The Color of Love

Take Save The Last Dance minus the dance and do a role reversal and you get ZebraHead. This movie which touches on interracial dating was one of the best little seen films of 1992. Micheal Rappot as Zack proved his leading man stauts at early age in this powerful film. I think if the film were released today it'd be just as powerful. If you haven't seen it you should.

A well-intentioned and rather interesting study into condemnation and the culture of the youth in the 1990s, there is however little that is done with the material. Too much time is spent on showing why the relationship is not approved, and the film spends too little time showing how and why the relationship has resulted. The film has some important things to say in terms of prejudices in society, but, it never manages to present them in a way so that they do not seem hackneyed. Either way, some fine acting - from both the leads in particular - solidifies the movie when the other elements do not suffice.

I love this movie. Really, really love it. I went to a school like this with kids like these. I went home to a house like that. I was in the cafeteria the day a racially-charged situation almost went to critical mass, and I was part of a group discussion the following week, in which nothing was resolved.

Which is what I like most about this movie. It doesn't end with everyone singing. Or dancing, or marching towards the camera, or anything like that. The goomba and the Spike Lee guy duke it out while the Asian girl despairs (as I did), and the white guy and black girl embrace each other hopelessly. That is life. Some differences will never be resolved, and the best you can hope for is that *some* people will reach each other. I was praying all along that this would not have some pat ending that could never have happened at my school, and I was rewarded. There are no resolutions, just moments.

'Zebrahead' is an excellent, little known movie that manages to realistically portray racial issues in a contemporary teen movie without being saccharine or too preachy. Michael Rapaport, best known for playing supporting roles of losers in movies like 'True Romance', 'Cop Land' and 'Kiss Of Death', is given a strong leading role here and does very well with it. Surprisingly it was his movie debut and he rarely been given a part as good as this since. N'Bushe Wright, best known for 'Blade', is also excellent as his love interest Nikki, and the late Ray Sharkey ('Who'll Stop The Rain?') is first rate as his womanizing father. The rest of the supporting cast, mostly all young and unknown, are all very good, and the strange cameo by Kevin Corrigan ('Bandwagon', 'Buffalo '66') is unexplained but fascinating. Writer/director Anthony Drazan went on to make the equally overlooked 'Imaginary Crimes' and 'Hurlyburly'. All three movies deserve a lot more attention.

The performances in the film are terrific. From Mike Rappaport to new-comer N'Bushe Wright, this little sleeper hit is sure to appeal to all genders, races, ages, etc. The message in the movie is the most important part of all. I wish I could see some more of Ray Sharkey's work, he is most impressive.