Meurtre mystérieux à Manhattan

• "What would you do if he found you in his house?"
• "I wasn't thinking that far ahead"
• "That far ahead? We're talking two seconds here. All he had to do was look under the bed!"

"Manhattan Murder Mystery" is 50% Hitchcock, 50% Bergman, and 100% Allen. It's frequently laugh-out-loud funny ("you must pay us in small unmarked bills....or, large marked ones, if you want to go that route"), but beyond that, it's a warmhearted, affectionate, insightful look at marriage and middle age. It is also a love letter to New York, and a homage to old Hollywood movies. And it has probably one of the tightest plots of all his films. Woody is very generous about sharing the spotlight with the other three main leads, Diane Keaton, Alan Alda, and Angelica Huston. He and Keaton are perfect together and it's a shame they have never worked together again since 1993 - maybe even as the same characters they play here. It's a wonderful film - one of Allen's best. *** out of 4.

In Manhattan, Carol (Diane Keaton) and her husband Larry Lipton (Woody Allen) are coming home late night when they meet their next door neighbors Lillian (Lynn Cohen) and Paul House (Jerry Adler) in the elevator. Lillian and Paul invite their neighbors to drink coffee with them in their apartment and Lillian shows her treadmill to Carol and Paul shows his collection of stamps to Larry. While drinking coffee, the elderly couple tells that they have been married for twenty-eight years and they have a twin tomb in the cemetery. Lillian tells that she is in good shape and uses her treadmill everyday.

On the next night, Carol and Larry go to see The Flying Dutchman in the theater and when they come back home, they learn that Lillian has died of heart attack. A couple of days later, Carol and Larry meet Paul on the street and Carol believes he is too perky for a widower that has just lost his beloved wife. When Carol accidentally finds an urn with Lillian's ashes in Paul's kitchen, she suspects that Paul has killed Lillian and comments with her friend Ted (Alan Alda). They decide to investigate her neighbor and Carol steals the keys of Paul's apartment from the super. She finds that Paul will travel to Paris and not to Caribbean as he had told to Larry and she, with a woman called Helen Moss. When Carol sees by chance Lillian alive in a bus, her curiosity increases and she decides to go further in her investigation.

Yesterday I was setting in order and cleaning my films on the shelf, and I decided to see again the VHS "Manhattan Murder Mystery". Last time I saw this film was in the 90's and I did not recall the story in details. Woody Allen is one of my favorite directors and actor, and that is the reason why I do not dare to say that this film is one of his best films because I love practically all his filmography.

"Manhattan Murder Mystery" has mystery, suspense and the refined and witty humor typical from Woody Allen. One of my favorite moments is when Larry compares the need to Carol returning to her shrink with a GM's recall. Another very funny moment is when the clumsy Larry plays the wrong tape during the phone conversation with Paul. If the reader wants to spend 104 minutes laughing, watch "Manhattan Murder Mystery" since this film is funny even for those that are not fans of Woody Allen. My vote is eight.

Title (Brazil):"Um Misterioso Assassinato em Manhattan" ("A Mysterious Murder in Manhattan")

Note: On 23 October 2020, I saw this film again.

I was fond of the fly-on-the-wall style they used to film this. Diane and Woody are masters of improvisation and at no point did I feel like this was scripted - they seemed like a real couple arguing over the suspected murder of their neighbour.

Their arguments in this movie are funny - like really funny. Diane plays a frenzied, nosy woman who pries into the lives of other people to make up for the discontent she feels about her own.

Woody plays a loopy older gentleman who has long since been castrated by his overbearing wife and who spirals into a panic attack every time the mildest stressor appears.

The duo is electric because they compliment each other's delusion well. They are basically tripping over each other this entire movie, blathering barely coherent sentences whilst trying to solve a murder case that in all likelihood never happened.

Except it did, and it turns out this pair of conspiracy theorists were onto something all along. This movie is funny, witty and full of one liners.

