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Le club de la chance

Titre original : The Joy Luck Club
  • 1993
  • R
  • 2h 19min
NOTE IMDb
7,7/10
19 k
MA NOTE
Le club de la chance (1993)
The Oscar-winning actress shares a special list of films that inspire hope in an effort to help support those without a place to call home amidst our global health crisis.
Lire clip4:30
Regarder Cate Blanchett's Films of Hope
4 Videos
37 photos
Drame psychologiqueLe passage à l'âge adulteDrame

Les histoires de vie de quatre femmes asiatiques et de leurs filles se reflètent et se guident mutuellement.Les histoires de vie de quatre femmes asiatiques et de leurs filles se reflètent et se guident mutuellement.Les histoires de vie de quatre femmes asiatiques et de leurs filles se reflètent et se guident mutuellement.

  • Réalisation
    • Wayne Wang
  • Scénario
    • Amy Tan
    • Ron Bass
  • Casting principal
    • Tamlyn Tomita
    • Rosalind Chao
    • Kieu Chinh
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,7/10
    19 k
    MA NOTE
    • Réalisation
      • Wayne Wang
    • Scénario
      • Amy Tan
      • Ron Bass
    • Casting principal
      • Tamlyn Tomita
      • Rosalind Chao
      • Kieu Chinh
    • 132avis d'utilisateurs
    • 32avis des critiques
    • 84Métascore
  • Voir les informations de production sur IMDbPro
    • Nomination aux 1 BAFTA Award
      • 4 victoires et 5 nominations au total

    Vidéos4

    Cate Blanchett's Films of Hope
    Clip 4:30
    Cate Blanchett's Films of Hope
    The Joy Luck Club
    Clip 1:45
    The Joy Luck Club
    The Joy Luck Club
    Clip 1:45
    The Joy Luck Club
    The Joy Luck Club
    Clip 1:29
    The Joy Luck Club
    'Dangerous Lies' Star Jamie Chung Wants to Play This Tarantino Character
    Video 3:02
    'Dangerous Lies' Star Jamie Chung Wants to Play This Tarantino Character

    Photos37

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 31
    Voir l'affiche

    Rôles principaux62

    Modifier
    Tamlyn Tomita
    Tamlyn Tomita
    • Waverly - The Daughter
    Rosalind Chao
    Rosalind Chao
    • Rose - The Daughter
    Kieu Chinh
    Kieu Chinh
    • Suyuan - The Mother
    Tsai Chin
    Tsai Chin
    • Lindo - The Mother
    France Nuyen
    France Nuyen
    • Ying-Ying - The Mother
    Lisa Lu
    Lisa Lu
    • An-Mei - The Mother
    Ming-Na Wen
    Ming-Na Wen
    • June - The Daughter
    Lauren Tom
    Lauren Tom
    • Lena - The Daughter
    Chao Li Chi
    Chao Li Chi
    • June's Father
    Melanie Chang
    • June - Age 9
    Victor Wong
    Victor Wong
    • Old Chong
    Lisa Connolly
    • Singing Girl
    Vu Mai
    Vu Mai
    • Waverly - Age 6-9
    Ying Wu
    • Lindo - Age 4
    Meijuan Xi
    Meijuan Xi
    • Lindo's Mother
    • (as Mei Juan Xi)
    Guo-Rong Chin
    • Huang Tai Tai
    Hsu Ying Li
    • Matchmaker
    Irene Ng
    Irene Ng
    • Lindo - Age 15
    • Réalisation
      • Wayne Wang
    • Scénario
      • Amy Tan
      • Ron Bass
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs132

    7,719.2K
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    Avis à la une

    lschow310

    Different strokes for different folks

    I have read the book and seen the movie. I have also read reactions to both. Some really liked it and found it to be very real, while others hate it and object to the "stereotype." It seems to depend on whether you could relate to the stories, characters, or themes.

    I myself could relate very well to the stories, but that could be because I too have experienced the intergenerational and intercultural conflict as an American-born Chinese daughter with a very traditional Chinese mother. Many other American-born Chinese women who were born in the 1960s could relate to the stories very well also. For us, we would start crying as soon as the first sentence is made.

    I didn't experience everything that June, Rose, Lena, or Waverly went through, but on a grander scale, they are dealing with issues that I have struggled with as well.

    I understand that there are other women who could relate to it as well, and these are not Chinese women--or even Asian women. Perhaps Amy Tan has touched on universal themes that women of other nationalities could relate to.

