Frankenstein

This 1992 version of "Frankenstein" tries to mix up the familiar story by changing a lot of details, with mixed results. Some of the changes are made for budgetary reasons, other stylistically and some just baffled my mind. One of the changes made is that the monster (Randy Quaid) is not pieced together from bodies collected from slaughter houses and dissection rooms, but is created in what I can only describe as a "duplication chamber". Also notable is that the creature learns to speak English by befriending a blind old man in the woods. The old man thinks it to be a foreigner that does not speak English and teaches him how to talk. It's an acceptable substitution for spying on a family that is teaching one of its members to read and write English, like in the original story. Some changes, like creating a psychic bond between the creature and Victor Frankenstein (Patrick Bergin) are problematic, create plot holes and huge leaps of logic in the story. It's too bad that it was handled poorly because if it had been executed well it could have been interesting. I also have to admit that while the duplication chamber thing is kind of a neat special effect, it doesn't work. The main problem I had with it was that because the monster starts off as a perfect clone of the doctor there had to be convoluted ways for the creature to become disfigured to make the rest of the story work. It just didn't lend itself well to this story.

The film has some decent performances, but the plot is inconsistent in its quality and so loosely based on the novel it could almost be its own, unrelated thing. Some elements are introduced then immediately dropped or hastily discarded without much logic. Early on for example, Victor Frankenstein shows us that he is able to create entirely new species of animals by splicing a cat and a snake together and by creating a porcupine/rabbit hybrid. That entire scene comes out of nowhere and is never brought up again. I'm pretty sure it was only included to show off some special effects.

Overall this 1992 film is more of a curiosity than a significant addition to the ever-growing amount of Frankenstein-related material. It might be enjoyed by hardcore fans of the book and story of "Frankenstein" that are simply looking for something different. If that's you by the way, check out "Frankenstein Conquers the World", that is one wacky "sequel" to the original novel. Unlike that film though, there isn't much remarkable about this version of "Frankenstein". At times it's hilariously bad so you can easily skip this one. (On VHS, August 31, 2012)

With the awakening of classic monsters back onto film, such as "Bram Stoker's Dracula" and "The Mummy," it's nice to see a "Frankenstein" film that manages to work nicely.

This was a made-for-cable production, and it was a good attempt. A lot more faithful to the novel than other carnations (but it still freely takes its liberties ), this movie presented some new ideas that were interesting to think about. But the major change was the film's biggest disappointment: The monster was no longer a resurrected assembly of corpses, but a being cloned from Dr. Frank himself. Therefore, they can feel each other's pain and emotions. "Two parts of a single man," as the good doctor states. The twist is more like a "Jekyll and Hyde" idea, rather than the usual father and son relationship. It was a fascinating concept, but not really a good idea for a Frankenstein film claiming it is faithful to the book.

Other than that, it is a top notch job. David Wickes directs with good timing and the suspense it well brought out. Bergin and Quaid are good in the leads as the doctor and the monster, and John Mills also brings in a powerful performance in a cameo as a blind man. This is worth a comparison to the much better "Mary Shelley's Frankenstein," directed by Kenneth Branagh. Both have similar style and terror.

***1/2 out of *****

I really enjoyed this movie, far, far more than the over the top Kenneth Branagh version. Randy Quaid is fabulous as the monster. I particularly loved the monster in this film, as he was very sweet and childlike until he had negative experiences with humans. His expressions were very poignant and heartfelt. Also, the concept of Frankenstein feeling his monster's pain was original and interesting. Definitely impressive for a made-for-tv movie!

There have been so many versions of this story made that it would almost seem superflous to make another, yet this is the best version that I have seen because it is the most faithful to Mary Shelly's book. I saw the classic 1931 version where Karloff was the monster and he would have been proud of Quaid's performance. People who know Randy Quaid only for his role as "Cousin Eddie" in the Chevy Chase vacation films would be astounded by his fine work here. He does a remarkable job of making the monster both scary and pitiful as society treats him so badly. He screams at Frankentstein "Why did you make me like this". The scene where he murders Frankenstein's family is the most disturbing part of the film. This is a great film and with the exception of Karloff's version, it is the best Frankenstein that I have ever seen.

This Version of Frankenstein is the best!

I won't even waste my time criticizing Branagh's Version. Branagh's Version stays with the book until it is time for the monster to kill Victor's wife,then Branagh throws in this ridiculous resurrection of Elizabeth scene which was totally horrible. Branagh ended his movie exactly as the book ended with the monster and his dead master floating away on a sheet of Ice burning up.

This Version of Frankenstein was made in 1993 for TNT. It was one of the first original movies made for that network, Gettysburg premiered that same year on that station.

This version stays pretty close to the basic plot of the book but it adds a twist. The Death of Elizabeth is exact to how she died in the book, the monster breaks her neck, the rest of the scene was different from the book.

The film adds some new twists to the story that make it all the more interesting. William is a teenager in this version not a child and has a somewhat different role.

This version remains pretty faithful to the basic plot of the book not the details of the book like Branagh attempts to stick to in his version but pathetically failed at towards the end.

John Cameron did a superb job with the music score for this film!

I give this film 4 stars. Excellent viewing for a rainy day!