NOTE IMDb
7,1/10
8,6 k
MA NOTE
Dans la Chine ancienne, Fong Sai Yuk, un jeune expert en arts martiaux, court au secours de son père, engagé dans la résistance contre un empereur tyrannique.Dans la Chine ancienne, Fong Sai Yuk, un jeune expert en arts martiaux, court au secours de son père, engagé dans la résistance contre un empereur tyrannique.Dans la Chine ancienne, Fong Sai Yuk, un jeune expert en arts martiaux, court au secours de son père, engagé dans la résistance contre un empereur tyrannique.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 3 nominations au total
Avis à la une
Unless you believe that all films must be deep and meaningful, you'll love this film. For just pure entertainment, this film is hard to beat. This beats most action films out of the west. Its special effects are due totally to the stars' martial arts skills, not some gazillion dollar budget and special editing. The plot is wonderful. Besides, who can resist a film where the hero, if he's is in danger, will call on Mom to beat up the enemy? Sit back, get out the popcorn, and be prepared to be wildly entertained.
Believe it or not, this was the movie that introduced me to Jet Li. I was immediately hooked. I've read reviews that discredit the dub into English, but I found it easy to overlook this -- in fact, I found it to be somewhat hilarious. This film has all the makings of a great movie. There are no sub-plots that do not get resolved. The servant who always bawls whenever Jet Li's character get's set to go away for a minute or two is downright hilarious. That's one of the unique things about this movie: with so much drama they managed to make a hilarious movie, as well. As usual, the kung fu is extraordinary. In particular, there are a few scenes in which the opponents face off and the camera takes a moment to pause and let the viewer see the poses from a brilliant perspective. This will always be one of my favorite Chinese films.
Fong Sai Yuk I&II were the first 2 HK movies I saw, though an accident of video recording meant that I had to wait at least a year to see the beginning of Pt I and the end of Pt II. Even in incomplete form, the two films were enough to make me an instant fan of HK Cinema (after years of disappointment with the Hollywood fare I'd been exposed to). I think they're possibly the best introduction to the territory's movie industry there could be... if you don't love Fong Sai Yuk, chances are Hong Kong Cinema is not the cinema for you. It's a rare example of everything coming together, if not perfectly then at least very well.
The solid script from Jeff Lau is the anchor without which the movie would not have succeeded. In typical Jeff Lau style it bounces all over the place, from stupid comedy to high (melo)drama via a little romance and the obligatory gender confusions, and of course leading into the incredibly imaginitive action sequences choreographed by director Corey Yuen and former opera brother Yuen Tak.
The production values for the movie are very high, if not quite as slick as the Once Upon A Time In China movies they clearly aspire to emulating. Ann Hui is credited as Production Designer here, a rare role for the critically adored director. The cinematography from Jingle Ma is top notch, framing the luscious sets and costumes and the action very well. The soundtrack from James Wong (with regular partner Romeo Diaz) seems a little too close to his score for OUATIC in places, but mostly does a commendable job.
Jet Li has said that Fong Sai Yuk is the character that most closely resembles his real personality from all those he's played. From the small time I've spent in Jet's company I'm not sure his self-image is entirely accurate, but he's probably in a better position to judge than me Certainly Fong Sai Yuk is a very likeable chap the way Jet plays him, and you can tell Jet was 100% into the character and the project. Despite this, the show is unequivocally stolen by Josephine Siao Fong-Fong as Fong Sai Yuk's kung fu fighting mother. She plays her character to perfection, showing a fantastic knack for comedy which I'm not sure she ever got to display in her roles when she was "in her prime" and also kicking ass in . Sibelle Hu also steals a fair amount of screen as the mother of Fong Sai Yuk's love interest (the beautiful Michelle Reis), and wife of semi-villain Tiger Lui (Chan Chung-Yung?), who also shines with an affably overstated performance. Of all the cast, Fong Sai Yuk's father (Paul Chu Kong?) is probably the only one whose performance is rather weak and forgettable. Main villain Chiu Man Cheuk is conspicuously far more charismatic and convincing than in any other movie he's been in apart from The Blade.
