Extreme Justice

Unlike what one reviewer said this is NOT a ripoff of Magnum Force. In that one Lieutenant Hal Holbrook put together his own little squad from Academy rookies to dispatch repeat offenders. In Extreme Justice this operation has the sanction from the higher ups of the LAPD. Just how far they sanction the exact methods used is open to question.

This Special Investigations Squad seems to be quite the haven for the misfits of the LAPD, those that have forgotten their first duty is protection and service. Which is why Scott Glenn thinks Lou Diamond Phillips, a detective with more than his share of beefs with Internal Affairs for excessive use of force, is perfect for the squad.

What should have sent him running from Phillips is the fact he's got a nice live-in relationship with a reporter, Chelsea Field. That one certainly threw me in this film, you'd think that Lou would be the last guy he'd try to recruit for his team.

And what his team is, is a death squad. They target perpetrators follow them and wait to catch them in the act. Then it's open season.

Extreme Justice went very overboard in trying to make a point. There sure would have been no harm in waiting for a gang of bank robbers to finish the robbery and taking them down outside. No civilians got hurt when the citizens of Coffeyville did that to the Daltons. Or waiting until three rapists finish the job before moving in. That's what were asked to believe here.

And frankly I couldn't buy it. A lot of good players get really wasted in this one.

I love it when films about these low profile organizations (like the SIS in this film or secret societies in The Skulls). Because I never heard of these organizations and I watch a film that when watching, I have the mentality of it just being a movie. Turns out these organizations exist. Well, in 1993, a little TV movie called Extreme Justice was made and it is about the SIS. Now before I go any further, research does say that this is a TV film (at least in the US) and the only lead I got was that this premiered on LifeTime which is something I highly doubt seeing that LifeTime (at least now) is geared towards women. Extreme Justice was directed by Mark L. Lester (The Base and The Base 2: Guilty as Charged). The film stars Lou Diamond Phillips (Stand and Deliver, and made appearances in 24), Scott Glenn (Apocalypse Now and The Silence of the Lambs), Yaphet Kotto (Alien and The Running Man), and Ed Lauter (Golden Years and I found out recently had an uncredited role in Talladega Nights).

Jeff Powers (Lou Diamond Phillips) is reassigned and put into the SIS. The SIS is a group of police officers who take down the worst of criminals by following them and catching them in the act. But Jeff is starting to realize that things may be going too far.

For those who do not know, Mark L. Lester would later go on and direct two films. The Base and The Base 2: Guilty as Charged. But it is the latter that I keep finding similarities between the two films. But it is this film that I like better. First off, I came in expecting some sort of buddy cop film that was violent enough that it would be allowed on television. But, it went a more serious route for the most part but still retained enough violence to satisfy my tastes (and hopefully it will satisfy the biggest of gore hounds when it comes to action movies). The whole story is a pretty generic and does nothing to stand out. It plays it safe. The whole moral conflict about killing and whatnot or just any sort of moral conflict has been done before and I cannot say I was a bit surprised by the overall outcome when it came to the end of the film. But, with that being said, it still is pretty entertaining for the most part. As mentioned before, the violence is enough for most people to easily handle and take in. The shootouts/action is pretty standard yet do not take it all as a negative. This is a TV movie (I think, unless this was a late night movie where you did not have to have anything censored) and you won't be seeing anything on a grand scale. Plus, it is the early 90's so good luck trying to get any big action on TV. The performances are actually fairly good and I usually find the best acting coming from the scenes filled with arguing. I know it sounds weird, but having tense scenes like that truly show how good these actors can be. Lou Diamond Phillips plays the long haired, young and cocky cop (and looks like he could be some bass player for some 90's rock band). A role that has been done before but I still had some fun watching him. The film flows fairly nice and does not slow down. If the film had any signs of slowing down, I would probably think that this film would have worked better as a TV show. Now, coming to think about it, it should have at some point!

Extreme Justice is nothing extraordinary but it does the job in being a TV movie. Something you turn on and be entertained by. It has some violence and good acting on top of the entertainment value.

The low user rating on here is quite dichotomous to the actual quality of the film itself.

Not to be confused with Walter Hill's timeless action-Westerner, Extreme Prejudice, Extreme Justice is a fairly straight-to-the-point action flick that wasn't made to horde awards. It's no high-brow art piece, not by any stretch of the definition, but it is highly entertaining and moves at a rapid clip from start to finish.

