries, since the most rich and powerful are having a fine time in any society today.

    A society is measured by how it treats its misfits, the most powerless and poor.

    Take a look in the mirror that this picture shows and 'SHAME ON YOU' if you ever mingle carefree and clueless amongst the idle rich.

    This picture you see in the mirror of this film can only lead to shame amongst all of us, who are lucky enough not to belong to these miserable people. No place for fancy rationalizations here. Those who do not want or cannot belong to our sick world of business, we have no right to treat this way. A minimum of decency should be given everyone. Are we so sure, that we can do without them? Is it not so, that there is more chance to find somebody amongst them, who can lead us out from this graveyard we are digging, than there is a chance to find that somebody in the likes of the present president? Is there not more truth amongst these homeless than you will find on any dinner-party?

    I just ask.
    10alicecbr

    Painful to watch ....too realistic of the lives and deaths of the homeless

    You and I can usually put the homeless out of our minds. It is said that if you truly felt the misery of the homeless, you would go mad. I could not watch this movie all the way through at one sitting, but had to take it in increments. You know tragedy will occur, as though the wasted lives of the hundreds of vagabonds, mentally ill and veterans on the street isn't itself a crime.

    As someone who sometimes serves the homeless at the Arlington Street Church in Boston, I know these people. They act like the software engineers I work with 'so long as they are on their 'meds''. That we are so savage a society that we no longer take upon ourselves the obligation to do good to the helpless, to house them as we did in a more civilized time, that's just one of the many signs of our downfall as a society.

    No preaching in this movie, however. Danny Glover's and Matt Dillon's eyes tell it all. I think one reason we have so many humanitarian actors is because they have to play the roles of the downtrodden and in doing so, become empathetic with them. Since many writers, musicians, actors were blacklisted or attacked for their heroic stands, they know the hurt of the mob or bullying police themselves.

    Dillon and Glover went out on the streets and lived among these denizens of the sewers, these reminders that we have regressed to Dickens' time. The complicity of the Shelter police in the beating and murder is something that will make you retch, as the sharks of the night rob the other homeless of their pennies, armed with knives that somehow get through the metal detectors. You have no reason NOT to believe the various anecdotes that emerge, from the retarded couple and their pregnancy to the old man with the arthritic fingers, sharing his soup to the Vietnam vet with shrapnel still in his knees, screaming in pain when his drugs give out. The sharing of the homeless with the others in the same state is something that few of us in the 'burbs will ever do,

    You keep thinking something beatific will happen as the boy has visions of a happy life in glorious Technicolor, but the drab colors of the mean streets of New York remind you that it's all in his head. YOu will never pass up another street hustler with his roses on Mass Ave., trying for a few bucks to ease whatever horrors brought him to this place in life. YOu will want to open wide your home to every vagrant in the Pine Street Inn.. Yet fear will stop you: fear that some will be as the murderous hustlers of the night in those shelters. You understand why some of those you serve dinner to won't be caught dead in a shelter, for fear they WILL be.

    The city of New York aided in filming this important movie, which should be shown to every HIstory class, every Sociology class and to every recruit thinking he will return to Glory when his time in Iraq is over. They're already joining the Vietnam vets in homelessness, as this movie shows.

    The most horrible scene is the movie however, shown so poignantly and understatedly by Dillon, is when he tries to return home after his slum apartment is razed. His mother has moved to Florida, and left the key with a neighbor who refuses to let him in his 'family home' in the Bronx. You have no understanding for how a mother can desert her mentally ill child......the joke is made painfully real. "My folks left while I was out and left no forwarding address." For the first time in my long life, I visit a Potter's Field and am told "There is no funeral." They are buried in a mass grave, each in a wooden box. Even as we are shown the box, the photos left as a memorial blow away, leaving no trace of that human being's individuality, his genius. Having met many intelligent, well-educated homeless whose shell is too brittle to bear the 'slings and arrows of outrageous fortune', I wonder how we in this country dare call ourselves 'civilized'. Yet I remember the admonishment in my training in Clearwater, when i volunteered to help out at a church's homeless shelter: "Don't ever think you can change them, can make their lives right again. You can only serve them where they are." This movie makes even more clear why the homeless man snapped at me, as I whistled while cleaning up the mats in the morning: "What are you so happy about?" Maybe he knew what I didn't: I was whistling because I wasn't him. Great movie, but for God's sake, don't ignore what you take from it. Dillon and Glover punch up the point: There but for the grace of God go I. No wonder this movie wasn't 'popular'. It points the finger right at you and me, for the injustice we do to these, the helpless.

    Centres d’intérêt connexes

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In order to research his role in the film, Danny Glover actually went incognito as a homeless person to get the feel for the struggles and hardship that homeless people endure.
    • Gaffes
      Two different people said that Fort Washington Armory was in two different parts of the city. The guard at the family shelter told Matthew, "You're in the wrong place. You got to go downtown to Fort Washington." Later in the movie, at Fort Washington, Little Leroy said to Matthew, "We here at Washington Heights (where Ft. Wash. Armory is located). That's in the northern tip of the island of Manhattan, ..." Downtown is southern Manhattan.
    • Citations

      [to a black couple who tipped him for washing their windshield]

      Matthew: Thank you. May all your children be white.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Carlito's Way/The Piano/My Life/The Three Musketeers/Jamón Jamón (1993)
    • Bandes originales
      METAL DISTRACTION #35
      Composed by Larry Seymour

      Courtesy of C'mo Music (ASCAP)

    Meilleurs choix

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    FAQ20

    • How long is The Saint of Fort Washington?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 3 novembre 1993 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Saint of Fort Washington
    • Lieux de tournage
      • Fort Washington Armory, 216 Fort Washington Avenue, New York, New York, États-Unis
    • Sociétés de production
      • Carrie Productions Inc.
      • David V. Picker Productions
      • Nessa Hyams
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 7 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 134 454 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 19 409 $US
      • 21 nov. 1993
    • Montant brut mondial
      • 134 454 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 43min(103 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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