Geronimo

This film was part of the revival the western genre had in the beginning of the 90's in the wake of Dances With Wolves. Not all of the westerns from this period are worth seeing (Bad Girls is a good example of that) but there are gems among them. This film, Geronimo: An American Legend being one. It makes an intelligent comment regarding the frankly despicable treatment the Apaches, among other American Indian tribes, recieved at the hands of the American government. In this lies the films strength and the presentation of this theme is the focus of the film's plot. It plays like a historical thesis or argument. This being terrific for people who are looking to know exactly what happened to the Apaches.

However, people who search for great dramaturgical nerve in films should avoid this film. Because there is none. The plot faithfully depicts the historical progress of events and refuses to completely demonize the Whites (although they clearly are being portrayed as the expansionist aggressors)in order to build a protagonist-antagonist plot-structure. This makes the movie slow, and for non-buffs a tedious experience.

Finally, the film has a terrific soundtrack by Ry Cooder and a knock-out performance by Wes Studi as Geronimo!

'Let's start with this: All written history is revisionist. The actual events are revisited and revised in the perspective of the "re-visitor." That said, this remarkably well written, well acted, and generally well executed movie is likely the best account of the "Geronimo Campaign" out there. Head and shoulders above much of the other junk out there about this important American figure. It is, to boot, beautifully filmed and deftly directed. And the narrative approach worked perfectly with this subject. Well worth a couple of viewing hours by anyone who sincerely wants to know what was up with all that.'

This underrated Western (in Germany Hills picture disappears after one week from the cinema) convinces with an excellent script (I realize again, John Milius is much better in writing as directing), a stunning photography and outstanding performances of the lead characters. Studi is great, a wonderful study of pride and his understanding that he never can win his war against white men. Especially this poetic and realistic movie is by comparison with other Indian sagas not a fairy tale from far west. Hill tells the truth and so we see only desperate people and no heroes - on both sides. Great - a must see for fans. I give 8 out of 10 stars.

The valiant, if doomed, Chiricahua Apache tried (as did so many other tribes) to be accommodating after being hounded to the breaking point. Their famous chief, Geronimo, gave himself up voluntarily and tried to lead his people onto the reservation. But, as happened so many times, even after capitulation they were attacked in unwarranted fashion and reacted by leaving the reservation whereupon they were hunted, and hunted, and harried. Some people don't like this film because it tells history more like it was than most movies do about the "conquering" of the American west ... it shows both sides of the story, not just one. With this movie, you can't identify with the hero on one side and the villain or the other. Both are sympathetic, both are reprehensible (isn't that the way a historical drama really ought to be played? In my book, this is a plus). As a native of Arizona, where much of the historical action took place, I find it disturbing that the countryside in which the movie was made is either in some other state or in the wrong part of Arizona, that characters seem to be able to get from Tombstone to San Carlos in one day on horseback (either they had multiple horses, or one dead one), and that there is a bit of overstatement about the honor among the various Apache bands (with reference to the reason that members of some Apache groups served as scouts against other groups). All in all, though, I vote for this one over all the other "Geronimo" movies that have been made.

As others have said, this is an excellent example of a revisionist Western, successful both as a 'quest' film and as history. Despite minor examples of the invariable desire of film-makers to embellish events (Al Sieber in fact died years later when a rock rolled on him while he was clearing a road) this is as close as you'll get to a historically and visually accurate movie account of the pursuit of Geronimo.