Un hold-up foireux dans les airs a pour résultat que des valises pleines d'argent sont recherchées par divers groupes dans les Rocheuses.Un hold-up foireux dans les airs a pour résultat que des valises pleines d'argent sont recherchées par divers groupes dans les Rocheuses.Un hold-up foireux dans les airs a pour résultat que des valises pleines d'argent sont recherchées par divers groupes dans les Rocheuses.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 3 Oscars
- 1 victoire et 12 nominations au total
- Stuart
- (as Don Davis)
Avis à la une
You don't need 50,000 rounds fired to qualify as an action movie. It just has to keep you captivated, not shell-shocked.
Directed by Renny Harlin, this is one of those films that shows that Stallone once had box office clout as big as his bodily frame. It's a delightful no brain action film that delivers royally to those with a bent for the action genre. What really lifts Clifhanger above average is the wonderful use of suspenseful situations. The film opens with a quite breath taking sequence and then kicks on to literally have us hanging on by our fingernails. The bad guys are deliciously over the top, none more so than the bullishly nasty John Lithgow as Eric Qualen, whilst Sly gets beefcake support from the ever reliable Michael Rooker. Cinematography by Alex Thomson is gorgeous as he brings to life the Cortina d'Ampezzo area of the Dolomites in Italy. Score is by Trevor Jones, who keeps it orchestral as he lifts from his own work for Last of the Mohicans, which in turn is mixed with what sounds like the lead theme of Alan Silvestri's work on Predator.
Slam bang action, tense fraught moments, and a script written with knowing tongue in cheek persuasion, Cliffhanger literally does ROCK. 7.5/10
Stallone's sort of semi-come back film, Cliffhanger is yet another `Die Hard in a ' type film. However that doesn't mean it's bad on the contrary it's quite good. The opening 10 minutes sets out the stall well heights, good visuals and real fear. However this doesn't hold and soon we are back in standard thriller mode with Stallone picking off the gang one by one in a Die Hard fashion. This is all still fun if formulaic and the director uses the vertigo inducing locations well.
All the Die Hard trademarks are there the one liners, the multinational villains, big shoot outs etc. Most of it is really good and while it never gets to the heights of Die Hard in terms of action or tension, it is solid entertainment none the less.
The cast is a strange mix. Stallone is OK as the hero he can do this tough, wisecracking stuff in his sleep (and seems to occasionally). Lithgow is actually quite good, isn't the way that the bad guys have the best parts! `You want to kill me don't you?' he asks at one point `well, take a number and get in line'. Corny tough guy lines but hammy enough to be good. The rest are weird Turner (from Northern Exposure) is ok but then we have Craig Fairbrass from Eastenders!
Overall it's not as good as Die Hard and it's open setting prevents real tension or claustrophobia but it's still very enjoyable. Solid enjoyment without too much flash although it is a downside that the best bit is over in the first 10 minutes.
Le saviez-vous
- AnecdotesThe film is in the Guinness Book of World Records for the costliest aerial stunt ever performed. Stuntman Simon Crane was paid $1 million to cross once between two planes at fifteen thousand feet, without the aid of any safety devices or trick photography. The insurance company refused to insure a stuntman for this, so Sylvester Stallone offered to reduce his own fee for the movie by the amount that the stunt cost to produce, in order that the film could be made. The stunt was filmed in the United States, as such a stunt is illegal in Europe, where most of the film was shot. Crane couldn't actually get inside the second plane, but good editing gives the appearance that he does.
- Gaffes(at around 30 mins) The plane crashes in the mountains, and appears to have stopped half way off a cliff. When people leave the plane, the plane is fully on the ground.
- Citations
Hal Tucker: Delmar, from me to you, you're an asshole.
Delmar: Yeah? And you're a loud-mouth punk slag, who's about to die.
Hal Tucker: Maybe. But in a minute I'll be dead, and you, will always be an asshole. So Go Ahead And Shoot
[mockingly]
Hal Tucker: I'm Getting Cold... SHOOT
Delmar: [grabs Hal by the collar...] Who's Shooting?
[and head-butts him]
- Crédits fousEnd credits include a message which explains that the Black Diamond harness used in the opening scene was specially modified so that it would fail.
- Versions alternativesBritish cinema and video versions were edited for violence to achieve a 15 certificate with the video/DVD versions being more extensively cut by the BBFC (losing 1 minute 24 secs in total). Most of the cuts were made to punches and kicks during the fight scenes although the underwater shooting scene was also considerably altered (the uncut version shows Travers being hit by Stallone's pitons). The complete version has been broadcast on Sky's movie channels. The cuts were fully restored in the 2008 Optimum DVD release.
- ConnexionsEdited from Cerro Torre, le cri de la roche (1991)
Meilleurs choix
Sylvester Stallone's Most Iconic Roles
Sylvester Stallone's Most Iconic Roles
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Riesgo total
- Lieux de tournage
- Monte Lagazuoi, Cortina d'Ampezzo, Belluno, Veneto, Italie(footbridge scenes, and final scenes with the helicopter fight)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 84 049 211 $US
- Week-end de sortie aux États-Unis et au Canada
- 16 176 967 $US
- 30 mai 1993
- Montant brut mondial
- 255 000 211 $US
- Durée
- 1h 53min(113 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1