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It has been 26 years since this movie came out. I saw it finally yesterday after desiring to see it since it was first advertised on circuit all those years ago. And what's my synopsis of this semi-vintage movie?...brilliant! So worth it! So much better than I ever imagined it could be! And not outdated at all! I expected it would be a novel, fun, action-packed movie about a guy who's had enough; with something of a pointed statement/indictment against our modern urban society. And it is that...but also so much more! This film is a masterpiece; it is beautiful and poignant art. There is not a scene or a shot or an utterance that is not absolutely intentional, loaded with depth and/or intrinsic to both the unfolding narrative and to its poetic depiction of humanity and the state of the world. It's a film that makes me feel robbed for having watched dozens of mindless one-dimensional action movies over these years. The writer (Ebbe Roe Smith), the director (Joel Shumacher), the awesome actors Douglas and Duvall and everyone involved with this production do not deserve a tinselly Oscar...they deserve a medal! And this movie deserves a shelf at the Louvre! And it most certainly deserves to be watched! As for me, I will be grabbing my shovel and go tracing the seam of movies from these great artists in search for more undiscovered gold. Last words: know that the language is not toned down and the very hard, very real issues that it deals with are weighty, so it's not for every audience or every occasion. But it couldn't have been any other way for being a look on real life. Phenomenal though that there is such hopefulness, joy, inspiration, overflowing humour and clever wit in this story. It is not at all a dark or depressing or ugly movie while it deals with matter in our society that is just that. It is like a great red wine that has the sweet and the bitter and the dry just perfectly balanced ... you take a sip, savour it and sigh out, in deep satisfaction!

"Falling Down" is a film that intends to point out the many quirks and oddities of modern urban society. It succeeds in doing so, but one must look carefully. Each situation Bill Foster (Michael Douglas) faces is one that most people can relate to. However, unlike most people he decides to "fight the system" and wage war on the everyday annoyances that we all face. Foster is a People's Champion. To illustrate this, most people who watch this film naturally pull for him and see him as being a hero, mostly out of pure sympathy. However, at the end of the day, Foster is still "the bad guy" for going against the societal grain. Most viewers will find this upsetting or even unfair, considering that he fought back against many criminals and unjust forces.

Where Falling Down fails at times is during the scenes where it attempts to do too many things at once. The bits of humor throughout the film are mostly derived from over-the-top scenes, and at times Foster's actions seem cheesy and unrealistic. The fact that the film is two stories in one (Foster and Prendergast) provides a good contrast because the viewer gets to see both sides of the story. On one hand, we see an ordinary family man going bezerk (but in a way most of us can understand) and on the other hand we see a cop who believes Foster is a complete psychopath. Only the audience knows the truth. The film could have done without some of the lame subplots such as Duvall's marriage, even though those scenes illustrate his perception of being "weak" or "whipped". The film sets out to do a lot at once, which is quite necessary to create a thorough storyline, but at times doesn't come out right on film.

One scene that I have always found moving and powerful is the scene where Bill Foster sees the man who is "Not Economically Viable" protesting outside of the bank that denied him a loan. As everyone on the busy street goes about their business and ignores this man, Foster (and the viewer) are focused directly on him. Foster obviously sympathizes with this poor, hardworking man who is also being stepped on by society. As the man is escorted away in the police car he looks directly at Foster and says "don't forget me". In a gesture of sympathy and appreciation, he nods to him. The two characters share a connection. It is especially important to notice the symbolism of this scene. Both men are wearing the exact same outfits: a white short-sleeved dress shirt, black tie and black pants. They are on the opposite sides of the street. When they look at each other, even though they are white and black, it is as though they are looking into a mirror and seeing the same thing: a victim of society.

Overall, a slightly sad story that tries to do a whole lot, succeeds in most of it and provides lots of entertainment. A good storyline and an excellent observation of modern society.

This probably will not everybody's cup of tea, but if you're having a bad day it will be difficult not to relate to D Fens (Douglas). It's probably not an accident that there's quite a few similarities in the lives of D Fens and retiring police officer Prendergast (Duvall). As with most good films it also makes you think a bit. At what point does D Fens cross the line ? I'd suggest the Whammy Burger joint, but he does have a point with his flat burger and 2 minutes late for breakfast. The point of no return is a truly sinister scene.

Joel Schumacher's career has gone down the drain since this movie, for now he is just trying to make stupid movies with no sense and style. However this proved to be one of his best films. Michael Douglas portrayed William Forster perfectly, giving us a character who is both sensible and psychotic at the same time. The whole scene with Douglas in the fast food restaurant was priceless, giving a voice to the typical angry consumer. So many messages in the film really brought out the stereotypical infuriated American, and gave us the reactionary nature of such an individual. While this film will most likely leak in to the annals of obscurity, this one will always remain in my video collection.

The older you get, the more you will make sense and understand this movie