Pour l'honneur d'un flic

For this uninvolving action piece, the director's eye is more upon pyrotechnic effects and stunt work rather than narrative flow, and following upon its violent opening minutes, the work simply skids into predictability, a viewer being able to foretell even the details of dialogue. The setting is Los Angeles, where this movie is filmed, its plot relating of three members of the Los Angeles Police Department, assigned to an undercover narcotics detail, during which deadly complications occur, as a DEA operative and two uniformed officers are killed, this while a very large amount of drug sale money disappears, about which none involved appears to have any knowledge. The three surviving undercover officers are subsequently under suspicion, leading to a Department personnel investigation that alleges they are secreting the missing cash, whereupon the trio become fugitives as they attempt to discover who is answerable for the aborted operation. The police official heading the investigation, Captain Mitchell (John Saxon), and a sergeant working under him, Dante, played by Michael Nouri, are aware that the longer the renegades are on the lam, the more serious their situation will become, yet the officers remain in hiding, although each alienates the others during the course of their search for the elusive drug dealer. Any possible inner aspects of the officers (Maxwell Caulfield, Dustin Nguyen, Denise Loveday) are neglected while they behave as rampaging steamrollers while seeking the narcotics kingpin. An additional matter of significance appears from within the Department, as a possibility exists that a police official is linked with the Forces of Evil. Despite the generally reliable cast members, a flabbily constructed script and weak direction impede their best efforts, with a surfeit of the storyline's emphasis being upon cartoonish violence and frequently occurring explosions to please devotees of that sort of activity. A hackneyed screenplay simply does not provide enough contributing sidelights to keep plot emphasis away from clichéd episodes of violence, and the actors merely go along with the work's prevailing mediocrity. Nouri, as a conflicted Dante, is able to liberate himself from his limitative lines often enough to handily gain acting honours here. Essentially a thick ear production that favours loud noises and lead characters yelling at each other, the movie is at the typically low level plumbed by PM Entertainment Group, a company that specialised in cinematic slag. The DVD release of the work comes from Madacy, an outfit with a spotty reputation for quality. However, in this instance, both its visual and sound grades are excellent. The only bonus feature is an imposing 50 minutes of strident trailers from PM for films which a viewer of sensibility might not sit through by choice.

'No Escape No Return' is the type of cornball action flick that only lovers of bad movies or people that stay up past midnight watching tv should take a chance on. It's also not one of PM Entertainment's finest efforts. In an odd bit of foreshadowing, I saw it's trailer attached to their 'Bikini Summer 2' amongst others and it looked the least promising.

Three no holds barred cops - Sloan (Maxwell Caulfield), Cuff (Dustin Nguyen) and Weston (Denise Loveday) - all grew up together as kids and joined the force. They're brought together "since they can't keep a partner" by Det. Dante (Michael Nouri) from the DEA who's on the payroll of a drug baron who wants revenge for his dead brother. Can this trio survive multiple attempts on their lives? Are they deep people with real problems? Did Sloan just do a line of coke? Did Cuff really have to beat the brakes off that guy standing in line to get into a club?

I had a really hard time with 'No Escape No Return' because when it's not looking like low budget crap or acting stupid it's just boring. Cliche after cliche, poor villains (including Nouri) and an unsatisfying end which I won't ask questions of lest it hurts my brain even more. A dog of an action film and I say that as someone who doesn't have high standards if it means being entertained.

Where to begin with a movie like NO ESCAPE, NO RETURN? How about the title? Why not? It makes no sense and has nothing to do with the plot (if you want to call it a plot). It should be called 21 JUMP STREET : THE LATTER YEARS. Maxwell Caufield steps in for Johnny Depp as the good looking- young- white- cop. He seems to still be searching for another GREASE 2. Some newcomer bimbo plays the blonde. Oh yeah, Ioki's back, and this time he gets to do some stuff! DUSTIN NYGUEN finally gets to show off his martial arts skills (or lack there of) as the tougher of three renegade police (picture MOD SQUAD! only not as good!). This movie just makes you feel bad for veteran great JOHN SAXON, although his scenes are the only ones worth watching. JOEY TRAVOLTA pops his head in once or twice, probably just to remind us how much he resembles brother JOHN. The "action" sequences are rare and never live up to such great scenes as, let's say, the mudslide scene from "ROMANCING THE STONE". If you love to torture yourself with this kind of garbage, as I do, then rent "NO ESCAPE..." for a good laugh. The biggest one comes when NYGUEN's character sits alone in bed, crying his eyes out! Poor Ioki. Cheer up. I hear BOOKER needs a new partner.

I was lucky to have found No Escape No Return in a Cash Converter store for $2 I am glad I bought it because i didn't know anything about the movie, but when I noticed it was a P.M production I knew it was right up my alley. Anywho, to cut things short I got this just because Dustin Nguyen was a lead actor.

I didn't expect Dustin to use martial arts as frequently throughout the movie like he did...he has talent. I enjoyed the fight scenes a lot. The rest of the movie is as what you'd expect from a B Grade movie - bad acting with a poor plot. If you like martial arts action like I do then I can recommend the movie to you.

I give this 5 stars half-half because of the unexpected martial arts scenes. Otherwise, I would've thrown the movie in the trash.

The PM Entertainment production "No Escape No Return" was made just before the company started to make a serious name for itself with high quality direct to video actioners like "Rage" and "Last Man Standing". Indeed, this movie already has the PM trademarks of very good photography and lighting. Unfortunately, that's about all that's good that can be said of this otherwise sorry effort. Most of the blame can be placed on the shoulders of writer/director Charles T. Kanganis. His script, for one thing, is ridiculously padded. It takes FOREVER for the movie to introduce the three lead protagonists, and once that happens, it takes an equally long time to get them into the predicament that they spend most of the remaining movie trying to get out of. And the protagonists, when not coming across as incredibly bland, come off instead as unlikable. Part of that has to be the poor performances, but there's also plenty of dopey and/or stilted dialogue the actors are forced to say. The movie may have been saved by serviceable action sequences, but to tell the truth, the poor direction and editing saps any energy another director might have been able to contain. This is not the worst PM Entertainment production, but even fans of PM Entertainment (like myself) will find this really tough to sit through.