Menace to Society

The directorial debut of twin brothers Albert and Allen Hughes, Menace II Society is a tough, no nonsense look at youthful black life in the Watts section of Los Angeles. The Hughes Brother's movie charts the hapless life of Caine (Tyrin Turner) as he seeks to escape the ghetto. The son of both a drug dealer (Samuel L. Jackson in a potent appearance) and an addict, Tyrin, surrounded by guns and a machismo culture, is tied to his friends and the way of life afforded him. Even as love and a chance of a way out arises with Jada Pinkett's (terrific) pretty Ronnie, it's doubtful if Tyrin will escape from the revolving door of death.

Menace II Society had a troubled beginning, refused a video certificate on the grounds of its profane language and brutally violent scenes, it has since gone on to be viewed as one of the finer exponents of anti-violence involving Black Americans. That wasn't always the case though, many critics in the 90s were prone to calling it a film that glamorises the lifestyle of "Hood" gangsters, but offered a saver of sorts by correctly saying it had realism in amongst the harshness. Certainly the dialogue and regional slang was refreshing to hear, thus affording "Menace" and its makers praise for keeping it real, so to speak.

Ineviatbly comparisons were (are) drawn with John Singleton's 1991 film, Boyz n the Hood. But although "Menace" is rawer, uncompromising and more visceral with impact, it lacks the intelligence of Singleton's film. Where "Boyz" had fully rounded characters, character with which to hang your hat on to, "Menace" is just a social group of youths we neither know or care about outside of the group, ego driven dynamic. When lead protagonist Tyrin is trying to deal with his inner conflict, we the audience are treated to standard run of the mill melodrama. The streetwise edginess that the Hughes' began their film with (the opening is nigh on horrific) has long since gone as they try to make a film that touches all the bases of Black Americana.

Easily the most realistic of all the ghetto films made, in fact the film at times feels like we are on a documentary drive around downtown Watts. Menace II Society, however brutal it clearly is, has loaded the gun and shot the bullet, only to see it narrowly miss the whole target it was aiming for. Still it's one hell of an experience though. 8/10

I saw this film the weekend it opened. At the time I was 33, a white male living in NYC. When I went to the theater, I noticed that most of the audience was Black and in their late teens. For some reason, they felt that this was a good "date" movie. When the movie began, and the Korean Grocery scene was presented, the audience went wild with comments like "Yeah, Yeah, Kill them!!". I must say I got a little nervous. But, as the movie progressed, I got absorbed in it. I liked Cane and I even liked O'Dog. When the movie ended, I started crying. I was embarassed. Then I noticed that the Black teenage guys around me were crying too. I applaud the Hughes Brothers for making a movie that is able to connect with so many people. I still cry while watching it on video. "Do you care if you live or die?"

The film starts off with the murders at a convenience story, and introduces the voice-over narration of the story. I find that this voice-over does wonders at making the audience sympathize with Caine's character. He was born into this society, and therefore is not to blame for his actions and choices. Though his character is not as unpredictably violent like O-Dog, and is somewhat mild. He doesn't carry a gun, and his demeanour isn't that menacing. The voice-over helps to gain some insight into his thoughts and is thus more humanized.

Tyrin Turner does a great job portraying his character. As a young boy on the edge of adulthood and just out of high school, Caine has no direction in life, and even has trouble answering whether he cares if he lives or dies. The many close-ups show his confusion at times and at others, his indifference to violence, implying his slow immersion into becoming like O-Dog. O-Dog is represented as a bit of a psychopath with no remorse or conscience for life. It takes little to set him off and Tate does a fantastic job of portraying this terrifying character.

This film is well made and the directing shows it. The Hughes Brothers perfectly place juxtapositions of scenes together for maximum impact. The flashback comes in the beginning and establishes Caine's back story while creating sympathy for him. The composition of shots too are done nicely, and complements the way the characters tend to travel in groups.

There is a lot of violence in this though, and it serves to show a realistic representation but can be very brutal. As mentioned before, it takes very little to upset O-Dog and turn him loose. The swearing is also very apparent and not one sentence goes by without them. Sometimes whole conversations go by with just cursing.

Overall a very powerful representation of ghetto society, where importance is on staying together and protecting one's own. Masculinity is also obviously a very big issue as they constantly try to assert themselves through aggression and cursing.

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Extremely brutal, but gripping and compelling story of a volatile, alienated young teenager (Turner) growing up in the violent atmosphere of the L.A. Watts District and—against the advice of family and friends—makes no effort to transcend the harshness and ignorance of his surroundings, instead choosing to head down a dead-end path. Violent, almost unbearable at times, but faultlessly acted by the cast, and filled with powerful, authentic scenes. Tate is an absolute powerhouse as Turner's younger, impulsive, and extremely cold-blooded pal. Obviously not for all tastes, but a monumental achievement regardless, thanks to a superior cast of actors. ***½

Back then the Hughes Brothers would never even name Boyz'N'the Hood. Not just because it wasn't their influence, but because people like to compare movies. Especially when it seems like they are similar. And I say seem, because while the surface may suggest that, this is a whole different beast of a movie and a story.

This is way more gritty and no one will tell you that it is a feel good story. But the influence of Scarface and other movies of that kind are apparent. Like a Goodfellas tracking shot and many other things. The brothers may have been very young, but they knew what they wanted ... and they were lucky enough to get (most of?) it! Like the cast, but also the overall finance for the movie ... which brings us back to Boyz ... over the years they themselves came to terms, that their movie probably got green-lit because of the success of Boyz ... and that's not a bad thing.

And while this is down and dirty, like Scarface it's a warning, a tale of things that can and will go wrong. What goes around, comes around ... there's a lot to read into this, but the Hughes Brothers wanted show how things were ... and the influence of the movie was felt. Especially with other movies trying to copy or at least pay homage to Menace ...