The scene in which they, along with their investigative cohorts, concoct a plan to expose Paul and then the following scene where they execute it by phone is pure comic genius. It's rare that I laugh out loud for a film but I did here.

Overall, this is a hidden gem and I consider it massively entertaining. Not to be missed.

Woody Allen and Diane Keaton reunite in this fine film, and both are in top form. Although it largely abandons the angst-filled themes of many of Allen's earlier films, it replaces it with a playfulness and sense of fun which elevates the film above your standard comedy or mystery. Alan Alda is notable for his fine performance, as well.

Larry Lipton (Woody Allen) and his wife Carol (Diane Keaton), both in their late forties, go back from a hockey game to their apartment in Manhattan. The middle-aged marriage indulging each other's pastimes of ice jockey and opera. In the elevator, they meet their next-door neighbors Paul (Jerry Adler) and Lilian (Lynn Cohen) House, who are both in their sixties, and whom they actually hardly ever know. Carol is longing to do something with her life, and her curiosity runs wild when her fairly elderly neighbour drops dead. She feels sure the gossipy woman would have mentioned her heart condition. We share Larry's sceptical view of her suspicions, but amazingly it seems there is something going on - especially when the woman turns up alive.

This enjoyable comedy and intrigue film titled ¨Manhattan Murder Mystery (1993)¨ balances in the right ratio. A slight murder mystery with a lot of mayhem and confusion in which you have a feisty brew that actually has one or two thrilling, stylish and creepy moments amidst the modish comedy. A bit annoying at first, but little by little it continues to be balanced with fun enough. Light, exciting, entertaining comedy steers clear some of Allen's heavier themes and should keep audiences laughing till the final. Diane Keaton and Woody Allen team up again as two New Yorkers who get involved in a mystery when their neighbor dies under strange circumstances. Woody Allen writing with Marshall Brickman for the first time since ¨Annie Hall¨ and ¨Manhattan¨ makes viewers fall in love with the magic of NYC all over again. Woody Allen originally envisioned ¨Annie Hall¨ as a murder mystery, with a subplot about a romance, during script revisions, Allen decided to drop the murder plot, which he and Marshall Brickman later revitalized in ¨Manhattan Murder Mystery¨. Woody Allen and Marshall Brickman came up with the majority of the screenplay by walking up and down the streets of New York City. Woody Allen and Diane Keaton had trouble keeping a straight face when working together, displaying some uncontrollable laughter between the two, for their laughs were completely spontaneous. Along with the two wonderful protagonists, Allen and Keaton, appears as notorious secondary characters, such as: Alan Alda as Keaton's old flame who still has a yen for her, and publisher Allen's ace author Anjelica Huston, who fancies a mystery almost as much a novelist, adding a good supporting cast: Jerry Adler as the suspicious widower, Lynn Cohen, Ron Rifkin, Joy Behar, among others.

This interesting motion picture was competently directed by Woody Allen, adding the colorful cinematography by Carlo Di Palma, Allen's regular cameraman. In the beginning Woody made usually hilarious films in which he used to act, such as : ¨What's Up, Tiger Lily?¨, ¨Take the money and run¨, ¨Pussycat, Pussycat I Love You¨, ¨Sleeper¨, ¨Everything You Always Wanted to Know About Sex but Were Afraid to Ask¨, among others . Subsequently he made several masterpieces. Including a series of movies in which he provided nice direction, investing care enough, wit and warmth, such as : ¨Crimes and misdemeanors¨, ¨New York stories¨, ¨September¨, ¨Radio Days¨, ¨Hanna and her sisters¨, ¨Broadway Danny Rose¨, ¨Zelig¨, ¨Stardust memories¨, ¨A midsummer Night's Sex Comedy¨, ¨Interiors¨, ¨Purple rose of Cairo¨, ¨Manhattan¨, ¨Annie Hall¨, ¨Melinda Melinda¨ and many others . Rating 6.5/10 . Better than average. The movie will appeal to Woody Allen and Diane Keaton enthusiasts.