Il était une fois le Bronx

Robert De Niro's directorial debut is a criminally underappreciated piece of cinema. A Bronx Tale may not contain the same depth, intricacy and intensity of The Godfather or Goodfellas, but it can certainly be considered one of the finest gangster movies of the 20th century.

Unlike many other films in this genre which focus on the wider power dynamics within the mafia, A Bronx Tale tells its story mainly through personal relationships. There is a particular focus on Calogero's struggle to please his loving father while being constantly seduced by the alluring Sonny and the associated gang lifestyle. Lillo Broncato is warm and likeable in the lead role and has a remarkably authentic on-screen relationship with De Niro, which is enhanced by the strong physical resemblance between the two. The accomplished Chazz Palminteri shines as Sonny, turning in an understated performance with a delicacy often missing from these kind of characters.

And then there is the music. As a lifelong fan I am probably a little bit biased, but its hard to describe how much I love this soundtrack, particularly The Complexions version of 'I Only Have Eyes For You'. The sidewalk acapella groups crooning under the streetlights make me nostalgic about memories I don't even have.

There isn't much to dislike about this film. Joe Pesci's late cameo is unnecessary and a little glib, and the biker gang that get beat up in the bar are almost like slapstick characters. Aside from that, this is a truly magnificent film that has never received the recognition it deserves.

A Bronx Tale tells the story of a boy growing up in the Bronx that must face tough decisions between a mobster and his father the working man. Robert De Niro, in his directorial debut, shows an inside view of the mafia in the neighborhood and how an individual child idolize them just like the way the film GoodFellas showed how a kid wanted to be a gangster.

Chazz Palminteri plays Sonny, the kingpin in the neighborhood, who is not only a feared man in the Bronx but also kills a man in the streets and Lorenzo's (Robert De Niro) son, Colgero, is the witness. Lorenzo's son doesn't rat on anybody and Sonny considers the kid an okay person where he'll take care of him like a father would for his son if he does certain favors that would make Lorenzo uncomfortable.

Colgero sees different point of views from his two "fathers" where Lorenzo, his real father, is an honest bus driver who likes what he does in making a living prior to standing by in his codes of morality while Colgero sees Sonny as something of a hero since he's not a sucker like those who have to wait for bum paychecks where all he does is make a living by either killing or stealing where having power makes a man.

As Colgero grows into a teenager in the 60's, both his real father (Lorenzo) and his idol (Sonny) want the best for him with different standards and don't want to see him in the wrong direction. At the same time Colgero falls in love with a woman, a young black girl, at his high school where interracial relationships is consider a no-no to both the black community and the Italian neighborhood. It doesn't bother Colgero one bit while asking both his father and idol for advice where he's growing up to be a man.

"A Bronx Tale" is not only a life lesson movie, but a coming of age story where not only does Colgero witness everything in front of him from death to prejudice but it's about how two men from separate worlds want the best for this kid.

A father(Robert De Niro) who stresses the importance of honest work, teaches his son values in 1960's New York as a distrusting mobster(Chazz Palminteri) also shares his perspective and becomes some what of a father figure to the kid. Faced with racism and a crime-based community, learns his own morals from a strand of tough events.

This is not the first movie I have ever seen to make the gangster out to be a some what nice guy. But this is the first one I have seen to actually make him somewhat of a saint. Sonny(Palminteri) is the example of a split personality with a criminal. He is very tough with a community that he loves and basically runs but is also very protective and guiding to many people. I found this to be quite interesting in this type of genre.

Robert De Niro's character on the other hand, is very bold. He plays the father who is concerned with his son's well being and is just your normal flat character. He was unimpressive, but effective for a movie that was by no means perfect in the first place.

The idea of this movie was what made it so intriguing. At two hours long, it consists of a large epic story of a young man trying to make it through a part of New York. Some important events were perhaps too close together but it was still entertaining and quite moving. Overall, A Bronx Tale is a fine experience of cinema with a wonderful story.

I highly recommend this movie.

This might be a matter of taste, but "A Bronx Tale" remains Number 2 on list of Favorite Movies of All Time. It just happens to be one of the most deeply moving, powerful films I've ever encountered. Yes, some may consider this a simple story, but that's the beauty of it. It's a down-to-earth, coming-of-age story that perfectly mirrors the life of a boy like C growing up in the Bronx at such a hectic time. Of course, this is based on Chazz Palminteri's real life experiences, and I envy Chazz, being an aspiring screenwriter/director. I wish I had life experiences like that to put on film. And I have to commend my man Bobby D for bringing these images to life in such a vibrant, engrossing way.

DeNiro captures every element of the 1960's Bronx, with a great opening sequence featuring doo-wop singers sweetly singing the movie's theme. He captures so many elements of the period, and it was nice to see only one goof was captured. It was interesting to find out that most of the movie was actually shot in Brooklyn--my hometown. Then again, the two places are alike in their own simple ways.

