The John Larroquette Show

I haven't seen this since it was first-run, but it made an impression on me. This was a great show, especially the first season. Very funny, very dark. The acerbic JL was a great match for the material, and given his personal difficulties in the 80's, he personally must have been able to relate to the character, a last-chance alcoholic working graveyard in a bus station. I remember the show as having a great, dark tone that you usually didn't see in sitcoms, more so than Night Court, which erred on the slapstick side. The first season of the show I remember as having no fear dealing with 'John Hemingway's dark side, and his alcoholism. The plots often portrayed a similar cast of midnight nutballs, loonies, the down-on-their-luck and some out-and-out losers. But, while redemption was a ways away, JL's character was on the upward path. It was good to see them deal with and not shy away from people's real problems. The teeth of the show got pulled later... Unfortunately after the show's first season of moderate success, the network (or somebody) decided that it needed to be a bit more family-friendly or something and added Alison La Placa as a love interest, and made the tone and lighting a bit brighter. Too bad, as there was plenty of patina in the station and among the great cast of characters including Dary' (no more 'chill'?) Mitchell as the put- upon Dexter, the reliable Chi McBride, Liz Torres, and especially Elizabeth Berridge as the too-cute-for-a-cop Officer Eggers. I wonder if she would have ended up as the love interest had they not brought in La Placa. Anyways, we really need season one on DVD.

This show was one of the best shows on comedy TV for the first season. Gritty, dark and yet witty and real with a heart. I loved the struggle with alcoholism and sobriety. No other TV show with the exception of the fabulous MOM series did that. I could not wait until that show came on every week And then the second season occurred and the whole thing went down the tube. It became an ok comedy and they cleaned up the characters to become less dark and more every man. That is when I lost interest as it had nothing special to offer and the recovering alcoholic aspect was played down. But the first season was must see TV.

Unique, funny and pure genius. This show was the perfect forum for Larroquette's abilities and he played extremely well off of the other actors. I still hold a grudge against NBC for changing, then changing, then changing, then cancelling the show. If it had not been constantly tinkered-with and toned down, it might still be running. I mean, how many comedic programs deal with a recovering alcoholic and have a prostitute as a character? With the recent explosion of television programs dealing with darker content, it's easy to see that this show was ahead of its time. I'd love to get the DVDs, though NBC may not release them.

I really liked this show during it's first season. It even had a local connection for me. The outside of the "bus station" was actually the historic railroad passenger terminal here in Sacramento.

The show was funniest in it's first year, because it showed him trying to balance recovering from alcoholism while managing this madhouse of a bus station on the graveyard shift. The alcoholism made for some very dark, (but very funny) humour.

A good example of the dark humour is when a robber is holding a gun on Larroquette and the black food counter owner (can't remember the character's name), the black guy says to the robber, "Shoot him (pointing at Larroquette) he's white." Larroquette responds "No. Shoot him (pointing at the black guy). You'll do less time." Edgy, but funny!

After the first season, they almost completely discarded the "recovering alcoholic theme" making it an OK show. But without the dark comedy of the alcoholism theme, it made it just another sitcom.

The show "held on" for one more year, and then pretty much floundered after that.

Sometimes when I think of "The John Larroquette Show", it depresses me. It depresses me because a hundred years from now, when critics talk about "television of the 1990's", it is such a shame that they will talk bout shows like "Friends", "Seinfeld", and all of their imitators, and that this brilliant, darkly hilarious and inventive masterpiece will go virtually unnoticed. I won't say that this show was ahead of it's time, because no show has dared venture into these waters, neither before or since. This was probably the bravest situation comedy ever to go on the air. Where shows like "Friends" wanted us to sympathize with people who, even at their very worst, were far better off than anybody watching could possibly be, this show went the other way, showing us people who were no doubt worse off than most, yet still finding a way to laugh and embrace their lots in life, which made our laughter actually MEAN something. The Friends characters were gorgeous on the outside, callous and shallow on the inside. The characters here were ugly on the outside, and absolutely glowing on the inside, and the perfect combination of writing and acting brought that out. There is one episode that personifies this notion perfectly: An abandoned baby is found in a dumpster. (name another sitcom that would dare to find the humor in this). The seedy people in the seedy St. Louis bus station take turns watching it. There is one scene that is so true, and so real, and so heartwarming. The janitor Heavy Gene (played by Chi McBride), sits alone in the bar with the baby in his arms, as he gently sings Danny Boyto the child. The scene has nothing to do with any kind of narrative, and it doesn't push the plot of the episode in any specific direction. It's just a moment, that's all it is. A moment that gives the audience a microscope into the soul of a character that would never exist in any other sitcom, other than to be ridiculed or used for comic relief. The John Larroquette Show is filled with moments like this. We get to laugh and cry with an alcoholic, a hooker, a hobo, a janitor, a food-counter owner, a single Latino secretary, and others. We feel their pain without them asking us to. We feel their pain by laughing with them. None of them are stupid, or ditsy, or manipulative. They are just real. In it's second season, this show turned into what it so daringly avoided in it's first season, and became "Cheers" in a bus station. But the first season, quite frankly, is the best full season of television I have ever seen. I hope someone digs up the masters of this show and makes it available to be seen again. So much can be learned about life, and television, from this absolutely beautiful show.