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IMDbPro

Le programme: Vaincre à tout prix

Titre original : The Program
  • 1993
  • R
  • 1h 52min
NOTE IMDb
6,5/10
12 k
MA NOTE
Le programme: Vaincre à tout prix (1993)
Home Video Trailer from Touchstone Pictures
Lire trailer1:31
1 Video
43 photos
FootballActionDramaRomanceSport

Ajouter une intrigue dans votre langueSeveral players from different backgrounds try to cope with the pressures of playing football at a major university. Each deals with the pressure differently, some turn to drinking, others t... Tout lireSeveral players from different backgrounds try to cope with the pressures of playing football at a major university. Each deals with the pressure differently, some turn to drinking, others to drugs, and some to studying.Several players from different backgrounds try to cope with the pressures of playing football at a major university. Each deals with the pressure differently, some turn to drinking, others to drugs, and some to studying.

  • Réalisation
    • David S. Ward
  • Scénario
    • David S. Ward
    • Aaron Latham
  • Casting principal
    • James Caan
    • Halle Berry
    • Omar Epps
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    12 k
    MA NOTE
    • Réalisation
      • David S. Ward
    • Scénario
      • David S. Ward
      • Aaron Latham
    • Casting principal
      • James Caan
      • Halle Berry
      • Omar Epps
    • 42avis d'utilisateurs
    • 13avis des critiques
    • 51Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    The Program (1993)
    Trailer 1:31
    The Program (1993)

    Photos43

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    + 36
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    Rôles principaux60

    Modifier
    James Caan
    James Caan
    • Sam Winters
    Halle Berry
    Halle Berry
    • Autumn Haley
    Omar Epps
    Omar Epps
    • Darnell Jefferson
    Craig Sheffer
    Craig Sheffer
    • Joe Kane
    Kristy Swanson
    Kristy Swanson
    • Camille Shafer
    Abraham Benrubi
    Abraham Benrubi
    • Bud-Lite Kaminski
    Duane Davis
    Duane Davis
    • Alvin Mack
    Jon Pennell
    • Bobby Collins
    • (as Jon Maynard Pennell)
    Joey Lauren Adams
    Joey Lauren Adams
    • Louanne
    • (as Joey Adams)
    J.C. Quinn
    J.C. Quinn
    • Joe's Father
    Andrew Bryniarski
    Andrew Bryniarski
    • Steve Lattimer
    Leon Pridgen
    Leon Pridgen
    • Ray Griffen
    • (as J. Leon Pridgen II)
    Michael Flippo
    • Coach Humes
    • (as Mike Flippo)
    Jeff Portell
    • Reporter #1
    Ernest Dixon
    • Coach Clayton
    George Rogers
    • Coach Myers
    Bernard Mixon
    • Reverend Wallace
    Mary Holloway
    • Alvin's Mother
    • Réalisation
      • David S. Ward
    • Scénario
      • David S. Ward
      • Aaron Latham
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs42

    6,511.9K
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    Avis à la une

    7Wuchakk

    Football at a major university

    That's the best way to describe 1993's "The Program" in as few words as possible. It's a realistic drama/sports film focusing on a handful of players and their stories as individuals and members of the ESU Timberwolves.

    I was well into the second half of the film when it dawned on me that I was into the characters' stories and had forgotten I was watching a movie, which is always a good sign. The characters include the quarterback (Craig Sheffer) who has to deal with the incredible pressure of his position and the fact that his Dad's an aloof drunkard who's given up on life; the linebacker who takes steroids to compete and starts to become a rage-oholic; the black dude from the ghetto who memorizes big words to appear smart; and more. For most of them, their lives and futures hinge on the game and so getting seriously injured can wipe out their very reason for existence. James Caan is notable as the coach.

    As for women, there's Halle Berry in her prime and Kristy Swanson, but their roles are too limited and there are essentially no other women to be found, except cheerleaders & students in the background.

