Ajouter une intrigue dans votre langueSeveral players from different backgrounds try to cope with the pressures of playing football at a major university. Each deals with the pressure differently, some turn to drinking, others t... Tout lireSeveral players from different backgrounds try to cope with the pressures of playing football at a major university. Each deals with the pressure differently, some turn to drinking, others to drugs, and some to studying.Several players from different backgrounds try to cope with the pressures of playing football at a major university. Each deals with the pressure differently, some turn to drinking, others to drugs, and some to studying.
- Réalisation
- Scénario
- Casting principal
- Bobby Collins
- (as Jon Maynard Pennell)
- Louanne
- (as Joey Adams)
- Ray Griffen
- (as J. Leon Pridgen II)
- Coach Humes
- (as Mike Flippo)
Avis à la une
This seems like a greatest hit of college football scandals. The scattered approach leaves this problematic. I don't have a big problem with any of the stories but none of them really takes the lead. Sheffer isn't compelling enough to be the star. Omar Epps comes close to be star material and it would be interesting to have him as the lead character. There are just too many main story material.
The movie traces one season of college football for a once dominant, but now struggling Division 1 powerhouse, the fictional ESU Timeberwolves. James Caan is hilarious and well-cast as the Head Coach on the hot seat, and it's really great watching him deal with serious issues both on and off the field. Craig Shaeffer does a solid job at both his role and the QB position. His character is like a young, much more tortured Steve Young: he can throw the long ball, he can buy time with his feet, and he can do it all while battling inner demons. Omar Epps (the Wood) is simply perfectly cast as Darnell Jefferson, the prototype freshman Tailback fighting for his spot on the 1st team (plus the beautiful Halle Berry plays his love interest).
The movie is filled with hilariously awesome lines and performances, and is a classic among people who actually play football. While the editing work could be scrutinized among movie Nazis (the editing job when Kane and his girl are riding his motorcycle is questionable at times), the good far outweighs the bad. Namely, the in-helmet camera work really puts you on the field with them. Overall, David S. Ward does an excellent job of jumping from perspective to perspective, and it quickly builds into this chaotic, early 90s mosaic of Division 1 college football. And surprisingly, the issues explored in the film really resonate with the issues going on in today's sports (i.e. Steroids, Motorcycle death wishes).
Listen, if you haven't seen this movie, and you love football, and are of mild intelligence, then you are either really young or really lucky that you missed it because I wish i could watch it again for the first time. However, if you have no appreciation for the game of football, you're better off going elsewhere. Football idealists, be warned as well. This movie is the anti-Rudy. It's the story of one school's fight for a bowl bid, and fighting for that bid at all costs.
PS- My vote is very biased. I love to quote this movie with friends. I love to watch football on both Saturday and Sunday. I play fantasy football. I play Madden. I played Division 3 football in college. You have been warned.
During the Nineties another classic film about professional football was done, Any Given Sunday. The main theme about Any Given Sunday was that sports was now more business than anything else. But pro football has always been a business. What The Program shows is just how much a business college football is, yet it maintains the fiction that this is amateur athletics.
As is so eloquently put, no one is going to pay for a ticket to see a chemistry exam. Football with its ticket revenue, its alumni contributions, it's TV and radio rights, it's memorabilia rights is a very big business. It brings in money for the colleges, hence the colleges have a vested interest in a winning team. And some will do quite a bit more than others.
James Caan does a fine job as the coach of mythical ESU who is a decent man caught up in the system. He operates his program straining the bounds of ethics. He knows full well that some of his kids are being greased right through college without an education, but football is his life and living and Caan operates the best he can.
His players are a cross section of young America. Craig Sheffer is the very talented quarterback from a white trash background trying hard to rise above it. Omar Epps is the inner city ghetto kid who sees football as his ticket out. Andrew Bryniarski is the defensive player that steroids gave us, something Caan pretends not to notice until it really smacks him in the face. By the way Bryniarski was also in Any Given Sunday.
My favorite in the entire film is Duane Davis who is another kid from the ghetto who both really loves the game, can barely read and write, and who also sees it as a way of rising from poverty. He's a nice kid, but a bad influence on Epps who he constantly tells that The Program will grease him through. Davis just lives for that National Football League contract.
I do love the way Davis psyches himself before a scrimmage. You have to see the film to appreciate. Sad to say his is the saddest of all the stories here. You have to be made of stone to not be moved by seeing him at home, leg in a cast, listening to the final championship game with his mother, knowing the future he foresaw for himself is blasted to smithereens.
Halle Berry and Kristy Swanson are there as love interests to both Epps and Sheffer respectively. There characters are quite a bit more than the usual air-headed cheerleaders cast in these parts.
Another good performance is John Maynard Pennell as Sheffer's second string backup. He romances and talks Caan's daughter into taking an exam for him. When she's caught both are expelled. Caan personally kicks him out of the university and then has to swallow his pride and a good deal more to bring Pennell back when Sheffer has to go into rehab. That's also a classic scene.
The Program is one of the finest, if not the finest film on college football ever done. I think more than sports fans will appreciate this finely crafted piece of cinema.
Le saviez-vous
- AnecdotesThe original release of the film contained a scene where several ESU players lay on the yellow dividing line of a busy local road as a test of their courage. When two young men were killed, and several others injured, by imitating the stunt, Buena Vista cut the scene from the film. The scene is included on the Hong Kong Laserdisc and the Australia Region 4 DVD.
- GaffesThe endzone design frequently changes colors from Maroon and Yellow to Red and Black. At one point "Carolina" appears visible (during the Michigan game) in the end zone.
- Citations
Alvin Mack: Let's open up a can of kick ass and kill 'em all, let the paramedics sort 'em out.
- Versions alternativesA scene showing college students lying in a street in the middle of car traffic as a way to prove their courage. A few weeks after the film's release, the studio recalled all copies and deleted this sequence from the film in response to public outrage, A teen boy, Michael Shingledecker, was killed attempting this. The only known versions containing this scene is the Hong Kong Laserdisc and the Australia Region 4 DVD.
- Bandes originalesGood Things
Written by Kurt Neumann and Sammy Llanas (as Sam Llanas)
Performed by BoDeans
Courtesy of Slash/Reprise Records
By Arrangement with Warner Special Products
Meilleurs choix
- How long is The Program?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Program
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 23 032 565 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 821 931 $US
- 26 sept. 1993
- Montant brut mondial
- 23 032 565 $US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1