    On the other hand, I have found that some people who are ten years younger than me didn't like the book/movie too much and found the characters "stereotypical" or "unrealistic."

    Some Caucasian males didn't like this book/movie either, and again it comes back to them not being able to relate to it.

    I understand another user's comment about the negative portrayal of Asian men, but this person has forgotten about June's father who was portrayed as a very likeable man who was trying to bridge the gap between his wife and his daughter. As for his objection of the daughters marrying Caucasian wives, he needs to realize that there are other issues/reasons involved and it's not because Chinese-American women like them "hate Chinese men."

    In short, this movie is very good at portraying the intergenerational and/or intercultural conflict between people who are caught between two cultures. Women like me have cried while watching this movie because the issues have been very real for us. For those who could not relate to it or cannot see the "reality" of it, then this movie would not be for them.
    8Smells_Like_Cheese

    One of the best films of 1993!

    I think I feared seeing "The Joy Luck Club" because it just screamed chick flick all over the cover, but my mother kept insisting it was an excellent film that anyone could really enjoy. So, I let my guards down and I was pleasantly surprised by this uplifting and rewarding drama about mother's and daughter's. Just wanting what is best and growing up wisely. I know this sounds silly, but this film made me not only appreciate being an American even more, but it also made me fell better as a woman. The four "Auntie's" had such wisdom and I felt that their stories were so heart wrenching but true and realistic.

    One of my friends is from China and she told me how women are treated there and it just broke my heart, watching this movie helped me realize more how much I should appreciate what I have. I even called my mother after the film and told her I loved her because she always tried her best to look out for me. The four stories of how the mother's made their journey to America and raised their daughters was very touching and the ending felt like it could only be a new beginning. I would highly recommend this movie for anyone, it's perfectly directed and acted.

    8/10
    9cherold

    affecting

    It's surprising they managed to make a movie out of The Joy Luck Club, which was, after all, a series of anecdotes by 8 different people. But somehow they did it, seamless weaving in and out of the characters' reminiscences.

    Joy Luck Club could reasonably be described as a chick flick - it is, after all, a film about a bunch of women and their feelings - but that would be a disservice. "Chick flick" has become a somewhat derogatory term, partially because it was a term created by guys who find women and their feelings annoying, but to a great extent because most movies in this class are shoddy pieces of tripe like "Divine Secrets of the Ya-Ya Sisterhood." If movies of women and their feelings were all this intelligent, insightful and affecting I doubt anyone would have even coined the term "chick flick." This is a movie of honest emotion that leaves you with a sense of fulfillment, a rebuke to all those manufactured, syrupy women's movies that Hollywood churns out. Highly, highly, HIGHLY recommended.
    briankistler

    Double-Edged Sword

    There are quite a few themes in this movie. One that springs to mind for me, right away, is that of a generation gap AND a cultural gap. This is a story about Chinese-American girls, growing up in America, raised by women who came of age in Mainland China, decades earlier. One interesting thought: most of these Chinese mothers came to America, wishing to fight like a tiger for their daughters...........wishing that they could give their daughters a much better life (and a MUCH LESS PAINFUL life) than they had. Unfortunately most of their daughters interpreted their tenacious desire to fight for them (and push them to excellence) as a lack of love: hence the "double-edged sword" of "giving their all" for their daughters.

    I am all too keenly aware that this is what most people would call a "chick flick". Nevertheless, as a man, I loved it. I enjoyed how the stories of the mother's and daughter's childhoods (and their younger years in general) were interwoven throughout the movie like a Chinese tapestry or quilt. Moving in and out of the American and Chinese cultures made this even more interesting to watch. Every tale, that each Chinese mother narrated, was like a work of art: a work of art complete with flutes, violins and various types of Chinese instruments in the background. Their tales were also frequently accompanied by breathtaking views of snowcapped mountains and the wide, open Chinese countryside (so very similar to what we have seen on sheets of rice paper or on porcelain plates).

    There was also a lot of powerful energy in this film. Not all of it was the negative energy of deep conflicts and emotional strife between mother and daughter. Much of it was quite positive and invigorating: the energy that filled the room of these daughters and mothers when they got together to CELEBRATE LIFE at an "extended family" party...........The very moving and touching energy, that surged forth, when mother and daughter often came together, after years and decades of conflict..........and realized that they were on each other's team..........The tears of joy that often sprang forth, when a given daughter realized, for the first time, that her mother was not disappointed in her..........and that her own happiness was PARAMOUNT, in her mother's heart.