I'm not going to rehash the description of the film, but I will say that story-wise it's interesting for what it is but the execution is 100% cliché. You can see the ending coming a mile away, but how it gets there is what makes it such a fun watch.

There are shootouts sprinkled all throughout the film from start to finish. There's hardly ever a dull moment. The one leading female character even manages to strip down early in the film for some not-too-gratuitous fan-service. Something that we rarely see in action movies today.

What's interesting about this film, though, is that it feels more like it came out of the late 1980s rather than the early 1990s.

There's like a checklist of typical 1980s bad-action movie tropes that the film fulfills, but it's all done in a great and entertaining way. For instance, each of the shootouts are chock-full of unconventional street weaponry, especially used by the S.I.S., squad. The results from these shootouts are always bloody and borderline gory.

In this way, Extreme Justice taps into the short-lived 1980's ultra-violence run that took Hollywood by storm before Conservative bench-warmers on the church pews and concerned Liberal Democrats took to the congressional halls to bemoan Hollywood and television's obsession with gun violence.

If you're a fan of top-notch squibbing the likes of which would make Paul Verhoeven nod in approval, and a shoot-first, ask-later style approach to the action sequences (many of which may as well have come straight out of the Death Wish series) then you're definitely going to find Extreme Justice enjoyable.

Mark L. Lester has directed some of the most enjoyably trashy movies ever ("Roller Boogie," "Class of 1984," "Gold of the Amazon Women" etc.), mostly working in the low-budget direct- to-video or TV movie realm though he briefly entered the mainstream with the Stephen King adaptation "Firestarter" and Stallone vehicle "Commando." I haven't seen much of his more recent work, but always perk up when I see his name on a DVD or old VHS tape--his movies are sometimes ridiculous but they're almost always energetic and entertaining.

This is actually one of his more respectable efforts, as it's a fairly effective indictment of police corruption that was made at a time when LAPD was under close scrutiny for just that. Lou Diamond Phillips plays a conscientious (but incongruously long-haired) young police officer recruited to a special unit, teamed with his mentor Scott Glenn. They're assigned to track down serial murderers, rapists and robbers, but somehow every time they apprehend the bad guys, all the perps and usually a few innocent bystanders end up dead--the whole squad is way too trigger-happy, esp. Glenn. Phillips gets increasingly uncomfortable with this, leading to the inevitable tension (a la the later "Training Day") between cop veteran and newbie partner.

Both leads are good, the violent action is solidly handled, and the movie is less campy but no less fun than many of Lester's other films. It's nothing great, but it's a solid "B" flick.

Supposedly this film when it came out caused a bit of a stir and controversy by claiming that the idea behind the premise (an elite group of LAPD cops operating outside normal police guidelines that target high-profile criminals) was inspired by facts. The idea is scary (bystanders sometimes considered necessary sacrifices), but not particularly new as it did remind me of the Dirty Harry sequel; "Magnum Force". Although this death squad were not rogues operating outside the law as in that film; well that's what they like to think in what is an official unit. "Extreme Justice" might be audacious, but what occurs is by-the-book and formulaic.

Director Mark L. Lester's mechanically brazen handling balances the tough action with the not-so black-and-white context. Some set-pieces are frenetic and raw, chucking in foot-chases, car-chases, bloody shootouts and Mark Irwin's sweeping photography. Sure it can be somewhat heavy-handed and morally bounded, but Lester keeps it reality bounded and it's the lead performance of Scott Glenn that sells it. He plays the leader of the S.I.S (Special Investigation Section) unit. Glenn's outstanding performance is lean, but also ballsy and cynical as you can see it beginning to affect him. Lou Diamond Phillips suitably plays the brash, but idealistically rough newcomer to the squad who actually begins to question the methods in how they go about getting the job done. Watching the two go at it fuelled some tension in between the set- ups after set-ups. There's good support from the likes of Yaphet Kotto, Chelsea Field, Richard Grove, William Lucking, L. Scott Caldwall and Ed Lauter as the police captain. Daniel Quinn and Andrew Divoff play some criminals. While also look for action stuntman Larry Holt and stuntman / actor Bob Minor.

"Trust me amigo. You're made for this work."