Babylon 5
- Série télévisée
- 1993–1998
- Tous publics
- 45min
Au milieu du XXIIIème siècle, la station spatiale Babylon Alliance 5, située en territoire neutre, est un lieu de rassemblement majeur pour les intrigues politiques, les tensions raciales et... Tout lireAu milieu du XXIIIème siècle, la station spatiale Babylon Alliance 5, située en territoire neutre, est un lieu de rassemblement majeur pour les intrigues politiques, les tensions raciales et diverses guerres au cours des cinq ans.Au milieu du XXIIIème siècle, la station spatiale Babylon Alliance 5, située en territoire neutre, est un lieu de rassemblement majeur pour les intrigues politiques, les tensions raciales et diverses guerres au cours des cinq ans.
- Récompensé par 2 Primetime Emmys
- 18 victoires et 26 nominations au total
Avis à la une
The action in the series is mostly about the Shadow war, but the real key is the intrigue between the characters, and the personal growth of the characters. Londo is one of the best dramatic characters in any series. He starts as an ambitious schemer who drinks too much, but develops a conscience as he learns the consequences of his ambitions, and finally ends up as a tragic character who reached even beyond his early ambitions, but at a cost that he regrets deeply.
Maybe some day there will be a better science fiction series. But for now this is the level of story-telling television science fiction should try to reach.
Unlike some sci-fi shows, Babylon 5 was an ongoing epic. What happened in one episode impacted on another episode and so on. It was set on Babylon 5 (a space station)where five solar systems who have been at war try to make peace. The representatives of these races are all based on Babylon 5 trying to create lasting peace (not unlike the real life League of Nations/United Nations).
As I said, what happened in one episode impacted on another. There was no jetting off to planets, creating a mess and then jetting off again. There was action, political intrigue and plenty of excitement which made this show stand out in 1994.
J. Michael Straczynski did a great job with Babylon 5. It's actually a very good allegory of life on Earth in the 20th century. There have been two major wars this century. The League of Nations was set up following World War 1 but they soon became defunct and the United Nations were set up following World War 2 to try and bring peace to the world. Of course it's hard to find peace with so many different governments pulling in different directions. That is why I liked Babylon 5. It was realistic; there were no quick solutions for peace and there were setbacks along the way just like we have in real life.
I strongly urge anyone who hasn't seen Babylon 5 to check it out.
A bold statement I know, especially when one considers the original series of Star Trek which is certainly the genre's most celebrated. It's true to say that Star Trek has had a much greater cultural impact and has lasted longer than any other SF show, but when watching it again, it has dated. I'm not questioning the brilliance of some early episodes - they're still well written and thought provoking - season 1 of the old series is still fantastic. However, Babylon 5 is the Star Trek for today in that it deals with issues in a modern context. Whereas ST was a bunch of cleverly disguised morality plays about 1960's issues like communism, nuclear war and racial prejudice, B5 deals with social control, economics, war, governmental corruption, social psychology and spirituality. Although the issues discussed in Star Trek haven't gone away, they're not foremost in the psyche of mr average anymore.
Alongside the fact that B5 discusses issues at the forefront, it has many other virtues. The main one is that the story continues from episode to episode - even now when I re-watch season one (just released on DVD) I can see events taking shape that will lead to major plotlines in future years. I'm not just talking about Data gradually becoming more human or Worf tussling with the dying Kilingon Empire every 7 or 8 episodes ... I'm talking about characters and plots that can be seen to be evolving each week without an obvious good guys vs bad guys scenario.
I can't remember how many times I've watched a B5 episode and had a flashback to an earlier one - the sudden realisation of the importance of an event that seemed insignificant is very satisfying. Even in the 5th series, you'll be thinking back to an episode in series 1 and feeling smug that you got it.
'Ahhhh! That's what it meant!' You'll be saying that a lot.
The characters are wonderfully fleshed out by some great actors. They're complex beings who have to deal with temptations and failings as well as triumphs and successes. Sometimes things go deeply wrong and (get this Trek Fans) IT'S NOT SORTED OUT BY THE END OF THE EPISODE!! That's right - people change realistically - everything's not reset each week! Don't get me wrong - I'm a huge Trek fan myself, but it's always irked me that everything is just so hunky dory (don't people have arguments on the enterprise?)
It's very satisfying to see a character that you've come to know and love wrestle with their morals and sometimes make the wrong choices (just like we all do.) In the end, we all knew the various crewmembers of the Enterprise would do the right thing. You can't say the same for the characters on B5 - they're fallible and thus much more interesting.
There's many other great things about the show, but for me, the story and the characters are the most important. Sure, I know it doesn't look as expensive as Star Trek and yes I know it's hard to get into because it's not a whole load of 'one shot' episodes! If you like Star Trek and consider yourself intelligent - step up to the next level and watch B5!
I guarantee that if you stick with it for a while, you'll be glad you did because the payoffs are enormous. If My girlfriend can like it - anyone can....
To be fair, it took a little while - I was a little wary at first, but it quickly grew on me. Once I got a feel for what was going on, and how the characters worked, yes. It grabbed me. I especially liked Jeffrey Sinclair as a leader-type - someone more thoughtful than your bog-standard action-hero.
