NOTE IMDb
7,7/10
19 k
MA NOTE
Les histoires de vie de quatre femmes asiatiques et de leurs filles se reflètent et se guident mutuellement.Les histoires de vie de quatre femmes asiatiques et de leurs filles se reflètent et se guident mutuellement.Les histoires de vie de quatre femmes asiatiques et de leurs filles se reflètent et se guident mutuellement.
- Nomination aux 1 BAFTA Award
- 4 victoires et 5 nominations au total
Meijuan Xi
- Lindo's Mother
- (as Mei Juan Xi)
Avis à la une
I have read the book and seen the movie. I have also read reactions to both. Some really liked it and found it to be very real, while others hate it and object to the "stereotype." It seems to depend on whether you could relate to the stories, characters, or themes.
I myself could relate very well to the stories, but that could be because I too have experienced the intergenerational and intercultural conflict as an American-born Chinese daughter with a very traditional Chinese mother. Many other American-born Chinese women who were born in the 1960s could relate to the stories very well also. For us, we would start crying as soon as the first sentence is made.
I didn't experience everything that June, Rose, Lena, or Waverly went through, but on a grander scale, they are dealing with issues that I have struggled with as well.
I understand that there are other women who could relate to it as well, and these are not Chinese women--or even Asian women. Perhaps Amy Tan has touched on universal themes that women of other nationalities could relate to.
On the other hand, I have found that some people who are ten years younger than me didn't like the book/movie too much and found the characters "stereotypical" or "unrealistic."
Some Caucasian males didn't like this book/movie either, and again it comes back to them not being able to relate to it.
I understand another user's comment about the negative portrayal of Asian men, but this person has forgotten about June's father who was portrayed as a very likeable man who was trying to bridge the gap between his wife and his daughter. As for his objection of the daughters marrying Caucasian wives, he needs to realize that there are other issues/reasons involved and it's not because Chinese-American women like them "hate Chinese men."
In short, this movie is very good at portraying the intergenerational and/or intercultural conflict between people who are caught between two cultures. Women like me have cried while watching this movie because the issues have been very real for us. For those who could not relate to it or cannot see the "reality" of it, then this movie would not be for them.
I myself could relate very well to the stories, but that could be because I too have experienced the intergenerational and intercultural conflict as an American-born Chinese daughter with a very traditional Chinese mother. Many other American-born Chinese women who were born in the 1960s could relate to the stories very well also. For us, we would start crying as soon as the first sentence is made.
I didn't experience everything that June, Rose, Lena, or Waverly went through, but on a grander scale, they are dealing with issues that I have struggled with as well.
I understand that there are other women who could relate to it as well, and these are not Chinese women--or even Asian women. Perhaps Amy Tan has touched on universal themes that women of other nationalities could relate to.
On the other hand, I have found that some people who are ten years younger than me didn't like the book/movie too much and found the characters "stereotypical" or "unrealistic."
Some Caucasian males didn't like this book/movie either, and again it comes back to them not being able to relate to it.
I understand another user's comment about the negative portrayal of Asian men, but this person has forgotten about June's father who was portrayed as a very likeable man who was trying to bridge the gap between his wife and his daughter. As for his objection of the daughters marrying Caucasian wives, he needs to realize that there are other issues/reasons involved and it's not because Chinese-American women like them "hate Chinese men."
In short, this movie is very good at portraying the intergenerational and/or intercultural conflict between people who are caught between two cultures. Women like me have cried while watching this movie because the issues have been very real for us. For those who could not relate to it or cannot see the "reality" of it, then this movie would not be for them.
Words fail to capture the essence of this film. I read the book before I saw the movie and as anyone can tell you, the book for a movie is usually a lot better, but in this case and I think they are both on the same level. I watched this movie again for the umpteenth time today and every time I watch it I see the magic again. It makes me think of my own relationship with my mother and my relationship with my daughter. This is the story that made me feel in love with Asian film.
