Godzilla vs. Mechagodzilla 2

Godzilla vs. Mechagodzilla II is a fantastic Godzilla film, easily the best Mechagodzilla film, and the best film of the Heisei era.

This film has a very compelling, well-written, intriguing, and elegantly simplicit story. It very much revolves around the monster action, which was a fantastic choice, as it allows for a very action-packed film with a very tightly knitted story.

At the same time, the characters are not left on the back burner, and are likable and interesting. Kazuma Aoki makes for a very charming lead who is initially a goofball but learns to take responsibility for his actions throughout the film and becomes a more competent man. Azusa Gojo is a very sympathetic protagonist with her touching mother-son relationship with BabyGodzilla pulling at your heart strings. Miki Saegusa is just as sympathetic and more developed then ever before as she begins to see Godzilla in a different light due to BabyGodzilla. All of the soldiers, commanders, generals, and scientists at G-Force each have their own motivations and character traits as well, such as the big, gruff Commander Aso who has a very deep vendetta against Godzilla. Even the side characters with not much screen time and very little lines have notable character traits, which is partially due to the really well-done acting.

The new Mechagodzilla design is sleek and awesome, looking smoother and more modern than the Showa incarnation, and it looks even better when it combines with the flying machine Garuda, making it look like an even more powerful killing machine. Godzilla looks just as great as ever, still retaining the iconic look introduced in Godzilla vs. Biollante with another excellent suit that happens to be my personal favorite. Rodan's redesign is more majestic and pterosaur-like, an improvement over his very derpy post-1956 Showa era design. He not only looks cooler, but more natural and believable. And finally, BabyGodzilla is a vast improvement over Minilla, looking absolutely adorable and yet still looking very lifelike, like a real theropod dinosaur infant. The three organic monsters are brought to life in such a way that they have their own personalities and could be considered actual dynamic, well-rounded characters on their own. Godzilla has his character ark here, as he starts out being the same rage-filled nuclear leviathan from the previous films only to become a father that can actually show compassion by the end of the film, as he spends the majority of it searching for BabyGodzilla, only to cross paths with Rodan and Mechagodzilla whenever he tries to do so. His goal is clearly to unite with and protect the infant Godzillasaurus to raise him as his own son, and he risks life and limb over it. He's still a badass throughout the film, but we also get to see a bit of his softer side. Rodan also has an emotional attachment to BabyGodzilla, but in a different way; since they were born in the same nest, he sees BabyGodzilla as his little brother and therefore does everything to protect him. BabyGodzilla is the heart of the film, as an innocent and intelligent being that cares deeply about those he sees as his parental figures. On the other side of things, Mechagodzilla moves and acts realistically for a robot, never making it seem like a living thing and therefore solidifying the theme of life vs. artificial life. The decision to make Mechagodzilla lifeless also supports this theme and, along with BabyGodzilla and our main characters, helps drive the audience to an emotional connection to the monsters as the film progresses.

One of the most powerful and unique aspects of the film is indeed the conflict it brings about within the characters and even the audience. It begins with Mechagodzilla being the good guy and Godzilla being the bad guy, but by the middle, it becomes greyer rather than black and white, with both G-Force and Godzilla having reasons to be doing what they're doing and both are reasonable from their point of view. This also creates high stakes and tension with the battles between Godzilla and Mechagodzilla, making for some of the most gripping fight scenes in the franchise.

The special effects are incredibly solid and well-done, with some astounding attention to detail. Despite the film's abundance of action scenes, there aren't any extremely noticeable lapses in the quality of the visual effects: all of it looks top notch (with the exception of some brief funky matte shots that don't look the best, and the prop used when Mechagodzilla is flying does look kind of wonky, though definitely better then the Showa one). In particular, the animatronic heads for all three monsters look notably impressive and extremely organic. The film is also packed with tons of exhilarating and memorable action sequences that are spread out so well that it's very well-paced and highly entertaining. Godzilla and Rodan's battle on Adonoa Island is one of the most exciting fights in the franchise, and the battles where Godzilla and Rodan fight Mechagodzilla are very excitingly choreographed and directed and have no shortage of physical brawling.

And finally, Akira Ifukube's musical score is brilliant; while he usually always delivers fantastic scores, this one is particularity good, with very many memorable, riveting, and haunting yet beautiful pieces.

Overall, Godzilla vs. Mechagodzilla II is an absolutely fantastic Godzilla film all around. It succeeds in practically every category and therefore is definitely one of the finest and most consistently entertaining entries in the entire franchise.

This is the best of the new Heisei Godzilla series made. For one it features the return of many favorites including MechaGodzilla (bigger and badder than ever), Rodan (although he is called "Radon" which is his Japanese name) Baby Godzilla (who could kick Minya's @$$ in 5 seconds) and Godzilla (who who could kick the Tristar Godzilla's @$$ in about 1 second!). The story has characters that you care about, the effects are wonderful, the fight scenes are great, Rodan looks really cool as Fire Rodan, Garuda and MechaGodzilla are really awesome, and the dubbing matches 75% of the time! The story says that an egg, which hatches into a Baby Godzillasaur, is Godzilla's son. However, it was found in Rodan's nest so he thinks that it's his baby too. The UNGCC (United Nations Godzilla Countermeasures Center) takes Baby away for studying. Godzilla and Rodan go to Kyoto to find baby but instead find a huge battle with MechaGodzilla. Rodan is seriously injured and near death. Discovering Godzilla's 2nd brain, MechaGodzilla destroys it, paralyzing Godzilla. Then...you'll have to see it to find out what happens at the end. This a must for any true Godzilla nut like myself. Buy it, and you won't regret it at all!