Fong Sai Yuk could be described as a light-hearted riff on the wire-fu wave launched by Once Upon A Time In China. Certainly humour is brought to the front here whilst the politics is pushed quite far to the back. Hong Kong humour can be an acquired taste, and the jokes sometimes fall flat in Fong Sai Yuk. Jeff Lau's jokes are generally a bit hit or miss, but he aims so wide that it's not surprising. There are some genuinely funny moments though.
When it comes down to it, the action scenes are what really got me hooked when I saw the movies though. Since Tsui Hark raised the bar several notches above anything people had imagined possible for fight scenes when he made Once Upon A Time In China, the Hong Kong choreographers had been engaged in a battle to see who could produce the most inventive and outlandish action scenes. The best of the bunch tended to be in Jet Li's movies, and the fights in Fong Sai Yuk are fine examples of HK creativity. Purists will no doubt cry that the fight scenes rely too heavily on wires, editing and stunt doubles, but I'm sure that Bruce Lee's statement about missing all that heavenly glory applies here. Grandly conceived if not flawlessly executed, the fights in Fong Sai Yuk were especially impressive to these innocent eyes that had never seen action Hong Kong style before. "How the? What the? Did they just?" etc etc. I wish they'd spent just a little bit more time tightening up the camera angles and hiding the obvious doubles better, but I can't fault them for ambition. I think the movie won the "best action" award that year, which is pretty impressive for a HK movie made in 1993, the year the new wave style reached its peak.
Fong Sai Yuk is definitely a movie that has a special place in many fans hearts, even though it does have too many mis-fired jokes and rough edges to be called a true masterpiece. Still a must see for any fan of Hong Kong cinema though, a wonderfully representative example of what makes it so special and unique.
Sadly, the DVD owner that wishes to watch Fong Sai Yuk is faced with only 3 choices, none of which are particularly appealing. They are:
1. Original Universe HK DVD with Mono sound. One of the earlier HK DVDs, basically a laser disc badly transfered to the smaller radius medium. Burnt in subs, washed out picture from a dirty print and badly framed such that the picture drifts up and down throughout, sometimes cutting subtitles in half.
2. Universe "Remaster" HK DVD with 5.1 sound. New picture transfer that now looks more like VHS than laser disc thanks to excessive edge enhancement, but at last removable subtitles that are clear and easy to read. Unfortunately the disc is totally ruined by the worst 5.1 remix *ever*. Sounds like it was mixed in a bathroom by a monkey with a rat in his head. Crap new sound effects totally mis-timed and with completely random levels, dialogue mixed to fit listeners on a heavy acid trip and... well, it's horrible actually. I tried it for 15 minutes then switched back to the original disc.
3. "The Legend" - absurdly retitled and otherwise Disney-fied release that doubtless looks miles better than either HK disc, but is rendered totally worthless by the inexcusable failure to include the original Cantonese language audio and English subtitles. If this is all you've seen, you've not seen the movie at all. It's probably cut by 30 minutes and re-scored with rap music, knowing Miramax's utter contempt for their catalogue and audience.
I think the best versions of the movies I have are still the long play VHS copies recorded from Channel 4 in the UK before I discovered DVD, to be quite honest. A ridiculous state of affairs for such a classic movie!
The solid script from Jeff Lau is the anchor without which the movie would not have succeeded. In typical Jeff Lau style it bounces all over the place, from stupid comedy to high (melo)drama via a little romance and the obligatory gender confusions, and of course leading into the incredibly imaginitive action sequences choreographed by director Corey Yuen and former opera brother Yuen Tak.
The production values for the movie are very high, if not quite as slick as the Once Upon A Time In China movies they clearly aspire to emulating. Ann Hui is credited as Production Designer here, a rare role for the critically adored director. The cinematography from Jingle Ma is top notch, framing the luscious sets and costumes and the action very well. The soundtrack from James Wong (with regular partner Romeo Diaz) seems a little too close to his score for OUATIC in places, but mostly does a commendable job.