    People who have played university football have pointed out that "The Program" is realistic in its depiction. It's a really good sports film for sure, but 1999's "Varsity Blues," which focuses on Texas high school football, edges it out. In fact, "Varsity Blues" ranks with my all-time favorite movies; it's got a more compelling story & characters, a funner vibe and better women. But both of them are must-see sports flicks.

    The film runs 112 minutes and was shot at Duke University, Durham, North Carolina, and the University of South Carolina, Columbia, SC.

    GRADE: B+
    7VCRanger

    Put the women and children to bed...

    The Program is an extremely pumped up look at college football and at individual players on a college team. Speaking from experience as a college player, most of the things in this movie are grossly exaggerrated (no teammates I played with ever wanted me to spit in their mouth). However, there are a few revealing moments in this movie that capture life on a college football program. Standard performances, directing and screenplay are adequate in this film, but its true enjoyment will be by those who have participated in organized football, especially college. A rating of 7 out of 10 was given.
    9bkoganbing

    Getting With The Program

    The Program may very well be the best film on college football ever done in that it shows its not quite the way it was when Pat O'Brien was playing Knute Rockne or even when Knute Rockne himself was coaching at Notre Dame.

    During the Nineties another classic film about professional football was done, Any Given Sunday. The main theme about Any Given Sunday was that sports was now more business than anything else. But pro football has always been a business. What The Program shows is just how much a business college football is, yet it maintains the fiction that this is amateur athletics.

    As is so eloquently put, no one is going to pay for a ticket to see a chemistry exam. Football with its ticket revenue, its alumni contributions, it's TV and radio rights, it's memorabilia rights is a very big business. It brings in money for the colleges, hence the colleges have a vested interest in a winning team. And some will do quite a bit more than others.

    James Caan does a fine job as the coach of mythical ESU who is a decent man caught up in the system. He operates his program straining the bounds of ethics. He knows full well that some of his kids are being greased right through college without an education, but football is his life and living and Caan operates the best he can.

    His players are a cross section of young America. Craig Sheffer is the very talented quarterback from a white trash background trying hard to rise above it. Omar Epps is the inner city ghetto kid who sees football as his ticket out. Andrew Bryniarski is the defensive player that steroids gave us, something Caan pretends not to notice until it really smacks him in the face. By the way Bryniarski was also in Any Given Sunday.

    My favorite in the entire film is Duane Davis who is another kid from the ghetto who both really loves the game, can barely read and write, and who also sees it as a way of rising from poverty. He's a nice kid, but a bad influence on Epps who he constantly tells that The Program will grease him through. Davis just lives for that National Football League contract.

    I do love the way Davis psyches himself before a scrimmage. You have to see the film to appreciate. Sad to say his is the saddest of all the stories here. You have to be made of stone to not be moved by seeing him at home, leg in a cast, listening to the final championship game with his mother, knowing the future he foresaw for himself is blasted to smithereens.

    Halle Berry and Kristy Swanson are there as love interests to both Epps and Sheffer respectively. There characters are quite a bit more than the usual air-headed cheerleaders cast in these parts.

    Another good performance is John Maynard Pennell as Sheffer's second string backup. He romances and talks Caan's daughter into taking an exam for him. When she's caught both are expelled. Caan personally kicks him out of the university and then has to swallow his pride and a good deal more to bring Pennell back when Sheffer has to go into rehab. That's also a classic scene.

    The Program is one of the finest, if not the finest film on college football ever done. I think more than sports fans will appreciate this finely crafted piece of cinema.
    lizard_k1ng

    I liked it.

