La momie

THE MUMMY LIVES is -very loosely- based on a story by Edgar Allan Poe. It opens with an interminably long lesson in astrology that really has nothing to do with the actual movie. Next, we join an archaeological dig in Egypt, where an ancient tomb is uncovered.

Meanwhile, in Cairo, we are introduced to Sandra Barnes (Leslie Hardy). Annoying voiveover narration tells us her every thought. When she falls asleep, we're taken into her dreams of Ancient Egypt, where we're subjected to Tony Curtis as a Pharaoh (!!).

Meanwhile, back at the tomb, imbeciles -including a British zillionaire who says "By Jove!" a lot- break in, and the horror begins. Sort of.

If you've seen any of the mummy movies starting from the original 1932 classic, then you'll pretty much know the entire plot of this one from the beginning:

Forbidden love leads to death and a curse, which comes to fruition in modern times.

The only thing added to this basic outline is absurdity, bad acting, and ultra-melodramatic dialogue. Luckily for us, Mr. Curtis' character gets a central role, and gets to pontificate and spout tons of mumbo jumbo. Sometimes, he even slips into his glorious "Cary Grant" voice from SOME LIKE IT HOT! His death scene is beyond hilarious!

Extra Points For: The bonkers voice of the angry Egyptian deity!

A true gut-buster from start to finish! Prepare the intoxicants, gather your fellow cheeeze-lovers, and get ready to laugh yourself sick!...

I can only agree with most of the negative reviews on many levels, however I found it strangely compelling for all the wrong reasons.

There were elements I enjoyed, but after reading one reviewer state with apparent seriousness, that this film is superior to the Hammer Classic in 1959, that in itself is probably one of the greatest pieces of comedy I have read in years.

Tony Curtis was totally miscast, comparing his casting to the casting of Christopher Lee is plainly ludicrous.

Christopher Lee was often cast as Foreigners due to his imposing height and darker looks, especially in Swashbuckling roles before he achieved fame in the Hammer Horror films.

Tony Curtis looks like an Italian Restaurant owner at a fancy dress party, but don't get me wrong because I normally like him in most films.

In the Hammer Classic, Christopher Lee was able to add pathos to the character with astonishing effectiveness, just with skilfull use of his eyes.

He was able to project the eternal sadness of a man who died for his love, he wasn't just some lumbering soulless monster.

The only advantage this movie has over the Hammer Classic are the location shots, but describing the sets of the Hammer film as 'lame' shows no appreciation for the Excellent job done by the Hammer team or Art direction.

With low budgets, Hammer did wonders with set design, cinematography atmosphere , music and a stable of actors that The Mummy Lives could have benefited from.

The Mummy Lives can't even hold a candle to the Hammer Mummy sequels, let alone the Universal movies.

However I found it strangely watchable and enjoyable in a B-Movie way.

It has its moments and with better casting, direction and music, could have actually been quite memorable.

THE MUMMY LIVES certainly isn't the biggest budgeted or best mummy flick ever made, but it's far from a waste of one's time and it's actually quite fun. I had a wonderful time watching it. You just have to know what you are getting yourself into: This is a very low budget old fashioned PG-13 mummy flick with a very out of place Tony Curtis. Curtis is completely miscast, but he plays his role with such terrific panache it's a joy to behold. You just have to be willing to accept this weird little low budget flick on its own terms. Just sit back and enjoy the modestly budgeted spectacle of ancient ruins, magic rituals, snakes, nightmares, mummies, forbidden love, murders, and blood. It's all very cheap yet charming, and its flaws are all part of its appeal. THE MUMMY LIVES is a low budget affair,but it delivers good fun and is a nice way to spend time on a lazy Sunday afternoon.

I had first seen this movie with my fiancé long after the movie had come out. I watched the movie with him. He had told me the movie was quite good and interesting. He had filled me on what I had missed. I sat through the remained of the movie with all interest. The storyline was excellent and the scenery was exquisite in the movie. Tony Curtis was phenomenal in the move as the mummy, looking for his long lost love in woman who was having dreams of the ancient past. Since I first saw the movie I have seen it an additional two times.

In my honest opinion, this movie is worth seeing. It was inspired by Edgar Allen Poe's story "Words With A Mummy". I now own the movie to be amongst my personal movie library. If I felt for any reason the move didn't deserve such an honor with me, I wouldn't have purchased it.

By watching this movie a total of three times, I would recommend anyone who is an avid fan of Tony Curtis and Edgar Allen Poe, to see this movie.

"The Mummy Lives" is an American direct-to-video flick from 1993 starring Tony Curtis in the titular role when he was 67 years-old. The plot's typical to older mummy movies: Forbidden love in the ancient Egyptian world results in the guilty guy getting entombed alive, usually with the object of his desire. In the modern day the tomb is desecrated by archaeologists and the mummy seeks vengeance. The refreshing twist here is that when Curtis' character is resurrected he looks like his normal self, at least his face anyway; his hands look like death itself. Leslie Hardy plays a woman interested in Egyptology and she may be the mummy's beloved, Kia, reincarnated. Greg Wrangler plays a psychologist who takes interest in her.

This is a drama/mystery with light horror elements so don't expect heavy gore and scares. While it's clearly low-budget, it has numerous strengths, particularly the basic fish-out-of-water plot with the ancient mummy becoming a pretty interesting character in the modern world. I'm not sure how he knows how to speak English though, but I assume the god he prays to gives him the knowledge/power.

In any case, the Mummy's offended by the desecrations of Egyptian crypts and points out the obvious: How can archaeologists justify desecrating burial sites? How much time has to go by for such activity to be deemed acceptable in the name of research and science? The Mummy also makes a great point to the woman: The modern world is science-oriented, but passionless; and without passion there is no life. While the Mummy is a somewhat fascinating character and you find yourself rooting for him, the ending drops the ball. I don't want to say too much, but the Mummy essentially becomes the hero in the film and the filmmakers contradict this by insisting on tacking-on a more conventional horror ending. The film was unique as it was so they should've just gone all the way, if you know what I mean. I wish they had the courage to do this because it could've been a great or near-great independent movie.

Still, there's enough good here to recommend it to fans of unique independent movies (however, if you're addicted to a strict Hollywood "blockbuster" diet, flee as fast as you can). For one, the three main characters are effective and, like I said, the Mummy is an interesting character and you'll find yourself rooting for his cause. Although Hardy is too thin for my tastes, she's a likable and worthy protagonist; and Wrangler is an excellent masculine co-star. Secondly, you can't beat the authentic Egyptian locations. Compare this with Hammer's "The Mummy" (1959), which was shot entirely in England with lame "Egyptian" sets. Speaking of which, people criticize Tony Curtis for being miscast in this movie and yet Christopher Lee played the same character in the Hammer film and no one seems to criticize him as being miscast, not to mention that film is regarded fairly well while this one is typically lambasted, which is odd because -- low-budget or not -- this is the better film. Thirdly, the score is diversified and all-around excellent.

The film runs 97 minutes and was shot in Egypt and Israel.

GRADE: C+ or B- (keeping in mind that it's a low-budget direct-to-video flick)