Rio Diablo

I always thought that when a bounty hunter kills the suspect, why do they always leave the suspects guns and equipment? If a handgun costs a cowboy a months or several months wages, they must be too valuable to leave. They should have a early form of recycling. At least in this movie the suspects property becomes a bonus for the bounty hunter.

Laura Harring is kidnapped from her wedding by a gang who intend to sell her across the Rio Grande. Her groom, Travis Tritt, goes after her, and meets up with bounty hunter Kenny Rogers.

It's a very well shot TV movie, with DP David Connell capturing some nice nice landscape in Texas, including one shot that looks like it was stolen from Ford's Rio Grande. Rogers is pretty good in the first third of the movie, where obeys the classical dictum of talking low, talking slow, and not saying much. Eventually, as he and Tritt ride on, he becomes chattier and chattier, and a sojourn at Naomi Judd's safe house fills in his tragic back story.... which is pretty much standard alas.

This one visually looks like a 1950s Shaky A western, one with some money spent, but it lacks much int he way of the grand themes of such movies. Instead, it offers bits out of spaghetti westerns, but cleaned up for television broadcast. As such, it's neither fish nor fowl, nor good red meat, and Rogers doesn't even sing a title song.

Why did they bother - I have spent a better couple of hours with the toothache - Kenny Rogers should have stuck to singing - Could it be his singing pal Dolly Parton might have brought "something" to this movie? To think I could have watched "The Simpsons" on another channel.

The typical motifs of the spaghetti westerns can be found also here. The Kenny Rogers character represents greed and the Travis Tritt character is fueled by revenge. His beautiful wife (played by Miss USA) got captured and they are both behind the baddies. Kenny Rogers seems to old as the merciless bounty-hunter and Travis Tritt doesn´t really convince, either. Photography is very well done and stylish, art direction is proper. The plot develops well without any logical flaws. The baddies are stock characters.

Neat and cute run-of-the-mill Hollywood production

5 / 10.

Except for a couple of fatal errors, "Rio Diablo" could have been a great spaghetti western. Kenny Rogers is outstanding as the bounty killer so ruthless he makes "the man with no name" seem like a sissy. Travis Tritt is pretty good, too. Unfortunately, Tritt fails to develop the kind of buddy chemistry with Rogers that's needed for this story (1st mistake). Naomi Judd, on the other hand, is embarrassingly bad as the madam. She's too classy looking and refined, and her line readings are terrible. If Rogers really insisted on casting a country star, he should have considered Dolly Parton or Barbara Mandrell (2nd mistake). Stacey Keach is convincingly slimy in his small, surprise role. However, he resembles one of the main baddies too much,creating unnecessary confusion.

In spite of its flaws, "Rio Diablo" is considerably better than another 90s spaghetti knockoff, "The Quick and the Dead." I give "Rio Diablo" a "6".