    In a small way, it did bother me that every single one of the Chinese mothers came from a dysfunctional family (and/or background). I do realize, however, that the overall story would not have been anywhere near as "riveting", had each daughter not had a mother who had to fight and claw her way to survival (and to sanity!). I will say that, of all the mothers, Tsai Chin's Lindo Jon character was perhaps the most unforgivable role model for maternity. Most of my friends, who have seen this movie, agree that she was almost HATEFUL in her attitude toward her daughter! However, this part of the movie did help make the overall plot very interesting (and deeply charged with emotion!).

    A few closing comments: as a former student of Chinese History I really enjoyed seeing some of the common Chinese familial traits played out in this movie: respect for elders, honoring one's ancestors and being an obedient child. Finally, I must compliment the casting director of The Joy Luck Club: you selected some of the prettiest little girls to play the mothers and daughters in their earliest years.
    9Ironboundfw

    Glorious Film making

    Every time I look back at movies through the years, I find myself wondering why The Joy Luck Club did not make a huge splash in the awards circle. The film is one of the BEST FILMS of my lifetime. It will always represent to me, the dream that is America.

    I think it's because the emotions of the film are so universal, that I count it as one of my favorites. I am male, I am hispanic, I came to the United States when I was 13 years old. I felt alienated, lonely and hopeless, could anyone really understand all that I wanted to do, all that I wanted to become. How do you reconcile your cultural roots, with wanting to fit into the American Dream.

    I try to watch The JOY LUCK CLUB as often as I try to read the book. Because it reminds me that we are all connected in so many ways. That our dreams and desires are not all together different. that Love reaches beyond race, beyond politics and beyond time.

    when I saw this film I thought, The Academy of Arts and Sciences would gush over it. But it never reached the kind of acclaim it truly deserved. I think it's because most film makers field of personal experience limited in reaching and feeling. Most of the Academy comes from back grounds that didn't see struggle, that doesn't see the world in unison, but in carefully separated categories. This to them was not a human experience film, it was a film for a minority group. But, while The JOY LUCK CLUB is life affirming to some, to those who have lived the similarities, it is life changing.

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    Centres d’intérêt connexes

    Jim Carrey and Kate Winslet in Eternal Sunshine of the Spotless Mind (2004)
    Drame psychologique
    Elsie Fisher in Dernière Année (2018)
    Le passage à l'âge adulte
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In a 2018 NPR interview, executive producer Janet Yang recalled that director Wayne Wang (who she said usually had "the most lovely personality") lost his temper in a marketing meeting because the studio had presented him with the choices for posters to advertise the movie, and all of the options avoided showing the face of an Asian person. Either the designs were very abstract (for example, a decorative woodcut) or they were photos of the actresses' backs.
    • Gaffes
      In the second chess game that Waverley plays as a child with the boy the chess board and the positions of the pieces are clearly shown on the screen. The boy moves his queen. Waverley makes a move and the boy responds with a move in which he captures a pawn and he says "check". The only possible move that the boy could have made at this point which would have resulted in an utterance of any kind would have been "checkmate" - Black queen supported by black bishop takes white pawn, Mate. After this Waverley makes another move which would have been impossible under the rules of the game because the game would have been over on black's last move.
    • Citations

      Suyuan: That bad crab, only you tried to take it. Everybody else want best quality. You, your thinking different. Waverly took best-quality crab. You took worst, because you have best-quality heart. You have style no one can teach. Must be born this way. I see you.

    • Connexions
      Featured in Siskel & Ebert & the Movies: True Romance/The Ballad of Little Jo/Kalifornia/The Joy Luck Club/The Real McCoy (1993)
    • Bandes originales
      I Enjoy Being A Girl
      Music by Richard Rodgers

      Lyrics by Oscar Hammerstein II

      Courtesy of Williamson Music

    Meilleurs choix

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    FAQ20

    • How long is The Joy Luck Club?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 16 mars 1994 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Mandarin
      • Cantonais
    • Aussi connu sous le nom de
      • El Club de la Buena Estrella
    • Lieux de tournage
      • 610 Rhode Island Street, San Francisco, Californie, États-Unis(Harold and Lena's home interior)
    • Société de production
      • Hollywood Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 11 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 32 901 136 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 159 009 $US
      • 12 sept. 1993
    • Montant brut mondial
      • 32 901 136 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 19min(139 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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