Angle mort

I commend anyone that was involved with the making of this movie, I am a big fan of thriller movies and this one tops the lot, Also go to see one of my favourit actors (Rutger Hauer) play one of his nastiest roles ever, And there has been alot of those roles for him. I dident even blink an eye while watching this movie. Well done to all involved in this film.

10 out of 10.

Blind side is a copy off of 1992's unlawful entry. But is still worth viewing. Rutger Hauer gives his best performance since the Hitcher. It's a story about a guy who stalks a couple who just can't get rid of the stranger. Same story as the movie unlawful entry. Except the stranger in that movie was a cop. Blind side is worth viewing.

This is the story of a couple who own a furniture business. Heading home from surveying the future site of their plant in Mexico, they hit a Mexican policeman. Since neither look forward to the rumors surrounding life in Mexican prisons, they decide to quietly head back to California. In other words, they're guilty of hit and run. Thinking they're safe, and admitting the events only to their lawyer, they are suddenly greeted by a stranger who also claims to have arrived from Mexico (Rutger Hauer). The couple believe that he is a witness to their crime and want nothing more than to either get rid of him fast, or keep him quiet with bribes, never trying to let on too much that they know what he's referring to with the numerous hints he drops. But, the stranger has an upper hand in the situation that the couple never accounted for.

I would be reluctant to compare this film, as other viewers have, to Unlawful Entry because of one major difference: the couple themselves were guilty of a crime (to an extent) whereas the couple in Unlawful Entry had actually committed no crime that caused them to be pursued by their crazed assailant. All three main characters in Blindside (Ron Silver and Rebecca DeMornay, who play husband and wife, and Rutger Hauer, who plays the suspicious stranger) are all working around a strategy and a motive because, as is soon revealed to them all, both the couple and their exceedingly weird stranger have good reason for suspicion. The plot, too, is not immediately predictable from beginning to end as it is in Unlawful Entry, but rather, saves most of its crucial mystery until the latter part of the film when the couple must decide how to rid themselves of the stranger. Because the couple are also tainted by their hand in a crime, you are not immediately sympathetic of them, but you may also be initially suspicious upon Hauer's arrival. And, once his true motives are revealed and the crime's events finally given a clear picture, you're strategy changes as well with regards to the characters. It was done rather well.

Asside from Rutger Hauer's incredible weirdness (the synopsis on the box mentioning "bizarre sexual habits," the least of which actually contribute to his creepiness), this made-for-TV thriller may be worth renting. You can at least count on a decent cast as well as a nice constructed story that borders on the hitchcockesque kind of finale.

Doug and Lynn Kaines (Ron Silver and Rebecca De Mornay), furniture tycoon-wannabes, are in Mexico scouting out a new location for their business. Driving back home, they seemingly strike and kill a man standing in the middle of the road. Frightened, they drive on home. Shortly after they get there, however, Shell (Rutger Hauer) shows up on their doorstep, claiming to have been in Mexico and to be looking for employment.

The Kaines, presented to us as everyday people (albeit with money), instantly sense that Shell knows something about the hit-and-run - or does he? They don't know for sure - not at first - but even the possibility of the hulking Hauer being able to hold something over this affluent couple is enough to spook them. Complicating matters is the fact that Lynn's pregnant.

So what would YOU do? Charming, handsome ("in an outdoorsy way," Lynn says), eager to please, Shell seems like he wants to fit in - yet he drops hints that he might have been a witness to the accident. Screenwriting being what it is today, we have a pretty good idea things will wind up in the open before too long, but not before the lives of the Kaines are completely ruined. If the lead characters were in their twenties, we'd see Shell try to do something to their parents, but since they're all grown up, Mom and Dad are out of the picture. (Which is not to say that Shell doesn't find someone close to them to harass, of course!) The story gets sillier and sillier as it goes on, but somehow the performances by all three leads keep it afloat. Hauer's doing a role he can pretty much do in his sleep, but he hasn't lost any edge off it. All in all, a fine HBO movie.

This film has a unique quality in the way the story is layed out before us. Imagine an optimal pace of the film and then slow it down a bit. In other films this would be a drawback because you would feel bored, but here the superb dialogs between characters create so much suspense that you will be far from bored and the slightly slower pace of the film will create a tension that you will physically experience in every muscle as you sit on the edge of your seat and watch the story unfold. This film shows us how when you feel guilty about something, everything you hear sounds like a prosecution. Otherwise this would be just one more of those nothing-special films, but the subtle insinuations in dialogs and an excellent cast led by Rutger Hauer make it a masterpiece. It feels as if everyone involved in its creation did a perfect job while at the same time being careful not to overdo it.

This is why I rated this film 10 out of 10.