Waterland

Jeremy Irons, everybody's favorite morose Englishman, plays a high school teacher who basically has a nervous breakdown (more like a meltdown) in class; and over the course of several class sessions, tells his pupils his own life story, growing up in rural England in the post-war years. This includes his high school sweetheart, to whom he is married, and his mentally retarded older brother.

The movie consistently takes turns for the weird. The teacher's wife has a habit of snatching unattended babies and bringing them home; we learn that she is unable to have children, but the reason for this is not revealed until a climactic scene that some viewers may find very difficult and painful to watch.

The teacher actually brings his students, physically, into the setting of the story at one point ... there they are, walking around, looking at things... a class field trip into the teacher's past. A very young Ethan Hawke plays a troublesome student who connects with Jereme's character by the end of the story.

Most of the surrealistic elements work well, others are just ... odd. For example, at one point, Jeremy Irons' character pauses in the middle of his narrative, because one of his female students who is sitting at a desk in the classroom is completely naked. Okay ... maybe there was supposed to be some kind of symbolism behind this image, but it seemed a little gratuitous.

Overall, I'd have to give it **** of *****.

This is a dark brooding movie that hooked me the first time I saw it. I've enjoyed watching it a number of times ever since.

Jeremy Irons is, as Leonard Matlin indicates in his review, superb in his role. There's a great deal of darkness and certainly some degree of socially deviant behavior in the film. But it's very much the darkness that provides the drama and meaning to the story.

It's a beautifully photographed film. I thought Lena Headey was quite good in addition to being stunning. Sinead Cusack and all of the supporting cast were quite good. It is an eccentric film, but I believe it comes through as a very fine piece of film making.

It strikes me as being very underrated by the users' ratings. This is probably due in the main to the darkness of the film and its most definite lack of Hollywood style optimism. The lower ratings might also be due to what might be interpreted as a conservative message. I am not a political conservative--God forbid! However, the message that there can be unforeseen and terrible consequences from our actions is something that all of us could well profit from. Very fine movie, but certainly not for those that dislike "the bad taste of things"--or the tragedies of life.

A wondrous journey into a dark and troubled mind. Jeremy Irons is in his prime acting form here, as a teacher. Here he tries to enlighten his students with brooding flashbacks of his troubled teen life. The director also allows the students to interact with the flashbacks creating a dreamy, wondrous gloss over some very disturbing imagery. If you loved the Cell and Seven than this may have been one you missed. A must see.

Jeremy Irons,in another in a long line of outstanding performances, plays a high school history teacher who becomes as disillusioned as his students with dry facts and figures and takes them on a field trip though his mind as he relates his own personal family history to them.This is a fascinating,thought provoking film.At one point,fellow teacher John Heard asks him what to tell parents who want to know why their kids should be learning history if it isn't going to help them get a good job when they graduate.The answer to this question is the main reason why parents should stick to parenting and teachers to teaching.Great music score and excellent cinematography,this film is a rewarding experience.

On second viewing, "Waterland" is even darker than when we watched it when it was first released. The tragedy of Tom and Mary suffered during their youth comes back to haunt them in later years, as it's always the case in matters such as these. Of course, we don't know the mystery until it's revealed at the end, but there are indications that point out what looms ahead for these lovers.

Stephen Gyllenhaal, the director, has worked out the difficulty posed by a narrative that expands many years into blending history, as it happened, with today's reality as Tom, who is an older man now, recounts his youth to the history class he teaches in Pittsburgh.

The film has some lovely flashbacks shot in that part of England that doesn't seem to change. The early part of the story is marked by two tragedies, first the drowning of Dick, and by what fate has in store for Mary. We also learn about the secret story of Tom's unhappy family, as it enfolds when he tells it to the students. It all comes about because of Matthew Price challenges Mr. Crick when he asks the teacher about the practicality of learning history.

Jeremy Irons is perfect as the man who carries a burden he cannot get rid of. Sinead Cusack has a small but pivotal part in the story, as the grown Mary. Actually, the ones that fare best in the film are Grant Warnock and Lena Headey, who portray the younger Tom and Mary and give good performances. A young Ethan Hawke plays the inquisitive Matthew Price. David Morrissey, who is seen as Dick Crick, has some good moments. Pete Postlethwaite is wasted. There is a glimpse of Maggie Gyllenhaal at the beginning of the film, but alas, that is all one sees of her.

The haunting musical score by Carter Burwell and the dark cinematography of Robert Elswit contribute to give the film the right look that Mr. Gillenhaal wanted for the finished product, no doubt. "Waterland" should have been seen by more people.