Godzilla Vs Mechagodzilla is regarded by many as the best Godzilla film in the 'Heisei' series,and it's easy to see why,with it's non-stop action,revivals of three of the 'Showa' series monsters and huge amount of monster footage. No leisurely build up here-we are plunged almost immediately into the action,and it than never lets up apart from a brief slowing down in the middle.

This was Godzilla's 40th anniversary film,and so it is rife with scenes from Showa Godzilla films copied,including even certain shots-for instance,Godzilla attacking an oil refinary from the original Godzilla Vs Mothra,or Rodan knocking down Godzilla from Ghidorah the Three Headed Monster,there's a terrific knowingness to this film. The plot here is very simple but effective in it's simplicity,and Akira Ifikube's score is simply wonderful,his best ever for a Godzilla film,full of memorable themes and often amazingly poignant.

The film is let down a little by it's monsters-the new baby Godzilla is great and far better than 'Minya' from the 'Showa' series,but Rodan and Mechagodzilla look inferior to their predecessors. The fights are OK but the climactic one is somewhat static,and the film has a lot less visual imagination than the last three films. It's difficult to say if this is better than the previous two films,it lacks the wild and crazy story of Godzilla Vs King Ghidorah or the sense of wonder and eye candy of Godzilla vs Mothra,but if you just want monsters on the rampage and battling it out,this one delivers wonderfully,and most Godzilla fans want little more than that.

Toho was on a role bringing back some of their famous monsters to costar with Godzilla throughout the 90s. First King Ghidorah, then Mothra, and now not one but three classic characters: Baby Godzilla, Rodan, and, of course, Mechagodzilla. What results is a full on monster war!

Plot: By reverse-engineering futuristic technology from the remains of Mecha-King Ghidorah, the Japanese government creates what they believe is the ultimate anti-Godzilla weapon: Mechagodzilla! Meanwhile, scientists recover an egg from a Pteranodon nest only for the egg to hatch later and out comes Baby Godzilla, who sees one of the scientists as its mother. With this baby hatched, both Godzilla and Rodan are out to retrieve it as their own and Mechagodzilla is sent in to take them both out. Will Godzilla/Rodan succeed in their mission or will Baby Godzilla end up being orphaned?

The dilemma of this entire situation makes for a great story as loyalties and logics are pitted against each other between man and monster alike. It causes the viewer to choose sides and that makes this movie even more great. The action scenes are awesome as these monsters really beat the living crap out of each other and the surrounding environment gets torn apart by their very might. The suit designs and puppets are pretty good, particularly Baby Godzilla who's able to express certain emotions. The music is absolutely impressive, which complements how intense the action is and how emotional some of the interactions between characters is. Human characters are at least likable, from the scientists to Miki Saegusa, the psychic who empathizes Godzilla and his son.

My only complaint seems to be Mechagodzilla being a little too powerful like in his first movie. Other than that, this is one of the best and most iconic entries in the Godzilla series. It has everything you'd expect in a film like this: great action, wonderful music, character development, and, of course, lots of explosions. Definitely recommended that you check this flick out. All hail the King of the Monsters!

Despite the 'II' in the English title, "Godzilla vs. Mechagodzilla II (1993, 20th film in the franchise) is not a sequel to "Godzilla vs. Mechagodzilla" (1974) or "Terror of Mechagodzilla" (1975) and the fact that there has already been a gigantic robotic version of Godzilla seems to have been lost to the kaiju amnesia that affects Japan every decade or so (Rodan, on the other hand, is remembered by name). This time around, Mechagodzilla is not created by sneaky aliens, but rather by the 'UN Godzilla Countermeasures Center', a multinational, anti-kaiju taskforce. Why the robot needs to look like Godzilla is never explained, but it is bristling with weapons from laser eyes to a belly mounted 'pulse grenade' to assorted missiles to electrified grappling hooks. Needless to say, all get deployed during titanic battles with Godzilla and Rodan (who has been upgraded to field some kind of energy weapon to supplement flapping his wings and pecking with his beak). In the background of the mayhem, an egg has been found from which hatches a tiny (relatively) 'Godzillasaurus', promptly christened "Baby" by imprinted scientist Azusa Gojo (Ryoko Sano). The series continues to embrace new-age spirituality, as Miki Saegusa is back, and 'psychic links' and 'life forces' play pivotal roles in the plot. "Baby", as can be guessed, was included in an attempt to woo female viewers (who allegedly prefer 'creation and life' to 'destruction and death') and, while not as obnoxious and irritating as "Minilla" (i.a. "Son of Godzilla" 1967), this iteration of Godzilla's offspring is still pretty cloying. The special effects, which includes traditional suit-mation/puppetry and early CGI, looks pretty good, with an excellent Godzilla suit and some outstanding miniature work. Mechagodzilla looks OK, although it spends a lot of time flying/hovering or standing still, so I assume that the suit was not very mobile. Rodan still looks awkward and Baby has a toy-frog face with big, fake looking puppy-dog eyes. The film also features the 'Garuda', another in a line of highly improbable looking flying-tanks sent against the monsters, which in keeping with the 'transforming mecha' trend popular in the '90s, can attach to the Mechagodzilla to create a "Supermechagodzilla'. I watched a sub-titled Japanese version (although a lot of English is spoken in the film) and the acting is par for kaiju epics. The script is full of silly observations (e.g. despite having nothing but sharp teeth, Baby is confidently identified as a plant eater), quantum leaps of logic, and dramatic conclusions based on essentially no data, but that's nothing new for the genre. The battle scenes are good, as is the music, and, if you are the correct demographic (which I am not), you can coo over the baby Godzilla. Although not as good as the loopy "Godzilla vs. King Ghidorah" (1991), this incarnation of Godzilla fighting his robotic doppleganger is an entertaining enough time-waster.