Jack Be Nimble

This fantastic film is an adventure based upon an old fairy tale with the stepmother and three gruesome step sisters. But Jack will be taking his bloody revenge.

Our film club featured this, and all the viewers were astonished. It's brutal, it's beautiful, it's sparkling with splatter and horror ideas. A true classic, and hidden gem! A complete movie of of vibrant colors sick ideas! The use of colors are greater than David Lynch manages in his films, and reminded me in that way of Blue Velvet!

You really don't know what you've been missing out before you see this! Go head over heels to get hold of this one! Though it deserves to be seen at a large screen, or preferably in a cinema, though that might be difficult for most.

This is one fine example of how great New Zealand cinema scene is, and I'll without any doubt consider this as a classic but refined gore, which should inspire many.

So get gold of this must-see film! But, of course... be nimble!

I just finished this film. Bought it at eBay. I collect obscure movies. This one is a jewel. A very dark jewel in its very own genre. I'm not one to reveal plots, but I can describe the movie. Director Garth Maxwell takes you on a bit of an unexpected trip. It smacks of classic horror, but, it's new horror and you never know where it's going. Maxwell's use of light and color is simply astounding and unforgettable. I'm sure I'll sleep with some of these images tonight. It's not for those of you who like typical movies. It's very different. I have but two technical problems and they're small: 1) Maxwell let's Dora say, "Marigolds." and they're not. 2) One line slips out while no lips move. Otherwise, the film is certainly going to chill some blood cells and keep your brain ticking. Sorry, but Alexis Arquette couldn't be more good-looking, either. It's not big Hollywood (and I like that), but it's very, very provocative film-making. I like that, too.

This low-budget horror film from New Zealand is, for me, a textbook example of why I love the genre.

It has everything a quality horror movie needs, including the elements which big-budget and "typical American" horror all too often lack.

The film looks great, using the natural beauty of NZ alongside impressive cityscapes, but also showing us the very ordinary and (of course) the dark and ugly side of both the rural and urban environments.

The plot is straightforward but intelligently thought through and far from simple, resting on the characters and the tragic events in which they're embroiled.

There is violence and death, disturbing rather than gory, and an insidious tension which builds slowly and isn't allowed to dissipate until the very end.

The characters are sharply defined and individual, yet at the same time convincingly complex.

The dialogue is unpretty (sometimes even crude), but direct and often powerful - in many ways watching this was like discovering an unknown early Cronenberg flick, but in place of Cronenberg's cool intellectualism Garth Maxwell has crafted a highly emotional film which isn't afraid to take its viewers into uncomfortable territory.

Some of the performances might perhaps have been a little more fluid but Alexis Arquette (as the titular Jack) and especially Sarah Smuts-Kennedy as Dora are exceptionally honest in their portrayals of a damaged brother and sister. Mention must also be made of the blunt, persuasive presence of Bruno Lawrence, bringing to life a character who could easily have been badly mishandled.

Mainly, though, it's the ideas which make this shine. There are more surprises in this film than in the last dozen Hollywood horrors I watched... and thankfully they're the kind of surprised which make you think, not the kind which make you jump! There are very few FX beyond straight-up film techniques and a little fake blood, and that too is to the film's credit. This is a film about people whose lives have spiralled out of control and into the dark side, and while the paranormal elements are ever-present they're never the meat of the meal.

There are a few rough edges. As I mentioned in passing, the script has its clunky moments and not all the acting matches the quality of the standout roles. There were also some heavy-handed edits, and the sound design wasn't as accomplished as the visual aspects of the movie.

These are, however, minor quibbles, which didn't detract in the slightest from my enjoyment.

If you have an interest in the more sombre, conceptual side of the horror genre, this is an underrated modern classic, and comes highly recommended.

I recently watched the New Zealand film 🇳🇿 Jack Be Nimble (1993) on Shudder. The story follows a brother and sister abandoned by their parents, forced to rely on each other to survive. Eventually, they are adopted into separate families and endure various forms of neglect and abuse. Desperate to reunite, they finally find each other-but when they do, all hell breaks loose for everyone in their path... including their biological parents.

Directed by Garth Maxwell (When Love Comes Along), the film stars Alexis Arquette (Pulp Fiction), Sarah Smuts-Kennedy (This Is Not a Love Story), Elizabeth Hawthorne (30 Days of Night), and Tony Barry (Goodbye Pork Pie).

This movie exceeded my expectations. The writing and acting are top-notch, and the depth of the characters, along with their internal struggles, feels raw and authentic. The film effectively sets up its circumstances, making the emotional turmoil palpable in every scene. Alexis Arquette is phenomenal as Jack, delivering a haunting and intense performance, while Sarah Smuts-Kennedy also shines in a strong supporting role. The sibling bond is deeply felt, as is the weight of their trauma-making it clear this rollercoaster ride won't end well.

In conclusion, Jack Be Nimble is a unique blend of serial killer thriller and Bonnie and Clyde-style chaos, packed with authenticity and intensity from start to finish. I really liked it and would rate it an 8/10.

(1993) Jack Be Nimble PSYCHOLOGICAL SUPERNATURAL HORROR

Co-written and directed by Garth Maxwell making what could've been a fascinating horror movie from New Zealand which starts out with two very connected children ending up into the orphanage as a result of some dysfunctional family circumstance with good parents adopting the sister, Dora while bad parents adopting the brother, Jack. They're then become interconnected once the sister inhabits some telepathic powers as a result of knocking herself unconscious to the ground who then possess the ability to not only converse with other people by using her mind and without speaking to them, but also has the ability to listen to the undead similar to the kid in "The Sixth Sense". While she's living in a normal environment, the same thing can't be said for Jack for he gets abused repeatedly by the all the women in the household which includes four bushy haired sisters and an abnormal mother and father who consistently beat him. The brother and sister are eventually going to reunite but as a result of people getting killed in the process whereas Jack always uses a contraption that can hypnotize people. And there's not a single law enforcement officer throughout the entire movie where adults can pretty much assault people without any consequences. The movie is very spontaneously made with the 'rules' don't even apply to the people in the area, for it must have taken place on some deserted remote town that's somehow isolated from the others.