Chute libre

I first saw this in the mid 90s on a vhs. Revisited it recently on a blu-ray. I thoroughly enjoyed viewing this again after so many years. This movie is still relevant today no matter which country u belong to. Michael Douglas' hypnotic performance is the highlight of this film. Everything about him, from his half sleeve plain white shirt, to his briefcase, his lunch, his specs and his torn shoes all screamed average middle class. The best line of the film is when Douglas asks Duvall, I am the bad guy?

I don't know but I was laughing my guts out while viewing this film. The guy who played the neo Nazi is creepy n hilarious. The cosmetic surgeon's house scene, the golf ground scene, the burger scene n the store scene, I found all these scenes darkly comical. Douglas' middle class person act is mind blowing. He potrayed the character who has to go thru everyday nuances very well. Working hard still ain't able to purchase a house, non payment of rent, road n traffic issues, employment issues, etc. The effect of consumerism has on each of us is dealt with properly in this film. The funny part is that the rich doesn't care about inflation or monetary probs, the poor gets government n ngo's aid while the middle class is stuck between em like a sandwich. The government doesn't care about him, they care about vote banks and that lies within the poor community.

This movie is brilliant. It's severely underrated, criminally misunderstood, and I believe, totally ahead of its time. In "Falling Down", Michael Douglas has brought to life one of the most believable, likeable, and disturbing antiheroes of all time. It's a poignant tale of the everyman finally getting sick of the various stupidities, banalities, and irritabilities (I'm coining that if it's not already a word) that plague our modern life. It's a film that, at the beginning is as hilarious as it is true, but as the film continues, it proceeds to become more real, more disturbing, but also more grounded in its message. It's ridiculous and insane, but it also cuts deep to the truths that all of us feel at times. I've seen a number of Joel Schumacher's films, but this is the only one I could imagine myself watching multiple times. It depicts the American dream better than most films out there. It shows the everyman's struggle to conquer what he believes is wrong. It gives us a person to root for who is idealistic and filled with bravado, but also a man who is seriously flawed. I really believe this picture was ahead of its time; it didn't get incredible reviews, but I'd argue it's Joel Schumacher's crowning achievement.

The older you get, the more you will make sense and understand this movie

Take the hottest day of the year, a traffic gridlock, cracked pavements, dirty streets, unwarranted hostility and a general feeling of being short changed. Then add the frustrations of having an estranged wife and child, an extremely jaded and unbalanced mindset, and the frustration of being obsolete with no marketable skills. Set them against the decadent back drop of modern day LA where if you are 'Not economically viable,' you are of no use, and the result is Falling Down.

The tag line 'The Adventures of an Ordinary man at War with the Everyday World,' makes Joel Schumacher's masterpiece sound like the benign story of a working stiff with issues. However Falling Down is a dark and engrossing urban fable, a study into the mind of the disenfranchised and reminder to all that the removal of comfort is a lot closer than we care to believe.

Full of clichés, like the cop on his last day before retiring, Falling Down bravely meets all expectations of stereotypes, rather than challenging them, making for a realistic reflection of a failing society. Here, a man in extremis, without the feral cunning or killer instinct required for a life in the street, makes his way on anger and luck alone, somehow surviving to leave a paper chase of violence and destruction behind.

Relying heavily on symbolism, illustrating a flip side of America running parallel to the hunky dory world occupied by the successful, the over all message of 'No Matter, Never Mind,' is clear in this world where children play next to vagrants dying from AIDS and Korean grocers can legally steal from the public with their overpriced goods.

Michael Douglas displays some hitherto unseen talent as the unbalanced D-FENS, as he casually totes gang weapons (complete with rubber bands on the grips) in his formal shirt and tie, does battle with store owners and comes up against fast food restaurants, homeless people, gangsters and Nazis. Robert Duval is equally brilliant as the desk jockey on his final day, determined to stop anyone else from being hurt, including the perp.

There is, of course, a small amount of Hollywood sentimentality thrown in for good measure, however the dynamics of such a strong narrative make this completely forgivable and it's possible to overlook this as a flaw given the film's overall strengths.

Praise surely has to go to Ebbe Roe Smith for writing one of the finest scripts ever to grace celluloid. Known for bit parts and cameos, who the hell knows who Ebbe really is? Look on IMDb to find out (if you're a geek like me) or release him into the ether if you don't care. The truth is, he's out there. The question is: Where's the next script?

On the whole, Falling Down is a powerful and dramatic indictment of American culture, societal decadence, and the failing values of the West. It's not for everyone and will most certainly offend some, but if approached with an open mind, will provide plenty of fuel for thought.

I watched 'Falling Down' when it originally came out in 1993 here in Texas and also again when I recently visited Los Angeles to write a book about it last January. This is an incredible movie whereby it spins an allegory about one man's descent into hell and the society which represents this hell. There are no winners in this plot and I see occurrences similar to what I experienced in Los Angeles during 2006. I feel this could happen to any person regardless of race or gender. In this case, he was a white middle aged man with many issues. The movie seemed realistic is some instances but drifted away to Hollywood fantasy (the bazooka scene later in the movie). Do we see similar cases like this today? This could definitely happen in any community in the United States for any of the reasons defined in the movie. One should watch this and then understand many of the frustrations which many people don't assume affect different sectors of society. Because one dresses in a shirt and tie does not mean that a calm demeanor lies beneath the surface such as what the allegory of this movie is stating. I consider this one the best of '93 and well worth buying or watching. I will be watching this again in Lubbock, Texas and with my cousin and friend in Los Angeles.