Opération panthère noire

This film essentially begins during the American Civil War with a couple of Confederate soldiers stealing some gold that was being transported by the Union Army. One of them is wounded and dies trying to escape enemy patrols while the other is killed by Indians somewhere in East Texas. Before he dies, however, he manages to write about the stolen gold in his journal and subsequently buries it as well. The scene then shifts to the present day with two federal agents named "Chris Cannon" (Bruce Penhall) and "Mark Austin" (Mark Barriere) planning to conduct a raid on a Bolivian drug lord by the name of "Santiago" (Rodrigo Obregon). Just prior to that, they are joined by a female agent named "Becky Midnight" (Suzi Simpson) who has only recently graduated from training. In spite of that, she performs her duties quite well and the drug raid is a tremendous success. What none of them realize, however, is that Santiago has certain resources at his disposal and he is not somebody who can tolerate any interference in his illegal business enterprises. Now, rather than reveal any more, I will just say that this film had a certain amount of potential but it was undermined to a great degree by a poor script and extremely weak acting. Admittedly, these weaknesses were mitigated somewhat by having three attractive actresses like Tanquil Lisa Collins (as "Ava Noble") along with the aforementioned Suzi Simpson and Julie Strain to enhance the scenery. But even then, it just wasn't quite enough and I have rated this movie accordingly. Slightly below average.

You know, it takes a big man to do a good job at a hard task. But it takes an even bigger man to admit he what he cannot do, and then strive to do what he does best. That is Andy Sidaris in a nutshell. True, while he'll never be the next Steven Speilberg, he is truly a master at the task which is presented to him: B-movies. I have only seen three of his films and can tell this already. Enemy Gold is one of them. This film is a slap in the face to those who say that the exploitation of Sex, violence, and rock-&-roll are wrong, and then rubs the slap down with a little ice. What I'm trying to say is, that this movie, while not entirely wholesome, is still a good movie, no matter how you slice it. The enormous juggs are just a way of keeping peoples attention.

My Sidaris movie streak continues with the 1993 movie "Enemy Gold". Granted, this particular movie sees Andy Sidaris step back and has Christian Drew Sidaris take over the director's chair. But hey, potato potato, right?

"Enemy Gold" is a step back from the original formula, and this particular movie from writers Wess Shannon Rahn and Christian Drew Sidaris just didn't really live up to the expectations set by the numerous many previous movies from writer and director Andy Sidaris. Yet, I managed to sit through the movie in its 92 minutes runtime, but the best thing about this 1993 movie was actually the cover.

The storyline in "Enemy Gold" started out okay, but it quickly escalated into a chaotic mess of a storyline where the red thread went right out the window and the movie felt like director Christian Drew Sidaris was just putting together randomly filmed segments to make a movie.

The movie also has changes to the character gallery, so it lost that particular continuity that the previous movies had going on for it. I have to say that it was nice to see Julie Strain make it to the roster, but given the limitations of the script, then it was not much she had to work with. Sure, there were some familiar faces from previous movies, such as Bruce Penhall and Rodrigo Obregón, but nothing noteworthy.

"Enemy Gold" is not up to par with the previous movies and it is actually a less than mediocre attempt at the genre from director Christian Drew Sidaris.

My rating of "Enemy Gold" lands on a four out of ten stars.

"Enemy Gold" marks a turning point in Andy Sidaris' filmography: his son Christian is sitting in the director's chair, and Dona Speir, Roberta Vasquez and Cynthia Brimhall are gone. The female lead this time is Suzi Simpson, and she is quite a find (I wonder why Sidaris didn't use her again): she has a great body (no matter what angle you look at it from), combined with a sweet, innocent face and a cute smile; she is appealing in the same way that Hope Marie Carlton was, plus she fights a bit more than other Sidaris heroines. Tai Collins, as a higher-in-command agent, is another total knockout, and Julie Strain, as an assassin-for-hire, is like a mythological Amazon come to life. Looking at this woman is much better than listening to her - her delivery turns her character into camp. The pacing of the movie lags in the second half, and when it's all over you have the feeling (as with other Sidaris movies) that it could have been much better. But what is there on the screen is still enjoyable - some of the lines are funny and all of the women are sexy. (**1/2)

A bit strange to see this is made in 1993 and doesn't come out ofthe eighties. Maybe that's the reason I just came across this T&A flick.

This is a perfect example of a flick were acting isn't the main thing. You make a cheap flick with bad acting, a lot of T&A, some action and a hell of a sleeve to put on your VHS release so it would be picked up easy at a rental shop.

Starts okay and the use of yellow lettering in the opening credits do say enough, this is a B-movie. Well I said starts okay, but after 1 minute the horse scene takes ages and when we move over to nowadays, the attack at the house, so cheesy. Standing in front of a door with glass and not be seen, really. And when the chick comes in the first fight scene, OMG.

Yep, y ou guessed it, this is one for the boys full of stuffed tits easy to spot. Two Playboy playmates are in it, do I need to say more?

Today this kind of flick can't be made anymore, politically incorrect, girls are just used for sex and need to be sexy. If you come out of the grindhouse era pick it up, if ypu are a millenium, skip it.

Gore 0/5 Nudity 2,5/5 Effects 0,5/5 Story 2/5 Comedy 0/5