    During the course of high school and college, we always come across numerous stereotypes. The 'jock' stereotype is possibly the most recognized. This movie transcended that and only focused on the brotherhood and comradery that arises from playing an organised sport. Not only did I enjoy this movie to a great extent I thought it to be both hilarious and dramatic. I believed the quality of acting in this film to have been superb, as well as the football scenes.
    bob the moo

    Clichéd but still an OK genre film

    The college football team of the Timberwolves is made up of students from all over America and of all sorts of background. Joe Kane is the team's poster boy and is tipped to go all the way to the NFL; Darnell is a rookie from the tough streets looking for a break with the team and his tutor Autumn and the rest of the team are made up of steroid takers, trash takers and course flunkers. With all this raw aggressions and raw ability, Coach Winters must try and hold it all together despite his own problems.

    It has been so many years since it came out that many viewers will have forgotten the fuss that made this film better known than it really deserved to be at the time. I won't go into it but I really fail to see (aside from the one impersonation) why a scene involving chicken with cars was cut yet a scene involving chicken with trains was left in – surely if one was unsuitable then the other should be so too? Now, over 10 years later the film remains more famous that it deserves on the back of some fortunate casting – it was the cast list that attracted to this film. The actual story is a fairly ho-hum sports movie with all the usual clichés about college sports as well as the usual semi-drama stories around the characters – overcoming bad backgrounds, party excesses, girl troubles and so on. As a basic sports movie it is enjoyable enough but it doesn't really do anything that makes it stand out from the genre.

    The cast is the ongoing selling point of the film and the performances are OK considering that the material doesn't give them a great deal to do other than go through the genre motions. Caan plays a grizzly old coach who has to cover the player's indiscretions and he does it well enough. Berry looks OK but has little to do in a very male dominated film. Sheffer is supposed to be the lead role but he doesn't really have the ability and he is easily swallowed up by his support cast. Epps is good and minor female roles are also given to Swanson and Adams. Bryniarski overplays his steroid addict but still works and I thought Davis showed a gentle touch when he was given the chance to in minor scenes during the final game.

    Overall, aside from the controversy that helped it getting a bigger audience at the time of release and the good list of names in the cast, this is actually just a competent film rather than a really good one. It has all the usual clichés that you expect from college sports films and it doesn't do anything special with them but it doesn't do them badly either. Entertaining as along as you know what to expect.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The original release of the film contained a scene where several ESU players lay on the yellow dividing line of a busy local road as a test of their courage. When two young men were killed, and several others injured, by imitating the stunt, Buena Vista cut the scene from the film. The scene is included on the Hong Kong Laserdisc and the Australia Region 4 DVD.
    • Gaffes
      The endzone design frequently changes colors from Maroon and Yellow to Red and Black. At one point "Carolina" appears visible (during the Michigan game) in the end zone.
    • Citations

      Alvin Mack: Let's open up a can of kick ass and kill 'em all, let the paramedics sort 'em out.

    • Versions alternatives
      A scene showing college students lying in a street in the middle of car traffic as a way to prove their courage. A few weeks after the film's release, the studio recalled all copies and deleted this sequence from the film in response to public outrage, A teen boy, Michael Shingledecker, was killed attempting this. The only known versions containing this scene is the Hong Kong Laserdisc and the Australia Region 4 DVD.
    • Connexions
      Featured in Siskel & Ebert & the Movies: The Good Son/The Program/A Bronx Tale/Bopha!/Dazed and Confused (1993)
    • Bandes originales
      Good Things
      Written by Kurt Neumann and Sammy Llanas (as Sam Llanas)

      Performed by BoDeans

      Courtesy of Slash/Reprise Records

      By Arrangement with Warner Special Products

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    FAQ18

    • How long is The Program?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 24 septembre 1993 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Allemand
    • Aussi connu sous le nom de
      • The Program
    • Lieux de tournage
      • Duke University, Durham, Caroline du Nord, États-Unis
    • Sociétés de production
      • Touchstone Pictures
      • The Samuel Goldwyn Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 15 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 23 032 565 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 6 821 931 $US
      • 26 sept. 1993
    • Montant brut mondial
      • 23 032 565 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 52 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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