Les soldats de l'espérance

AND THE BAND PLAYED ON (MADE FOR CABLE TV/HBO-1993) ***1/2 Matthew Modine, Alan Alda, Lily Tomlin, Charles Martin Smith, Richard Masur, Saul Rubinek, Richard Gere, Ian McKellen, Anjelica Huston, Swoosie Kurtz, Steve Martin, Phil Collins. Engrossing adaptation of Randy Shilts' landmark prize-winning document on the onset of AIDS and the fevered manhunt to find the cause and cure of the HIV virus. Compelling storytelling and a remarkable performance by Modine as the head for the Centers for Disease Control facing impossible odds and heartbreaking frustrations. Hallmark for cameo appearances and political correctness it may be but stirring and revelatory nonetheless. Dare not to be moved during Elton John's "The Last Song" as images and names of the disease's victims roll during the closing credits. Directed by Roger Spottiswoode for HBO.

Unbelievable, wrenching film. This movie is told so thoughtfully and well; the sequences are laid out thoughtfully, and this is one of those rare movies literally told from the heart. The cast is just remarkable. What a huge story to tell; this could easily have become garbled due to the overwhelming subject matter. However, it is sequenced well, and acted so well, that you sit there in astonishment that this could happen in a world full of otherwise brilliant people.

I don't know what it will take to remove political considerations from life-and-death struggles...How about we work at saving lives, and worry about who gets credit later? If someone becomes injured due to gang warfare, we don't deny them care or drag our feet because we don't agree with the gangster "lifestyle".

Absorbing, heartbreaking and touching. A fantastic and, obviously, loving job by the entire cast.

A real-life story about the discovery and destructive nature of AIDS, And the Band Played On is a gripping drama that not only takes you to the front line and behind the scenes of the HIV virus. To the bath houses in San Francisco to the research labs at the Center for Disease Control, there is no area that is not shown in this film. An all-star cast also creates the ambiance to this film. Powerful actors giving the performances of a lifetime. Richard Gere, Angelica Houston, Ian McKellan, Steve Martin, Alan Alda, Phil Collins, and even Matthew Modine are just a few of the actors who deserved Academy Awards for their work. While most of their parts were small, they were not unforgettable segments. Each cameo actor had a crucial role in leading us to the next segment and life of the HIV virus.

We are first introduced to Modine when he is trying to help a tribe with the destructible Ebola virus. Then, just as quickly, we are in mainstream San Francisco. The booming gay community and the political figureheads that were pushing for rights. It is the beginning of 1980, the Democrats are pushing for a more liberal stance, while Regan is being sworn into the White House for his first term. The world is happy, yet timid. The gay community is growing, and discovering that a dark fear is lurking behind them. While the United States is beating a dead horse about closing bath houses and stopping the gay community, the French are looking at it outside of a sexual disease. Possibly a blood disease. While they research their ideas, America begins to see the full effect of AIDS. These scientists are predicting that in the next several years the fatality rate will be 100% if you contract AIDS. Ronald Regan has just had his second term and has still not mentioned AIDS in public. While the French work day and night to stop their public from dying, we begin shunning the gay community. Creating a phobia due to lack of education. We even see a well respected doctor steal the discovery from the French just so that he can credit the monetary value of this disease. While the ending to this film is very sappy, it still was powerful enough to not only be enjoyable, but also educational. A film that if you have not seen yet, you should...and if you have seen it, see it again.

This powerful two and a half hour epic was the most entertaining informative film I have seen in ages. I rented it not knowing anything about it. I first picked it up for the actors to see what they could do in such small roles. Little did I know I was about to see everyone in the performances of their lifetime. Richard Gere proved once and again why he is an actor. It befuddles me why Modine has stopped working, because after seeing him in this film I would have liked to see him move further in the Hollywood community.

It is not everyday that you find a gem as this film. If I was a superintendent of schools and I just saw this film, I would push with every ounce of strength to get this film into my schools. I learned more about AIDS than I ever had in my education career. It not only brought out a text book style of education, but it also brought a very humanistic approach to the disease. It also brought out a very dark political side that perhaps the general public is not as familiar with. Not only that, but it also brought out the dark side of human nature. In times of plagues, we rely to heavily on science to be our savior. While it will be the backbone to our cause, we do need to have a feeling for those that already have the disease. We, as a nation, need to look past social standings, sexual preference, and color of our skin to realize that we are all humans. If this is a "human" disease, then we need to research every venue, not just the most obvious ones. If this film doesn't scare you, I don't think any horror film will.