If you're an Asian-American woman with parental conflicts around culture then prepare to cry at this wonderfully fabulous film. So many cultural issues come up that you never know when you'll be hit with a wave of recognition. There are many laughs here as well. You just don't know when they'll arrive. This is a definite must for anyone struggling to understand how to incorporate their ethnic heritage in the massive American melting pot.
It's surprising they managed to make a movie out of The Joy Luck Club, which was, after all, a series of anecdotes by 8 different people. But somehow they did it, seamless weaving in and out of the characters' reminiscences.
Joy Luck Club could reasonably be described as a chick flick - it is, after all, a film about a bunch of women and their feelings - but that would be a disservice. "Chick flick" has become a somewhat derogatory term, partially because it was a term created by guys who find women and their feelings annoying, but to a great extent because most movies in this class are shoddy pieces of tripe like "Divine Secrets of the Ya-Ya Sisterhood." If movies of women and their feelings were all this intelligent, insightful and affecting I doubt anyone would have even coined the term "chick flick." This is a movie of honest emotion that leaves you with a sense of fulfillment, a rebuke to all those manufactured, syrupy women's movies that Hollywood churns out. Highly, highly, HIGHLY recommended.
Joy Luck Club could reasonably be described as a chick flick - it is, after all, a film about a bunch of women and their feelings - but that would be a disservice. "Chick flick" has become a somewhat derogatory term, partially because it was a term created by guys who find women and their feelings annoying, but to a great extent because most movies in this class are shoddy pieces of tripe like "Divine Secrets of the Ya-Ya Sisterhood." If movies of women and their feelings were all this intelligent, insightful and affecting I doubt anyone would have even coined the term "chick flick." This is a movie of honest emotion that leaves you with a sense of fulfillment, a rebuke to all those manufactured, syrupy women's movies that Hollywood churns out. Highly, highly, HIGHLY recommended.
The Joy Luck Club is a movie based on the bestselling novel by Amy Tan of the same name. It is one of the best movies I have ever seen in my life. It combines the stories of mothers and daughters to tell one sincere story of friendship. It is one of the finest pieces of acting collaberations among an ensemble cast. It also combines foriegn film with American film in a way giving it a new style. This movie is almost ten years old. For me it never gets old and the stories are also fresh. I like the set up of the movie or the sequence rather, better than the book. It seemed to make more sense. It also has the movie and book on the same level of unique style and everlasting stories to go along with it. Many of the performances were powerful. Even those who only spoke the Chinese language in the film should have gotten awards for performances that made me laugh and cry. I would recommend this film to anyone who wants to see an honestly good film without the Hollywood hype. Rent it, you won't regret it.
Le saviez-vous
- AnecdotesIn a 2018 NPR interview, executive producer Janet Yang recalled that director Wayne Wang (who she said usually had "the most lovely personality") lost his temper in a marketing meeting because the studio had presented him with the choices for posters to advertise the movie, and all of the options avoided showing the face of an Asian person. Either the designs were very abstract (for example, a decorative woodcut) or they were photos of the actresses' backs.
- GaffesIn the second chess game that Waverley plays as a child with the boy the chess board and the positions of the pieces are clearly shown on the screen. The boy moves his queen. Waverley makes a move and the boy responds with a move in which he captures a pawn and he says "check". The only possible move that the boy could have made at this point which would have resulted in an utterance of any kind would have been "checkmate" - Black queen supported by black bishop takes white pawn, Mate. After this Waverley makes another move which would have been impossible under the rules of the game because the game would have been over on black's last move.
- Bandes originalesI Enjoy Being A Girl
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Courtesy of Williamson Music
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- How long is The Joy Luck Club?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El Club de la Buena Estrella
- Lieux de tournage
- 610 Rhode Island Street, San Francisco, Californie, États-Unis(Harold and Lena's home interior)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 11 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 32 901 136 $US
- Week-end de sortie aux États-Unis et au Canada
- 159 009 $US
- 12 sept. 1993
- Montant brut mondial
- 32 901 136 $US
- Durée
- 2h 19min(139 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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