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Ajouter une intrigue dans votre langueBrian, painter Ellen and chef Sam timeshare an apartment on different days. A shift on Mon/Wednesdays causes mistaken identity as Ellen and Sam have never met but leave notes, food etc. behi... Tout lireBrian, painter Ellen and chef Sam timeshare an apartment on different days. A shift on Mon/Wednesdays causes mistaken identity as Ellen and Sam have never met but leave notes, food etc. behind for each other.Brian, painter Ellen and chef Sam timeshare an apartment on different days. A shift on Mon/Wednesdays causes mistaken identity as Ellen and Sam have never met but leave notes, food etc. behind for each other.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Jeanne Tripplehorn
- Pastel
- (non crédité)
Billy Campbell
- Shep
- (as Bill Campbell)
Michael Mastro
- Triple Creme Cheese Shopper
- (as Michael Mastrototaro)
Avis à la une
I rented this on a whim, when it first came to video stores in late '93 or early '94. I was so charmed by it that I went back and bought it the next weekend, since I knew it would be cheaper than renting it as much as I knew I would. I watch it all the time, to pick up my spirits after a bad break-up, to commiserate with Sam when the world of love has left me cold, or when I feel a strong need to laugh at French performance artists. I can't recommend it highly enough as a great date movie, great for watching with a group of friends, and maybe best ingested when alone. I LOVE THIS MOVIE. If anyone knows of a soundtrack for it, please post a message.
Mildly entertaining comedy about a threesome timesharing a New York City apartment, but never meet. Broderick is the standout as a fed-up cheese clerk at an upscale grocery store.
While the film itself is barely worth a watch on cable, I thought it was interesting that the movie had no less than three (3!) future Sopranos cast members in roles varying from starring (Anabella Sciorra) to supporting (Dominic Chianese) to walk on (Michael Imperioli). David Chase definitely saw potential in all of these actors, so it's sad to see that the movie really wasted Sciorra's talents...
While the film itself is barely worth a watch on cable, I thought it was interesting that the movie had no less than three (3!) future Sopranos cast members in roles varying from starring (Anabella Sciorra) to supporting (Dominic Chianese) to walk on (Michael Imperioli). David Chase definitely saw potential in all of these actors, so it's sad to see that the movie really wasted Sciorra's talents...
Great performances highlight this small story, which has a great hook and some forgivable flaws. The main themes of communication and isolation are given time to flesh themselves out in three separate stories that center around a shared apartment. I like the pacing in this film, it's slow enough to wrap itself around the story, but not so slow as to drag.
The three main female characters are all good, especially Tripplehorn as Pastel, the avant-garde artist and pseudo girlfriend of Broderick. I've never seen her do any better with a character. Broderick has a curious role to play as a man who is tolerant of others up to a point (like his view of Sciorra's illogical behavior), but still has the serenity to offer marital advice to a woman who has just put him through a frustrating case of coitus interruptus. Sciorra's character is more problematic - she has a definite fear-aggression streak that gets tempered somewhat by the end, but there's also a good deal of "tough chick" bravado in her performance that makes it interesting.
I wasn't completely convinced by all of the transformations in the final ten minutes of the movie, but it ties things up neatly enough so you don't feel cheated and leaves enough room for the characters to grow further after the final shot.
The three main female characters are all good, especially Tripplehorn as Pastel, the avant-garde artist and pseudo girlfriend of Broderick. I've never seen her do any better with a character. Broderick has a curious role to play as a man who is tolerant of others up to a point (like his view of Sciorra's illogical behavior), but still has the serenity to offer marital advice to a woman who has just put him through a frustrating case of coitus interruptus. Sciorra's character is more problematic - she has a definite fear-aggression streak that gets tempered somewhat by the end, but there's also a good deal of "tough chick" bravado in her performance that makes it interesting.
I wasn't completely convinced by all of the transformations in the final ten minutes of the movie, but it ties things up neatly enough so you don't feel cheated and leaves enough room for the characters to grow further after the final shot.
A tad different from most romance comedies. This film is light, yet contains a slightly dark edge with the subject matter.
"What are you, Camus?"
Such an Allenesque line, and when you spot Woody's ex-wife Louise Lasser in a supporting role, and a kooky French female character messing our hero Sam (Matthew Broderick) about...well, the movie rings a few NYC bells.
An interesting premise, in both senses of the spelling. Three people, who don't know each other, all in personal life predicaments, have alternate days renting an apartment. One is a lovelorn cheesemonger (really), another is a dissatisfied dental hygienist (again, that's very Woody), and the third is an oafish city boy on the cusp of marriage, unwilling to give up his bachelor lifestyle altogether. Two of them start leaving cute messages and stuff for one another, but mistaken identity leads to a confused situation.
New York plays its own part in these movies. New York movies are practically a genre unto themselves. This is a cute but slight movie, and its peculiar premise gives it distinction in the rom-com field. One just wishes it were funnier, and maybe one more character with a stronger screen presence. The fact that the three alternating tenants never run into one another, at least before the denouement, seems improbable.
But definitely worth checking out.
Such an Allenesque line, and when you spot Woody's ex-wife Louise Lasser in a supporting role, and a kooky French female character messing our hero Sam (Matthew Broderick) about...well, the movie rings a few NYC bells.
An interesting premise, in both senses of the spelling. Three people, who don't know each other, all in personal life predicaments, have alternate days renting an apartment. One is a lovelorn cheesemonger (really), another is a dissatisfied dental hygienist (again, that's very Woody), and the third is an oafish city boy on the cusp of marriage, unwilling to give up his bachelor lifestyle altogether. Two of them start leaving cute messages and stuff for one another, but mistaken identity leads to a confused situation.
New York plays its own part in these movies. New York movies are practically a genre unto themselves. This is a cute but slight movie, and its peculiar premise gives it distinction in the rom-com field. One just wishes it were funnier, and maybe one more character with a stronger screen presence. The fact that the three alternating tenants never run into one another, at least before the denouement, seems improbable.
But definitely worth checking out.
Le saviez-vous
- AnecdotesThe original choices for the three leads of the film were Tim Robbins as Sam, Laura San Giacomo as Ellen, and Harry Connick Jr. as Brian.
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Détails
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 884 814 $US
- Week-end de sortie aux États-Unis et au Canada
- 911 736 $US
- 2 mai 1993
- Montant brut mondial
- 1 884 814 $US
- Durée
- 1h 39min(99 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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