Demolition Man
- 1993
- Tous publics
- 1h 55min
Un sergent de police est extirpé de son hibernation en prison pour poursuivre un vieil ennemi ultra-violent, lâché dans une société futuriste non violente.Un sergent de police est extirpé de son hibernation en prison pour poursuivre un vieil ennemi ultra-violent, lâché dans une société futuriste non violente.Un sergent de police est extirpé de son hibernation en prison pour poursuivre un vieil ennemi ultra-violent, lâché dans une société futuriste non violente.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 7 nominations au total
- Prisoner
- (as John Enos)
- Hopper - Prison Guard
- (as Don McGovern)
Avis à la une
I don't think I've seen Demolition Man since it came out in 1993; watching it today, I was amazed at how accurate some of its predictions of the future were (in essence, at least): in the film, digital transactions have replaced real money, there's a guy holding what could be considered a digital tablet (albeit a tad chunkier than an iPad), there are self-driving cars, non-contact social greetings (a must during these pandemic days), a board room where a virtual meeting takes place (although Zoom it ain't), and it's not hard to imagine how our current overly-PC/snowflake/cancel culture might eventually go so far as to make swearing illegal. Okay, we still wipe our butts with paper and have sex the old-fashioned way, and I don't see that changing in the next twelve years, but you can't get everything right.
Not only is Demolition Man's vision of 2032 eerily prophetic in many ways, but the film also features a witty script bristling with social satire, star Stallone in one of his best performances of the dumb '90s action flick era (happily mocking his tough guy persona), Wesley Snipes having a blast as the eccentric villain of the piece, and Sandra Bullock being super cute and looking mighty fine in skin-tight leggings (and I'm not even that much of a Bullock fan). Director Marco Brambilla balances the humour and the action superbly, opening and closing with guns a-blazing and huge explosions, but ensures that there is never a dull moment even when Stallone and Snipes aren't busting skulls and shooting up the place.
Hell, this film even features early roles for Rob Schneider and Jack Black that didn't irritate me - miracles do happen!
Wesley Snipes and Sly Stallone play off each other well as the forces of bad and good -- old foes that have come out of chryo-generic storage hundreds of years into the future.
Sandra Bullock as the nostalgia [for Stallone's time, naturally] struck cop isn't even rubbish and annoying -- a first time for everything!
Watch out for a fun performance by Nigel Hawthorne also.
Le saviez-vous
- AnecdotesSylvester Stallone described the cryogenic freezing scene as "probably the worst five hours I've ever had on movie sets... I was terrified."
- GaffesTowards the beginning, when gasoline is everywhere and Simon holds the torch close to the ground, it should ignite. It's the fumes that ignite, not the gasoline itself.
- Citations
Lenina Huxley: I have, in fact, perused some newsreels in the Schwarzenegger Library, and the time that you took that car...
John Spartan: Hold it. The Schwarzenegger Library?
Lenina Huxley: Yes. The Schwarzenegger Presidential Library. Wasn't he an actor when you...?
John Spartan: Stop! He was President?
Lenina Huxley: Yes! Even though he was not born in this country, his popularity at the time caused the 61st Amendment which states...
John Spartan: I don't wanna know. President...
- Versions alternativesAlthough intact for cinema the UK video version was cut by 2 secs to remove some face blows and an ear-clap during the climactic fight scene. DVD versions feature the same cut print.
Meilleurs choix
Sylvester Stallone's Most Iconic Roles
Sylvester Stallone's Most Iconic Roles
- How long is Demolition Man?Alimenté par Alexa
- Why does Simon Phoenix have one blue eye and one light brown eye?
- Why are convicts eligible for parole if they're frozen?
- How do you use the 3 sea shells?
Détails
Box-office
- Budget
- 57 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 58 055 768 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 262 432 $US
- 10 oct. 1993
- Montant brut mondial
- 58 056 466 $US
- Durée1 heure 55 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1