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IMDbPro

Gettysburg: la dernière bataille

Titre original : Gettysburg
  • 1993
  • Tous publics
  • 4h 14min
NOTE IMDb
7,6/10
33 k
MA NOTE
POPULARITÉ
4 887
1 386
Gettysburg: la dernière bataille (1993)
Home Video Trailer from New Line Home Entertainment
Lire trailer0:31
1 Video
99+ photos
DrameGuerreL'histoireDrame costuméDrames historiquesÉpiqueÉpopée de guerreÉpopée historique

En 1863, à Gettysburg, les forces du Nord et du Sud combattent lors de la bataille décisive de la guerre civile américaine.En 1863, à Gettysburg, les forces du Nord et du Sud combattent lors de la bataille décisive de la guerre civile américaine.En 1863, à Gettysburg, les forces du Nord et du Sud combattent lors de la bataille décisive de la guerre civile américaine.

  • Réalisation
    • Ron Maxwell
  • Scénario
    • Michael Shaara
    • Ron Maxwell
  • Casting principal
    • Tom Berenger
    • Martin Sheen
    • Stephen Lang
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    33 k
    MA NOTE
    POPULARITÉ
    4 887
    1 386
    • Réalisation
      • Ron Maxwell
    • Scénario
      • Michael Shaara
      • Ron Maxwell
    • Casting principal
      • Tom Berenger
      • Martin Sheen
      • Stephen Lang
    • 333avis d'utilisateurs
    • 23avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Vidéos1

    Gettysburg
    Trailer 0:31
    Gettysburg

    Photos100

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    + 92
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    Rôles principaux99+

    Modifier
    Tom Berenger
    Tom Berenger
    • Lieut. Gen. James Longstreet
    Martin Sheen
    Martin Sheen
    • Gen. Robert E. Lee
    Stephen Lang
    Stephen Lang
    • Maj. Gen. George E. Pickett
    Richard Jordan
    Richard Jordan
    • Brig. Gen. Lewis A. Armistead
    Andrew Prine
    Andrew Prine
    • Brig. Gen. Richard B. Garnett
    Cooper Huckabee
    Cooper Huckabee
    • Henry T. Harrison
    Patrick Gorman
    Patrick Gorman
    • Maj. Gen. John Bell Hood
    Bo Brinkman
    Bo Brinkman
    • Maj. Walter H. Taylor
    James Lancaster
    James Lancaster
    • Lieut. Col. Arthur Fremantle
    William Morgan Sheppard
    William Morgan Sheppard
    • Maj. Gen. Isaac R. Trimble
    • (as Morgan Sheppard)
    • …
    Kieran Mulroney
    Kieran Mulroney
    • Maj. G. Moxley Sorrel
    James Patrick Stuart
    James Patrick Stuart
    • Col. E. Porter Alexander
    • (as Patrick Stuart)
    Tim Ruddy
    • Maj. Charles Marshall
    Royce D. Applegate
    Royce D. Applegate
    • Brig. Gen. James L. Kemper
    Ivan Kane
    Ivan Kane
    • Cap. Thomas J. Goree
    Warren Burton
    • Maj. Gen. Henry Heth
    MacIntyre Dixon
    MacIntyre Dixon
    • Maj. Gen. Jubal A. Early
    Joseph Fuqua
    Joseph Fuqua
    • Maj. Gen. J.E.B. Stuart
    • Réalisation
      • Ron Maxwell
    • Scénario
      • Michael Shaara
      • Ron Maxwell
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs333

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    Avis à la une

    8twhiteson

    Gettysburg and Re-enactors

    I just want to respond to the criticism of this movie's use of Civil War reenactors as extras. Yes, the average reenactor is a heck of lot older and fatter than was the average Civil War soldier. Reenactors are great at dressing as Civil War soldiers, but most of them don't LOOK anything like Civil War soldiers, who were very young men reduced to sinew and bone from physical exertion and poor diet. Also, reenactors are not professional actors or stunt men which is very evident in this movie. (In some scenes you can actually see some of them staring into the camera while everyone else is looking off in another direction. Also, their embarrassing attempts to recreate hand-to-hand combat during the finale of Pickett's Charge are just pathetic to watch. Not to mention the melodramatic "deaths" and the guys grinning like Cheshire Cats while they're supposed to be acting as in fear of their lives.)