Like all great films, it did have some horrible sides to it. McKellan's story was too cliché. The story of the homosexual politician who looses his lover because he is more involved with politics than his social life, who eventually reunite when it is discovered that McKellan has AIDS. Modine's flashbacks were unnecessary. I felt that we did not need to be reminded why he believed in human nature, and I don't think that we needed to be reminded by seeing a scene where he throws bodies into a fire. Something more substantial would have been nice. Finally, the ending was too much for me. I don't think it needed to have an Elton John (prominent homosexual figure in entertainment) singing one of his songs with flashing pictures of famous people, straight and gay, that we have lost to AIDS. Perhaps a more poignant picture would have been less famous people (every day Joes) who have died from the disease.

Overall, the good well out weigh the bad points that I just mentioned. I guarantee that you will be surprised, educated, and emotionally enthralled by this film.

Grade: **** out of *****

American doctors from the underfunded Center for Disease Control scramble to figure out the origin of--and the causes behind--the alarming rate of homosexual male deaths in the early 1980s. As the fatal strain of pneumonia and hepatitis B cases begin appearing, politicos in Reagan-era D. C. veto the mysterious disease as non-newsworthy; meanwhile, members of the gay community are not shown to be radically adept at helping their own cause, labeling the early cases as products of the Gay Cancer. Adaptation of Randy Shilts' frightening, groundbreaking book has an all-star cast but impresses mainly with its handling of the packed narrative, particularly when detailing the CDC's battles in coming up with an inexpensive way of filtering out contaminated blood from the National Blood Supply. Making a movie from the source material was seemingly an impossible undertaking, and yet HBO Films and co-producer Aaron Spelling manage to lay all Shilts' information out adroitly and adeptly. Some of the character interaction is awkwardly interjected, but most of the principal players do very good work with their technical roles. Alan Alda positively revels in the opportunity to play sniveling medical scientist Dr. Robert Gallo, who felt usurped when French scientists initially gained prestige for isolating the virus; as Dr. Mary Guinan, Glenne Headly does some of the best work of her career (while interviewing a sexually promiscuous airline steward, one of the earliest men to fall prey to the disease, Headly is remarkably natural and charming); and Saul Rubinek as Dr. Curran, who initiates the investigation and helps sort out all the jargon, is in masterful form. Some of the high-profile cameos stick out as artifices--such as Richard Gere's bit as a stricken choreographer--though it is commendable to see these marquee names taking part in the project. "Band" isn't compact--it isn't a quick-fix wallow or a time-filler--instead, it's a serious, frustrating, angry movie with no easy answers...and that's as it should be.

Much has been made about the "good guys" and "bad guys" portrayed in "And The Band Played On". And with good reason. I can't help wonder what personal agendas are being followed when a prominent 'real-life' scientist like Dr. Robert Gallo (Alan Alda) is portrayed in such a shallow way. But simultaneously, the filmmakers coyly hide the fact from us that Richard Gere's choreographer is "A Chorus Line" creator Michael Bennett. They withhold that information like "The Simpsons" hide which state Springfield is in. With a wink of an eye.

While these imperfections in the film can be distracting, they are also quite trivial. What many overlook is that "And The Band Plays On" is first...and foremost...a story of DENIAL.

Throughout the first act, there is a reluctance to accept the seriousness of "GRID" ("Gay Related Immune Deficiency"). Once there is no escaping the growing horror, the film accurately describes how all parties (The C-D-C, Bill Krause, gay groups, Jerry Falwell, blood banks, Gallo, The Reagan Administration, etc.) react to preserve their own best interests. And while those special interests clash on how to proceed next, thousands of helpless people keep dying. (There's your tie-in to the Titanic-inspired title).

In the spirit of Jimmy Stewart and Gary Cooper, Matthew Modine is best-suited to playing an 'everyman'. Modine's 'everyman' in this film (Dr. Don Francis)understands the growing, deadly consequences of H-I-V, but has his own ghosts to exorcise (an Ebola plague victim who grabs his wrist, covering it in blood). While Modine's character is the voice of reason, he is not immune from reacting irrationally to this plague. It is only at the end of the film, as he comforts the dying Bill Krause, that Francis begins to overcome his own fears.

The message of this film is simple: We must be "pro-active" in addressing our problems. For if we wait for a "reactive" response, the resulting panic and confusion will only make things worse. In that respect,"And The Band Plays On" is one of the most important films to be made during the 1990s. For even with it's minor distractions, inaccuracies and agendas -- it truly is "MUST SEE T-V".