Prime Suspect 3

Prime Suspect 3 is probably the grittiest of the Prime Suspects, in my opinion. While "The Lost Child" is disturbing, and Prime Suspect 1 is heartbreaking, Prime Suspects 3 delves into an examination of the world of London "rentboys," young male prostitutes hired mainly by other men. This may be the one which deals most sensitively with the ever-present personal life conflicts of DCI Tennison's co-workers and cohorts, and it doesn't hold back on letting us know just how intense some of those personal issues are. The cast is huge, the murder itself unbelievably complex, and the resolution is probably the most jarring of any of the movies' last fifteen minutes (always the best part of any murder mystery). Helen Mirren is DCI Tennison to a tee, and of the Prime Suspects, this might well be my favorite.

At first, we had a hard time understanding the accents, but by the second episode we caught up and enjoyed it a great deal. Then again, we were watching a home-taped VHS copy, so the sound was a little muted.

The acting and the writing were excellent.

Absolutely loved the first 'Prime Suspect' series. It was to me some of the best television to grace my television set. 'Prime Suspect II' was every bit as good, the two are about equal in terms of quality, for the same reasons as before.

'Prime Suspect III' was watched with high expectations when seeing all the 'Prime Suspect' series over-time since reviewing the first series last year. Those expectations were not just met but also surpassed. It has all the things that made the previous two 'Prime Suspect' series so great, and stands out even more because of the characterisation which was even richer and because of the story and its heavier themes than before.

It is stylishly and cleverly filmed, with slick editing and atmospheric lighting, and there is a consistently wonderful atmosphere throughout. It is a dark and gritty atmosphere, 'Prime Suspect' in general is both those things story-wise and visually but 'Prime Suspect III' is one of the stronger examples, while also being effectively claustrophobic. It is very hard to forget the music score too. The scripting, like its predecessor, is some of the best there is of any mystery/detective drama, being superbly constructed and intelligent.

The story is 'Prime Suspect' at its darkest, most hard-hitting and grittiest for the intense subject matter alone, but in some ways also at its most honest, intricate and emotional. It is a complex story that keeps one guessing right up to the end while also being easy to follow. The interrogation scenes are some of the most harrowing of the whole 'Prime Suspect' franchise, both intensely shocking and even brings tears to the eyes.

Jane Tennison continues to be an interesting character, the character and the depiction of the police force was very ahead of the time back in the 90s and holds much fascination now even if not so novel.

Helen Mirren gives a typically magnificent performance in the lead, and she has one of her best supporting casts of all the 'Prime Suspect' series that include Peter Capaldi and Mark Strong in early roles and a standout turn from Tom Bell as oily Sergeant Otley. Excelling also are David Thewlis, who has never been more thuggish, and Ciaran Hinds at his most mysterious.

In conclusion, along with the previous two 'Prime Suspect' series, 'Prime Suspect III' is the franchise at its best. 10/10 Bethany Cox

The director did a superb job pulling PS 3 together. There are many twists and turns and unexpected endings. This shows the fullness of human nature in graphic, dark but jarring peeks into a modern police investigation. It also is a thought provoking portrayal of how powerless we often are to bring about meaningful change in erasing the root causes of such crimes from our communities.

The interjection of the investigation teams personal and sexual lives adds to the drama and richness of PS 3. The beginnings of life, childhood interrupted and the degradation of some of humanity is well portrayed. The dialogue is often excellent and you have to listen to some of the questioning sessions carefully to pick up nuances that become important later. The resolution is not as expected leaving the audience with a lot to think about about the rent boy issue today.

Mirren again bucks the system and the old boy network. the crusty Sergeant Bill Otley also surprises -- sometimes hard and occasionally "soft" when faced with the grit and horror of the crimes they are investigating.

There is no sugar coating hear. Highly recommended.

Set at the height of the AIDS epidemic, this adaptation of Lynda La Plante's story is a potent assessment of just how vulnerable people were horrifically exploited in London in the early 1990s. Taking up her new post with the vice squad "DCI Tennison" (Helen Mirren) is charged with looking into the tragic death (in a fire) of young boy who turns out to have been a high-class rent boy. The investigation soon broadens as she encounters "Vera" (a striking effort from Peter Capaldi), "Jackson" (David Thewlis) and Ciarán Hinds (the sinister, almost malevolent Parker-Jones) and exposes a corrupt network of sexploitation that involves young men/boys and an establishment all too willing to turn a blind eye - or, indeed, to actively participate. David Drury has taken a gritty, punchy script and turned it into a compelling drama that shines a light on not just the seedier side of the sex industry, but also on bullying and gender issues that resonate even more profoundly thirty years later. Mirren has made the role her own, her strength of character dealing with her own team - frequently disdainful, homophobic or just plain disinterested as well as with the wonderfully odious Hinds is enthralling. Thewlis is great as the thuggish enforcer and there are a couple of really uncomfortable-to-watch cameos from Jonny Lee Miller and James Frain as victims of these atrocious abuses of trust and power. I don't know that it is my favourite of these, but it is certainly the most plausible in terms of depicting the brutal, thoughtless and shameless treatment of susceptible young men.