Panic sur Florida Beach

One of those films that deserved to reach a huge audience but somehow slipped away, Joe Dante's affectionate homage to creature features and B-movie king William Castle is a joy from start to finish. This is due to both Dante's direction - and obvious love of the script - and John Goodman's delightful performance (what was he doing in crap like "Coyote Ugly?"). Even the movie-within-a-movie - "Mant!" ("half man, half ant - all terror!") is fun. The only downside is that this rarely turns up on TV and hasn't been released on DVD in the UK. A scratchy vhs is better than nothing I suppose...

This movie explores the marketing and the premier of a B-movie horror flick by a virtual one-man studio (remember American International?) in, of all places Key West during the Cuban Missile Crisis.

I think this was intended to be a vehicle for John Goodman as the B-movie "impresario" Lawrence Woolsey (great casting!), with Cathy Moriarty also excellently cast as the jaded B-movie starlet and Woolsey's companion. Simon Fenton plays a young, wide-eyed, horror movie addict who is also a military kid, whose father has just been assigned to the naval blockade around Cuba. The cast also includes Dick Miller from the Gremlin series, and many other B-movies since the 1950's including the original Shop of Horrors.

Matinee is quirky, and the "movie within a movie," called "Mant" (half man, half ant), is about a silly accidental "mutation" of a man into a rather large insect The movie contains a good sampling of all the plot devices (on screen and off screen) used in these sorts of movies. The now-hilarious atomic horrors depicted in "Mant" are juxtaposed against the real-life horrors of the nuclear missile crisis, with interesting effect.

Matinee also offers a lot of not-so-subtle counterpoints between the atmosphere and common wisdom of the era (anybody remember Civil Defense drills? Bomb shelters? The "four" basic food groups?), and its stark comparison to what we know/think today. When this movie was made, the cold war was just over, and a look back to the pervasive feel throughout the 50's and 60's and its worrying about the "bomb" and anti-commie lingo makes the people of this era look supremely paranoid and silly, until one thinks about how even this has changed since the movie was made (think post 9-11: who's silly and paranoid now?).

The movie is enjoyable on many levels, although I feel the comparisons between the 60's and "today" could have been made a bit more subtle. As a counterpoint, my wife, who was never a fan of the horror movie genre, dislikes this movie--she also disliked "Ed Wood" for the same reason.

All in all, it's a wonderful movie that I'm glad to have in my VHS collection.

This isn't such a very well known film (at least I never heard of it before I watched it) and actually that is a god-awful shame, as "Matinee" is a joyously vivid, versatile and refreshingly imaginative little comedy. "Matinee" is director Joe Dante's ultimate tribute to typically 50's Sci-Fi B-movies and massively promoted gimmick-laden low-budget flicks; particularly the repertoire of the legendary William Castle. In one of his most glorious roles to date, John Goodman depicts the unscrupulous and sleazy horror movie producer Lawrence Woolsey, who is practically the reincarnation of William Castle, what with his sly and shameless salesmanship techniques and continuous wide-mouthed smile. At the highpoint of the Cuban Missile Crisis in 1962, Woolsey jaunts out to Key West – where the Navy and population hectically prepares for a bomb attack – in order to proudly present his newest and supposedly most shocking motion picture named "Mant". "Mant" is a silly shock feature about a man slowly mutating into a gigantic ant after being exposed to nuclear radiation, and for the big premiere Woolsey stuffed the film theater with horrid decorations and gimmicks to raise extra fear in the audience. With the threat of actual bombing attack going on outside the theater, Woolsey bumps into a lot of protest and resistance from the adult population in Key West, but luckily the younger and horror-crazed generation are wildly enthusiast about the upcoming matinée preview. With "Matinee", the still incredibly underrated director Joe Dante delivered another delicious and charming movie. The extended bits and clips from the fictional movie "Mant" masterfully capture the essence of 1950's B-movie cinema, with grotesque ideas and effects, cheesy nonsensical dialogs and wooden acting performances. The real William Castle actually never made such a type of monster movie, but the gimmicks and promotional stunts (like buzzers underneath the seats and guys in rubber suits running around) are right up his delightful alley! But "Matinee" is a terrifically clever movie on other levels as well. Apart from a wonderful homage to horror cinema, it also contains an admirable "coming of age" sub plot and it effectively parodies the mass hysteria going on around the time of the Cold War. Whilst the adult population of Key West practices their duck & cover bomb alarms and prepare their shelters, the teenagers are more concerned about finding a date to go see "Mant" on Saturday. The acting performances are fantastic (like his monster "Mant", John Goodman himself is larger than life!), the decors and atmosphere of the early 60's are marvelously re-enacted and – in good old Joe Dante tradition – there are multiple cameos of horror veterans, like Dick Miller, Kevin McCarthy and Robert Cornthwaite. This is truly a film meant for genuine horror movie buffs, but nevertheless a stupendously enjoyable comedy for all type of audiences.