Jet Li has said that Fong Sai Yuk is the character that most closely resembles his real personality from all those he's played. From the small time I've spent in Jet's company I'm not sure his self-image is entirely accurate, but he's probably in a better position to judge than me Certainly Fong Sai Yuk is a very likeable chap the way Jet plays him, and you can tell Jet was 100% into the character and the project. Despite this, the show is unequivocally stolen by Josephine Siao Fong-Fong as Fong Sai Yuk's kung fu fighting mother. She plays her character to perfection, showing a fantastic knack for comedy which I'm not sure she ever got to display in her roles when she was "in her prime" and also kicking ass in . Sibelle Hu also steals a fair amount of screen as the mother of Fong Sai Yuk's love interest (the beautiful Michelle Reis), and wife of semi-villain Tiger Lui (Chan Chung-Yung?), who also shines with an affably overstated performance. Of all the cast, Fong Sai Yuk's father (Paul Chu Kong?) is probably the only one whose performance is rather weak and forgettable. Main villain Chiu Man Cheuk is conspicuously far more charismatic and convincing than in any other movie he's been in apart from The Blade.
Fong Sai Yuk could be described as a light-hearted riff on the wire-fu wave launched by Once Upon A Time In China. Certainly humour is brought to the front here whilst the politics is pushed quite far to the back. Hong Kong humour can be an acquired taste, and the jokes sometimes fall flat in Fong Sai Yuk. Jeff Lau's jokes are generally a bit hit or miss, but he aims so wide that it's not surprising. There are some genuinely funny moments though.
When it comes down to it, the action scenes are what really got me hooked when I saw the movies though. Since Tsui Hark raised the bar several notches above anything people had imagined possible for fight scenes when he made Once Upon A Time In China, the Hong Kong choreographers had been engaged in a battle to see who could produce the most inventive and outlandish action scenes. The best of the bunch tended to be in Jet Li's movies, and the fights in Fong Sai Yuk are fine examples of HK creativity. Purists will no doubt cry that the fight scenes rely too heavily on wires, editing and stunt doubles, but I'm sure that Bruce Lee's statement about missing all that heavenly glory applies here. Grandly conceived if not flawlessly executed, the fights in Fong Sai Yuk were especially impressive to these innocent eyes that had never seen action Hong Kong style before. "How the? What the? Did they just?" etc etc. I wish they'd spent just a little bit more time tightening up the camera angles and hiding the obvious doubles better, but I can't fault them for ambition. I think the movie won the "best action" award that year, which is pretty impressive for a HK movie made in 1993, the year the new wave style reached its peak.
Fong Sai Yuk is definitely a movie that has a special place in many fans hearts, even though it does have too many mis-fired jokes and rough edges to be called a true masterpiece. Still a must see for any fan of Hong Kong cinema though, a wonderfully representative example of what makes it so special and unique.
Sadly, the DVD owner that wishes to watch Fong Sai Yuk is faced with only 3 choices, none of which are particularly appealing. They are:
1. Original Universe HK DVD with Mono sound. One of the earlier HK DVDs, basically a laser disc badly transfered to the smaller radius medium. Burnt in subs, washed out picture from a dirty print and badly framed such that the picture drifts up and down throughout, sometimes cutting subtitles in half.
2. Universe "Remaster" HK DVD with 5.1 sound. New picture transfer that now looks more like VHS than laser disc thanks to excessive edge enhancement, but at last removable subtitles that are clear and easy to read. Unfortunately the disc is totally ruined by the worst 5.1 remix *ever*. Sounds like it was mixed in a bathroom by a monkey with a rat in his head. Crap new sound effects totally mis-timed and with completely random levels, dialogue mixed to fit listeners on a heavy acid trip and... well, it's horrible actually. I tried it for 15 minutes then switched back to the original disc.
3. "The Legend" - absurdly retitled and otherwise Disney-fied release that doubtless looks miles better than either HK disc, but is rendered totally worthless by the inexcusable failure to include the original Cantonese language audio and English subtitles. If this is all you've seen, you've not seen the movie at all. It's probably cut by 30 minutes and re-scored with rap music, knowing Miramax's utter contempt for their catalogue and audience.
I think the best versions of the movies I have are still the long play VHS copies recorded from Channel 4 in the UK before I discovered DVD, to be quite honest. A ridiculous state of affairs for such a classic movie!
10DunkD
I finally managed to get my hands on a copy of this movie, and all I can say is WOW! Wow, because I didn't understand what the hell was going on for the whole movie, the subtitles were so badly misaligned. But mainly WOW! because it didn't matter a jot that I couldn't tell what the plot was as the film is just one amazing "fight" scene after another. This film defies belief, and description. If you like martial arts movies, check this out. If you enjoyed Crouching Tiger, check this out. If you love MAD films check this out.
