Latcho Drom

the perhaps curious life of the nomadic Roma people has always been a great topic of interest to me since my childhood, basically because of their fascinating and enchanting music, aside from their free living style ...

so, when this movie started, so beautifully with the nomadic Roma of Rajasthan in India, showing their ritualistic singing and dance and everything in their chaotic desert dwelling, i just felt hooked up to keep watching, and that i did until the very last minutes of this truly great documentary.

i have to admit i had not been impressed by any movie for a long time indeed. well worth the time spent and i'm sure i'll be able to watch this movie again and again once in a while in future ...

this will be a great piece of evidence to keep for anyone as a historical document portraying a much ignored (albeit admired-by-some) tribe's life ...

The journey of the Romany people told through musicians and dancers of India, Egypt, Turkey, Romania, Hungary, Slovakia, France, and Spain.

I am somewhat skeptical of this being a pure "documentary". Much of it looks too clean, too scripted. It has no narrative, but still has something about it that feels overly cinematic. Or maybe that is just how good the director is? However, even if this was staged, it is a document of real Roma people, their dances and their music. And that in itself has a great deal of value. I am not aware of any other culture that expresses itself in song quite so much. I suppose one could say Native Americans, but even there, it tends to be more at a ceremony and not really part of the daily life.

Latcho Drom is a cinematic survey of Gypsy music from several countries. It is touching, sad and joyous. Most of the segments appear to be completely unstaged, unrehearsed. The music, ranging from the sensual flamenco music of the Spanish Gypsies, to the melancholy music of the Central European Gypsies, is exquisite. If you love Gypsy music, you'll find Latcho Drom absolutely beautiful.

I stumbled across this on Thanksgiving Day. I was at my mates and his aunty put it on as some Quality Eye Candy from the MTV/BET video s***e that annoys us with talentless himbos and bimbos. Since then every Thanksgiving I watch this (alone, lonely immigrant that I am), beautiful beautiful piece of Music Video Edutainment. I am not going to blag about the narrative of tracing the gypsy roots from India to Spain etc (actually the Kali followers before India were moving from the Indus Valley, and before that, this 'dravidian', 'dalit' folk were leaving old Khemet). But here's my observation, which none of the pseudo liberals who watch it with me see. Watch this movie please for this ONE point. The Gypsy LOOK changes throughout the entire movie. From black/brown 'krishna varna' in India, through Egypt etc to almost white Spain. Now these people are the OUTKASTS where ever they be. Hitler put over a million in camps, Franco, etc hated them as well. In England, I remember how the anglos despised them. So they are hated and moved on everywhere, so how come their skin lightens, and hair textures etc changes as they move from host culture/country to host culture/country? Because there must be some race mixing going on all the time during their 2000 year journey. As J.A. Rogers say's in his book of the same name 'Nature Knows No Color Line' , there is one race the human race and we will always mix/integrate on some level no matter what ever the taboos. A good movie to hire for any 'racial' or 'cultural purists' who need to be challenged.

Peace Zeech

Latcho Drom, or Safe Journey, is the second film in Tony Gatlif's trilogy of the Romany people. The film is a visual depiction and historical record of Romany life in European and Middle Eastern countries. Even though the scenes are mostly planned, rehearsed, and staged there is not a conventional story line and the dialog does not explain activities from scene to scene. Instead, the film allows the viewer to have sometimes a glimpse, sometimes a more in-depth view of these people during different eras and in different countries, ranging from India, Egypt, Romania, Hungary, Slovakia, France, and Spain.

The importance of music in Romany culture is clearly expressed throughout the film. It is a vital part of every event and an important means of communication. Everything they do is expressed with music. Dance is another important activity. Like Romany music, it is specialized and deeply personal, something they alone know how to do correctly. We are provided glimpses into their everyday activities, but the film is not a detailed study of their lives. Rather, it is a testament to their culture, focusing on the music and dance they have created and which have made them unique.

Mr. Gatlif portrays the nomadic groups in a positive way. However, we also witness the rejection, distrust, and alienation they receive from the non-Romany population. It seems that the culture they have developed over countless generations, and inspired from diverse countries, will fade into oblivion because conventional society has no place for nomadic ways.

The other films in the trilogy are Les Princes (1983) and Gadjo Dilo (1998).