    However, there is NO way "Gettysburg" could have been made without reenactors. In order to give the movie's battle scenes an "epic" look, it needed several thousand extras and this film didn't have anyway near the budget to afford professional extras or travel overseas to rent-out a small European army as Hollywood films used do to. Heck, the production company couldn't even afford a decent make-up department (which is obvious from those awful, fake looking beards) let alone hire hundreds of professional extras, costume them, and train them. Reenactors, despite their faults, made this movie possible by working for free and by bringing their own uniforms, equipment, knowledge of Civil War tactics, and enthusiasm for this project. It was either use the services of reenactors or no movie about the battle of Gettysburg was going to be made.

    While "Gettysburg" could not have been made without reenactors, I do feel director Ronald Maxwell could have done a better job of filming around some of the more ridiculous looking ones. Instead, he almost seems to revel in showing off the fattest and oldest of the bunch- the first Confederate soldier with a speaking part is a man over 60 yrs old who had to be at least 300lbs! Now how can anyone believe that this man marched 20 miles a day in June heat while carrying a 50lb pack? Supposedly, Maxwell has learned from his mistakes. While he is justifiably proud of "Gettysburg," he was not deaf to the guffaws at all those chubby Rebs and geriatric Yanks. Thus, for the upcoming "Gods and Generals" his casting directors were ordered to be much choosier in deciding which reenactors will be in that movie. (In other words, they were ordered to cull out the fatbodies and oldsters.)

    Despite being a big fan of this movie, I can recognize the weaknesses of using reenactors as extras in a period war film. However, anyone who applauds the fact that "Gettysburg" was ever made must also commend the dedication of those reenactors who made its creation possible.
    RussianPantyHog

    Has its faults, but overall, worthy & moving

    I know the Civil War is a very 'american' thing, so i hope folks won't mind me poking my British nose onto the board. I got Gettysburg from Blockbuster on 2 video tapes & watched it in 1 go, though I gather it was made for tv in 2 instalments. Utterly watchable and, yes, very moving, especially when you consider it was actually filmed on the very ground where so many brave men fought more than 140 years ago. Just imagine what those soldiers would've made of it? I wonder if they realised their struggle would become part of history? From what I know of the Civil War the battle and command decisions were faithfully re-created with none of the banal sub-plots, ridiculous "love interests" and fictionalised scenes so beloved of Hollywood. It was also wonderful to see the massed infantry composed of real human beings without a hint of CGI. Pickett's Charge was incredibly poignant, especially as 'we' know what the outcome will be. I noted there isn't a single actress in the film. Apologies to all ladies out there, but that's the way it really was. ALL the actors gave fine performances; particularly the always great Tom Berenger as General Longstreet. I could feel the strain of 'command' every time he was on screen. I've always felt Robert E Lee was the finest general the USA ever produced. Such a tragic irony he ended up fighting against it. By the way, Lee was originally offered command of the Union army but declined out of loyalty to his beloved Virginia. That's the way many americans felt back then. They saw their nationality as their State. Martin Sheen gave a 1st class performance, though I personally wish the role had gone to a taller and (sorry Martin) more "distinguised" actor. Lee was an intellectual and a gentleman. His troops followed him from respect and love, whereas Grant's soldiers were motivated by respect and fear. A subtle difference, but important. There are faults with this film. Firstly I was slightly irritated it keeps alive the myth that the Civil War was fought to free the slaves. A nice idea, but un-true. Slavery was an obscenity, but that wasn't why the war was fought. It was fought to either preserve or end the Union, depending on which side a person was. By the way, Abraham Lincoln & US Grant both came from slave-owning families! Another fault with this film is the almost complete abscence of blood, 'gore' and real suffering. All the hundreds of extras look remarkably fit and healthy. In actual fact both sides (but particularly the Confederacy) suffered appaling squalor, hunger, disease and misery. There were no medics back then, no morphine, no helicopter casevacs, just the slim chance of an ill-trained & probably drunk "surgeon" turning up with a dirty saw and a bottle of whisky for anaesthetic. Vast numbers of injured men died from infected wounds, or were simply left where they fell. I wished the film had shown a bit more of the 'down side' to war. And then there were the beards. Oh God. Anyone who's seen the "women at the stoning" in Monty Python's Life of Brian will know what I mean. Most high scholl drama prop boxes contain more convincing false beards than the ridiculous items Berenger & Sheen were wearing. Martin Sheen looked like a mall Santa & Tom Berenger's was just surreal. Anyway. The strengths of this film far outweigh its faults. I remember seeing a US Army newsreel shot in the 1930s which filmed the Civil War 75th anniversary reunion. A small number of very elderly veterans, from both sides, gathered in friendship. It's such a shame so many fine men died in this dreadful conflict.
    shermatz