There is a scene in which Jet Li fights the mother of the woman he has a crush on entirely on the HEADS of a crowd! Then HIS mother has a fight with the first woman.
From the opening scene you will see that this is a piece of genius. The plot doesn't matter. This is pure spectacle.
When you see these people move you will realise that the USA can never invade China. They just have all the tricks in the book. They wrote the tricks. I wish I had seen this when I was 9. It would have changed my life totally.
There is a scene in which Jet Li fights the mother of the woman he has a crush on entirely on the HEADS of a crowd! Then HIS mother has a fight with the first woman.
From the opening scene you will see that this is a piece of genius. The plot doesn't matter. This is pure spectacle.
When you see these people move you will realise that the USA can never invade China. They just have all the tricks in the book. They wrote the tricks. I wish I had seen this when I was 9. It would have changed my life totally.
The martial arts sequences in this movie are incredible. This is one of Jet Li's best movies. It really shows of a lot of his skills, and is quite entertaining at the same time. There are a lot of fight scenes but they co-inside well with an intricate story. It's not just a fight movie.
The story is a bit involved and there are sub-plots I have not described. But this movie is well worth buying. I wish I could get a copy of Fong Sai Yuk 2, because I would love to see more of this movie.
Synopsis: Fong Sai Yuk is a late teen with a lot of martial arts skill, taught to him by his mother, equally as good. His father is part of a resistance against the empire. When the empire finds out that Fong Sai Yuk's father is the lead the are out for blood. Fong Sai Yuk, mean while meets and fights for a girl he wished to marry. Oh the eve of his wedding night, the empire and the Fong Family accidentally meet at the dinner table. Fighting erupts and they must fight or flee.
The story is a bit involved and there are sub-plots I have not described. But this movie is well worth buying. I wish I could get a copy of Fong Sai Yuk 2, because I would love to see more of this movie.
Synopsis: Fong Sai Yuk is a late teen with a lot of martial arts skill, taught to him by his mother, equally as good. His father is part of a resistance against the empire. When the empire finds out that Fong Sai Yuk's father is the lead the are out for blood. Fong Sai Yuk, mean while meets and fights for a girl he wished to marry. Oh the eve of his wedding night, the empire and the Fong Family accidentally meet at the dinner table. Fighting erupts and they must fight or flee.
Le saviez-vous
- AnecdotesA comparison of the Hong Kong and American versions of Fong Sai-yuk illustrates the impact of Miramax's tinkering and its effect on the viewing experience. Directed by Corey Yuen Kuei and starring Jet Li, Fong Sai-yuk involves the youthful adventures of the titular hero, a legendary Cantonese martial artist who was trained by his mother and inspired several series of films. Miramax released its version on DVD through its Dimension label, re-titling it The Legend, cutting approximately ten minutes, and adding a new score and a English dubbed dialogue. An analysis of two sample scenes - one involving changes in music and dialogue, the other also featuring excised material - suggests that the American version is not only more taut, inoffensive, and consistent in tone than the Hong Kong original, but also offers a substantially different interpretation of character motivations and relationships. It is also simply not as funny.
- Citations
Fong Sai-Yuk: [assaults "intruder"] Who are you?
Mother Fong: [removes disguise] I'm your mother.
Fong Sai-Yuk: Wow. Mom! You look just like a man!
Mother Fong: Yeah, and I just won Tiger Lu's daughter's hand in marriage.
Fong Sai-Yuk: Does Dad know?
Mother Fong: Nooo!
- Crédits fousIn the original Hong Kong cut, the final scene has Tiger throwing the Red Flower scroll into the air where it unfurls. The closing credits then roll down a parchment labeled "Red Flower Society Name List", as if the entire cast and crew were members of it.
- Versions alternativesUK version was cut by 1 sec. for sight of real animal cruelty (horse tripped so that it falls forward onto head) due to BBFC policy and the Cinematograph Films (Animals) Act 1937.
- ConnexionsFeatured in The Art of Action: Martial Arts in Motion Picture (2002)
- Bandes originalesExcerpts
from Shu gim yan sau luk (1976)
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Détails
- Durée
- 1h 40min(100 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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