Bobby D has a short, but memorable role (which is against type) as a working-class bus driver. He's desperately trying to get by and support his son, Cologero (I think that's how to spell it...LOL), and disapproves of his son's new "job" with gangster Sonny (Chazz, who gives a landmark performance). The interactions between DeNiro and his son are extraordinary in the way they mirror the way a real father and son would argue in those situations. As I said, it's the whole down-to-earth quality of this movie that I think made it tick. It's nothing pretentious. This is a simple movie about humanity. The gangster plot is merely a backdrop.

The only other movie I've seen him in was "Crimson Tide" in a very small role, but Lillo Brancato (who plays DeNiro's son in the later years) is a revalation! He gives one of the best performances I've ever seen and I'm surprised I haven't seen him in any more recent movies. And I have to say DeNiro did a dynamic job of casting. As far as I know, Brancato and Bobby aren't related, but please tell me if I'm wrong, because they look EXACTLY alike! If you've seen any of DeNiro's very early films, Brancato is a mirror image of him. Is it coincidence or what? I've rarely seen a film where the son/daughter even directly resembles the parents, but Brancato has the DeNiro nose and everything. If you observe closely, there's a scene where Brancato is wearing a black jacket and a black hat, and if you were to see this in a split-screen with DeNiro in "Mean Streets" it would be uncanny.

There are so many people I have to commend for this film. That also includes the supporting cast. Taral Hicks as C's love interest was also impressive. And of course, you can't have a movie directed by DeNiro and starring DeNiro without his main amigo making an appearance. Hopefully, you haven't read the cast list on the IMDB. Because I was surprised and overjoyed when "the man" appeared in the final scene.

There are many lessons on life to be drawn out of this film, some of which given by Chazz's character Sonny, who plays the most likeable gangster I've seen in cinema. Yet at the same time, you can't consider him "too nice." Which was a good move. Sonny was a nice guy in the core, yet he still has a heart of a gangster. In a great monologue, he explains how he'd rather be feared than loved. And of course there's the great monlogue that everyone remembers: the car door scene. That was really an unforgettable speech. Plus, there's funny moments, too. The gambling scene in the basement, for example. "Get in the f**king bathroom!!!" LOL...that was hilarious.

To add to the emotional intensity, we have an interracial relationship between Brancato and Hicks at a time when Bronx was heavily segregated and whites wanted absolutely nothing to do with blacks. The scene where the boys beat those innocent black boys down was an extremely powerful scene. And through DeNiro's direction, we feel the characters' every emotion. I like how he used the doo-wop music to contribute to the soundtrack.

By the end, I was almost at tears. I'm virtually tearing up just writing this review and looking at this masterful drama in retrospect. This is something ONLY Bobby D and Chazz could've done! No one could've done it better! For me to be this deeply moved by a motion picture is unprecedented. I wish I could be thanking the two guys in person.

If anyone hasn't seen this movie, please don't hesitate to pick it up! This is one of those great, underrated masterpieces that you feel sad after finding out about its poor success. A film like this really deserves more recognition.

And Bobby D....I think you owe a bunch of "thank yous" to your buddy Scorcese. He's taught you well.

My score: A perfect 10! (out of 10)

The amount of brillance that Robert DeNiro puts into all of his performances is unmatched and he proves that he can also be a fine director by debuting in that field as well as starring in this 1993 Savoy release. DeNiro is top billed but you actually don't see very much of him. The film's major focus is that of a little boy named Calogero and his idol, a mobster named Sonny (Chazz Palminteri). Sonny owns the Bronx neighborhood where Calogero and his honest bus driver father Lorenzo (DeNiro) live. He also basically owns them. Sonny's heavy amount of power and wealth make him an intimidating force throughout the neighborhood but his mob gang make their fear of him look like complete respect. Sonny knows that he's feared and it just encourages him to keep trying to rise in power. Calogero grows up watching Sonny cavorting on the street with his gang and secretly imitating him much to Lorenzo's chagrin. Lorenzo wants the best life possible for Calogero and doesn't want to see him fall into a life of crime or looking up to crime figures. Calogero doesn't listen because he idolizes Sonny too much and his chance to get Sonny's attention comes when he witnesses Sonny fatally shoot a man. When Calogero is questioned by police, his loyalty comes before his conscience and he doesn't rat out Sonny's guilt in the shooting. Sonny strongly appreciates this and so he gives Calogero an easy money job serving drinks for his high rollers gang. As several years pass and Calogero nears the end of his childhood, he must learn to make the ultimate choice between his two "father" figures. Just like in "Goodfellas", a classic soundtrack and excellent period detail is evident here and this film stands out as yet another classic in the modern day organized crime film genre. Palminteri makes a strong film starring debut and DeNiro makes the very most of his rather small seeming part. Joe Pesci also appears briefly as another respected crime boss. An instant "new classic."