    Gettysburg: All Time Top 10

    I've been reading all the other comments pro & con with great interest, and I just have to add my voice to the "pro" side for this ambitious and stirring epic. Gettysburg is indeed one of my "all time top 10" movies. I was especially curious to see it on initial theatrical release because of the casting of Martin Sheen as Lee; were I to cast a civil war movie, the name Martin Sheen would NEVER have entered my mind as an appropriate performer for this make-or-break role. To my astonishment, Sheen was MAGNIFICENT in his portrayal of Lee; in appearance, demeanor, and aura of command, Sheen COMPLETELY sold me. A stunning performance from an unexpected casting choice. I agree that "Gods & Generals" would have benefited from Sheen's re-casting, though Duvall did his best with the more limited part he was given.

    Yeah, I agree that the script tended to a lot of bloviation and speechifying by the principals. I do think we need to make allowance for the fact that in this pre-technological 19th century era portrayed, people DID communicate in ways that seem artificial and awkward by our standards. This was a time when oratory, whether in churches, politics, or general discourse, was valued both as communication and entertainment. So even if the dialogue got a bit overblown, I was more than willing to cut the production some slack.

    The beards were a problem for me also, especially poor Tom Berenger's. Still, he (like ALL the lead actors) transcended the limitations and delivered what resonated for me as a credible interpretation of the time and situation.

    MANY details of the movie can be nit-picked, and of course, those determined to hate "Gettysburg" can always find a reason, rational or not. I was BLOWN AWAY by the quality and passion of this movie from my first theatrical viewing and it was one of the very first DVD's I purchased. After multiple viewings (all 4 hours) I'm still impressed and grateful that Ted Turner had the desire and ambition to tackle such a BIG project that would be sniped at from all corners for eternity. My goodwill extends to the much weaker (but still defensible) "Gods and Generals"; if they go ahead and produce "The Last Full Measure," I promise I'll be first in line at the movie theater AND pre-order the DVD!

    10 out of 10!
    7F6Pilot

    Excellent, not perfect, but excellent

    With a few notable exceptions Schindler's List, Braveheart, Saving Private Ryan and Glory, history based movies usually die quick and quiet in the movie theater (The Messenger, Ride with the Devil, Cobb) History flicks cost a bundle to make with the costumes and the challenge of finding a place to shoot that's nowhere near highways, bridges, and cities, and they don't always appeal to mass audiences.

    So it's not that often that really good historical film comes around. As a result, it's good not to be too fussy when one does. Both Gettysburg and the Killer Angels, the book it was based on, were stuffed with historical inaccuracies, the grossest of all being the presence of the 20th Maine regiment anywhere near Pickett's charge (this happens in both the movie and the book).

    For all the lengthy soliloquies, historical misses, whitewashed violence, and the fact that only about 30% of the battle of Gettysburg is shown on film, Gettysburg remains as the best effort to capture the sprawling battle of July 1863 on film. Where the movie lacks in realism, it makes up for it's dialogue, and in the scope of the battle scenes, which are on a scale so grand, that the bloodless body count and the inaccurate tactics can be forgiven. The sheer numbers of soldiers taking part in Pickett's charge was breathtaking. Kudos to the reenactors.

    Martin Sheen and Tom Beringer were they're usual excellent selves as Lee and Longstreet and for me, their ongoing debate of the strategy of Gettysburg helped make the movie. Other highlights include the disenchantment of Union soldiers at this stage of the Civil War, and the personal trauma Richard Jordan's Lewis Armistead felt at having to fight his friend Winfield Hancock not only in the same war, but in the same sector of the same battle of that war.