I felt that the advertising for this movie was somewhat misleading. I expected to see a film about John Goodman portraying a loose characterization of showman William Castle. Instead, the main focus of the film is a young boy, Gene Loomis, whose father is a soldier who is dispatched to active duty during the Cuban missile crisis, which is the time period in which this film is set. You have your typical coming-of-age themes revolving around Gene and his friends as they discover their own emerging adolescence, and this consists largely of tired material that has been done to death.

Somewhat in the background we have John Goodman as old-fashioned showman Lawrence Woolsey, a vaudevillian stuck in the age of cinema who wants to put the show back in picture shows. He is tied into the film because Gene enjoys Woolsey's showmanship as a way to forget about the world around him which seems to be on the brink of self-destruction. Woolsey pulls such stunts as having his girlfriend (Cathy Moriarty) dress a a nurse and ask patrons to sign a waiver releasing Goodman's character from liability in case they die of fright during the movie. This is based on a similar stunt by William Castle and his movie "Macabre". Woolsey also wires the seats to produce a mild electric shock during a key moment in a film, which he labels "Atomo-Vision." That antic is based on what William Castle did during the showing of "The Tingler". Then he rigs still another device to shake things up as buildings on the screen are tumbling and calls it "Rumble-Rama." Again, these are all very similar to the showman-like stunts of William Castle during the 50's and 60's.

The best part of the movie is when Woolsey comes up with an atomic-age monster movie entitled "Mant" that is a composite of cheesy 50's horror films such as "The Fly," and "Them!". "Mant" is about a mutant that is half-man and half-ant and is a total riot. Woolsey's schlock merchant displays just the right mix of con-man materialism and childlike glee at his own bogus movie magic. It's too bad that Goodman's character and his showmanship weren't the main focus of the movie - Goodman was truly born to play the part of Lawrence Woolsey.

Watching this movie really made me happy that some of William Castle's films have finally been coming out on DVD in the last couple of years, through both traditional DVD releases and through the Warner Archive manufacture on demand program. At any rate, enjoy.

"This is Lawrence Woolsey and ...." starts this movie in great style as a 1960's style of movie promo. The movie starts starts very well and only gets bogged down late in the film when a couple of kids get shut into a bomb shelter by mistake.

This film portrait of the 1960's schlock entertainer Woolsey (as portrayed by John Goodman) continues to be his best film role. Goodman who is now one of the spokes people for Duncan Donuts (quickly putting Starbucks out of business), is perfect for the role of Woolsey. He is surrounded by a lot of old time talent & some younger folks who manage to put over an active film story.

Two coups of this are the film within a film setting which is employed successfully with the cutting between them being made smoothly without losing the plot line and the melding of some old timers into the film in support. William Schallert is used very effectively in the MANT film within the film. Jesse White is just as effective as the guy who is trying to evaluate Woolsey's show.

The film is a send up of lots of themes from Civil Defense, to the Missile Crisis, to movies in general, to sci-fi 1950's films, to spoofing life itself. There are even spoofs of characters within the film including a broad send-up of two Liberal Parents and their attitude towards raising their daughter.

This film is loaded with everything including the theater sign which has now failed, "Fight Pay TV". If you like John Goodman, this is his best role to date outside of Dan on Roseanne, a must see film for the Goodman fan.