Then, after a long wait, my friend lent me seasons 2-4. Again, I was a little wary at first; it had been a while since I'd seen season 1, and I knew that Sinclair had been replaced by John Sheridan. Out of the two leaders, I prefer Sinclair, and for the first few episodes of season 2, I was unconvinced. Then, about a third of the way in, the pace quickened up - considerably. And while I still prefer Sinclair as a leader, by about episode 8 of season 2, I found that I didn't have the time to miss him, things were moving that quickly, there were so many plots unravelling . . .
And therein lies the hook. The amount of detail is extraordinary, the way all the characters and plots became intertwined is amazing. The series is so intense - I was watching up to eight or nine episodes a day, for a week solid! And might I say again, I was a Star Trek fan who had never seen B5 before in my life! As many people before me have said, this show isn't a nice neat everything-gets-resolved-in-the-space-of-one-episode type. Details get carried over. There are long story-arcs. There are things happening all the time. Everything has a reason. You see an insignificant detail in season 1, suddenly it is explained in season 3 as being very relevant for reasons you didn't even know about back in the first season.
If there is one stumbling block for B5, I would have to say that some of the computer-generated images (CGI) are not always up to standard. This is especially true of planet surfaces, in particular Mars. But that's quibbling. The key to good science-fiction is believability. The characters have to act as if the basic premise of the series is perfectly normal to them. That's what makes it work. That's why in the original series of Star Trek, Gene Roddenberry made a point of not explaining the workings of anything. For example, Captain Kirk picks up a phaser and fires it without stopping to explain what it was or what it did - after all, in a contemporary series, nobody goes out of their way to say how a gun. We know how it works - so by watching Kirk fire his phaser, we understand implicitly that it is a weapon. The same principle applies in B5 - although to a lesser degree.
Moving on to the acting - this show was blessed with some wonderful people. In particular, Mira Furlan as Delenn is worth watching; she is possessed of a presence and an aura most actors can only dream of. She is one of those people that when she is speaking, becomes the absolute centre of attention without really trying. Also, as stated above, I am a fan of Cmdr Sinclair - and I think Michael O'Hare's portrayal of him is wonderfully underplayed. It would have been so easy just to play him as an action-hero, but no. I really do miss that character. Another favourite would have to be Stephen Furst as Vir - DS9 fans just think Rom, and you're halfway there. Not to mention the "odd couple" of Peter Jurasik (Londo) and Andreas Katsulas (G'Kar) - wonderful.
Actually, that's another point - the aliens. The aliens in B5 are more real than the aliens in Star Trek. Their agendas are much better fleshed out. We understand the whys and wherefores much more than the stereotypes of so many Star Trek races (and remember I'm a longterm Star Trek fan). To use Trek parallels, the Minbari are like the Vulcans and Bajorans combined in temperament, the Centauri are probably most comparable to the Cardassians, and the Narns, well, I'd say Klingons, but that's selling them short. Klingon-Bajoran, perhaps. Any hardcore B5 fans offended by those descriptions - sorry, I'm just using them as guidelines to the uninitiated Trek fans. These B5 races are much more real, less stereotyped. (Although the less said about the Drazi, the better!) To summarise, then - I think this is the best sci-fi since Original Star Trek. Watch this show! Star Trek fans will not be disappointed!
Le saviez-vous
- AnecdotesWhen Stephen Furst went in to audition for Vir, he saw that everyone else in the waiting room had done their hair up into a Centauri crest; he was the only person without one. In a blind panic, he went to the bathroom and tried to use liquid soap to create a crest. When his name was called, he stumbled in, with a disheveled, lopsided crest, eyes tearing up from liquid soap running into them. He began to apologize profusely, stammering with run-on sentences. Series show runner J. Michael Straczynski and the producers looked at each other, declared "Oh my God, it's Vir!", and offered him the role on the spot.
- GaffesMultiple people state that the Vorlon's quarters contain a lethal combination of gases that would kill humans. However, no one decontaminates or changes their uniform immediately after they leave. No one even wears gloves inside, even though toxic gases could settle upon their skin, or be absorbed through it.
These gases would kill humans (or other species) *if breathed*. Not simply by exposing the skin to them.
- Citations
Mr. Morden: What do YOU want?
Ambassador Vir Cotto: I'd like to live just long enough to be there when they cut off your head and stick it on a pike as a warning to the next ten generations that some favors come with too high a price. I want to look up into your lifeless eyes and wave like this.
[waves]
Ambassador Vir Cotto: Can you and your associates arrange that for me, Mr. Morden?
- Crédits fousAs the credits roll in "Atonement" Jason Carter "Marcus" is singing Gilbert and Sullivan's "I am the very model of a Modern Major General."
- Versions alternativesThe Region 1 DVDs are cropped to Widescreen with fuzzy CGI effects as well as some redone narration and alternate theme song openings for select episodes.
- ConnexionsFeatured in Computer Chronicles: Data Storage Solutions (1998)