    Much of Gettysburg has to be viewed with a grain of salt, but until a Stephen Speilberg or other directing genius with a knack for war footage comes along, it's one of the best we have. And it's pretty good.
    10Holly26547

    A Woman's Perspective

    This is one of my favorite movies, and the comments of fans on this site notwithstanding, I think it was underrated. From the first time I saw it, it exemplified a personal theory that women (until very recently) rarely see men at their very finest, and that is unfortunately often (obviously not always)in battle. The courage, commitment and humanity that this movie portrays, on both sides of the conflict, moves me to tears every time, and the humanity is key. I don't know enough about the battle to point out any glaring historical inaccuracies, but the acting was exemplary across the board, with Jeff Daniels outstanding. The battle at Little Round Top is one of the finest movie scenes I've witnessed. I particularly like the expressions of respect and awe on the faces of Chamberlin's men when he tells them to "fix bayonets". What's striking is that there was no "good" choice; there was a clear and compelling objective in a much bigger picture, and this schoolteacher rose to the challenge, and his men went with him. This movie conveys a lot-through the long philosophical discourses and the action-about how people behave when they are inextricably joined with other people, for a cause that they don't fully understand, charged with a responsibility that no individual should bear, and with the desire mainly to return to the way things were before. It conveys a lot about true leadership and sacrifice. It conveys that individual choices and motivations always impact others, sometimes on huge scales. Guys, I don't know if you can convince your wives/girlfriends to cuddle up with this film, but I would make the attempt; there are obviously very ugly things that people did to each other in this and any conflict, but if I ever got a sense of the nobility of men and their push in this world, it was from this film.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      During the Atlanta premiere, Martin Sheen was increasingly annoyed by an audience member seated behind him who offered a running commentary of the film's characters, and what was about to happen. When the lights came on for intermission, Sheen turned to confront the person and realized it was former President Jimmy Carter.
    • Gaffes
      When Col. Chamberlain talks to his brother Tom while sitting on the big rock after the Battle of Little Round Top, a car drives by on a road in the background, on the right.
    • Citations

      Colonel Joshua Lawrence Chamberlain: I've been ordered to take you men with me, I'm told that if you don't come I can shoot you. Well, you know I won't do that. Maybe somebody else will, but I won't, so that's that. Here's the situation, the Whole Reb army is up that road aways waiting for us, so this is no time for an argument like this, I tell you. We could surely use you fellahs, we're now well below half strength. Whether you fight or not, that's up to you, whether you come along is... well, you're coming. You know who we are and what we are doing here, but if you are going to fight alongside us there are a few things I want you to know. This regiment was formed last summer, in Maine. There were a thousand of us then, there are less than 300 of us now. All of us volunteered to fight for the Union, just as you have. Some came mainly because we were bored at home, thought this looked like it might be fun. Some came because we were ashamed not to. Many of us came because it was the right thing to do. And all of us have seen men die. This is a different kind of army. If you look back through history you will see men fighting for pay, for women, for some other kind of loot. They fight for land, power, because a king leads them, or just because they like killing. But we are here for something new, this has not happened much, in the history of the world. We are an army out to set other men free. America should be free ground, all of it, not divided by a line between slave states and free - all the way from here to the Pacific Ocean. No man has to bow. No man born to royalty. Here we judge you by what you do, not by who your father was. Here you can be something. Here is the place to build a home. But it's not the land, there's always more land. It's the idea that we all have value - you and me. What we are fighting for, in the end, we're fighting for each other. Sorry, I didn't mean to preach. You go ahead and you talk for a while. If you choose to join us and you want your muskets back you can have them - nothing more will be said by anyone anywhere. If you choose not to join us well then you can come along under guard and when this is all over I will do what I can to ensure you get a fair trial, but for now we're moving out. Gentlemen, I think if we lose this fight we lose the war, so if you choose to join us I will be personally very grateful.

    • Versions alternatives
      Originally filmed as a cable-tv miniseries but briefly released theatrically at 248 minutes. Some video versions add another 30 minutes of new footage.
    • Connexions
      Edited into The Making of 'Gettysburg' (1993)
    • Bandes originales
      Kathleen Mavourneen
      (uncredited)

      Music by F. Crouch and lyrics by Francis Marion Crawford

      Sung outside Longstreet's tent

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    FAQ

    • How long is Gettysburg?Alimenté par Alexa
    • What was the role played by blacks in the battle?
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    Détails

    Modifier
    • Date de sortie
      • 14 décembre 1994 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Los ángeles exterminadores
    • Lieux de tournage
      • Gettysburg National Military Park - 97 Taneytown Road, Gettysburg, Pennsylvanie, États-Unis
    • Sociétés de production
      • TriStar Television
      • Esparza / Katz Productions
      • New Line Cinema
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 25 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 10 769 960 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 913 617 $US
      • 10 oct. 1993
    • Montant brut mondial
      • 10 769 960 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      4 heures 14 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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