Ajouter une intrigue dans votre langueA police detective investigates the murder of a man found dismembered in a washing machine and is drawn into a web of deceit and murder by the dead man's lover, Vida, and her two sisters, Si... Tout lireA police detective investigates the murder of a man found dismembered in a washing machine and is drawn into a web of deceit and murder by the dead man's lover, Vida, and her two sisters, Sissy and Ludmilla.A police detective investigates the murder of a man found dismembered in a washing machine and is drawn into a web of deceit and murder by the dead man's lover, Vida, and her two sisters, Sissy and Ludmilla.
- Réalisation
- Scénario
- Casting principal
Katarzyna Figura
- Vida Kolba
- (as Kashia Figura)
Ágnes Dávid
- Female Orchestra Singer
- (as Ági Dávid)
Ruggero Deodato
- Nosy Neighbor
- (non crédité)
Avis à la une
I wasn't expecting too much from this movie-this is surely no "Cannibal Holocaust",but a decent erotic thriller from infamous Ruggero Deodato.It's very well-made,atmospheric and it has some really sensual sex scenes.The acting is pretty good(Polish actress Katarzyna Figura shines here as one of three sisters)and there's an unexpected and rather gross dismemberment scene which reminds me brilliant "Cannibal Holocaust".My evaluation:7 out of 10.Recommended!
A fine little film from cult director Ruggero Deodato, not one of his personal favourites but one of the few you can see in the UK uncut. It is certainly worth watching, most people think of CANNIBAL HOLOCAUST when the name Deodato is mentioned, which is a shame because he has directed some very entertaining films and this is one of them. If you like erotic thrillers then this is for you, if you just like to be entertained then this is also for you.
I recently watched Umberto Lenzi's TV movie House of Lost Souls, in which a boy is decapitated by a a possessed washing machine. Knowing nothing about Ruggero Deodato's The Washing Machine, I half expected a film full of such appliance-based craziness, but was surprised by a distinct lack of killer kitchen equipment. The washing machine in this late giallo from the director of Cannibal Holocaust remains lifeless and doesn't kill anyone; it is merely the receptacle for the dismembered body of a murdered man. Or is it?
Inspector Alexander Stacev (Philippe Caroit) is called to investigate the suspected murder of pimp Yuri Petkov (Yorgo Voyagis), as reported by luscious lush Ludmilla Kolba (Barbara Ricci), who claims that she saw the man's gory remains stashed in the washing machine in the apartment that she shares with her two sisters, buxom call-girl Vida (Katarzyna Figura) and seductive cutie Maria (Ilaria Borrelli). Of course, by the time Stacev arrives at the girls' home, the body has disappeared, leaving the cop to believe that Ludmilla imagined everything, the hallucinations of an alcoholic. Ludmilla continues to press the cop to investigate, and not one to say no to a beautiful woman (or three), he does so, his police procedure involving having sex with all three Kolba sisters (not at the same time - he's not THAT lucky!).
Often, when a giallo goes down the sleazy route, there's some indication of the sordid content in the title: Strip Nude For Your Killer, Naked You Die, Perversion Story, French Sex Murders... you get the idea. Not so here... hidden behind a misleadingly innocuous title lies an endless procession of semi-clothed or naked babes, Deodato filling the screen with as much tempting female flesh as possible: barely a minute goes by without some kind of gratuitous nudity, whether it be from the three sisters, or one of the random strippers that plug the gaps. The film's twisty-turny plot is fairly routine for the genre, and there are no elaborately staged death scenes, so it's a real bonus that there's so much top-notch Italian totty on display, the raunchiness really helping to hold one's interest.
Towards the end of the film, Deodato throws in a wonderfully messy scene in which Vida hacks away at a mutilated corpse, shoving her hand inside to pull out its organs, which will go some way to satisfying gore-hounds, but this film is all about the sexiness, and in that it definitely succeeds.
7/10. Take it for a spin!
Inspector Alexander Stacev (Philippe Caroit) is called to investigate the suspected murder of pimp Yuri Petkov (Yorgo Voyagis), as reported by luscious lush Ludmilla Kolba (Barbara Ricci), who claims that she saw the man's gory remains stashed in the washing machine in the apartment that she shares with her two sisters, buxom call-girl Vida (Katarzyna Figura) and seductive cutie Maria (Ilaria Borrelli). Of course, by the time Stacev arrives at the girls' home, the body has disappeared, leaving the cop to believe that Ludmilla imagined everything, the hallucinations of an alcoholic. Ludmilla continues to press the cop to investigate, and not one to say no to a beautiful woman (or three), he does so, his police procedure involving having sex with all three Kolba sisters (not at the same time - he's not THAT lucky!).
Often, when a giallo goes down the sleazy route, there's some indication of the sordid content in the title: Strip Nude For Your Killer, Naked You Die, Perversion Story, French Sex Murders... you get the idea. Not so here... hidden behind a misleadingly innocuous title lies an endless procession of semi-clothed or naked babes, Deodato filling the screen with as much tempting female flesh as possible: barely a minute goes by without some kind of gratuitous nudity, whether it be from the three sisters, or one of the random strippers that plug the gaps. The film's twisty-turny plot is fairly routine for the genre, and there are no elaborately staged death scenes, so it's a real bonus that there's so much top-notch Italian totty on display, the raunchiness really helping to hold one's interest.
Towards the end of the film, Deodato throws in a wonderfully messy scene in which Vida hacks away at a mutilated corpse, shoving her hand inside to pull out its organs, which will go some way to satisfying gore-hounds, but this film is all about the sexiness, and in that it definitely succeeds.
7/10. Take it for a spin!
Despite an incredibly stupid English language title ("The Washing Machine"), this is a real return to form both for the Italian giallo genre and for infamous Italian director Ruggiero Deodato. Ironically, Deodato never really directed too many giallo back in their 70's heyday. (He was either making nihilistic Third World cannibal films or being put on trial in Italy or other places for making nihilistic Third World cannibal films). In the late 1980's and 1990's, however, he made two fairly decent ones in a row(after "Stagefright" and "Opera" probably the best two of that period), "Off Balance" in the late 80's and this one a few years later.
This movie is about a cop who is trying to find out which of three sexy prostitute-sisters (a very aggressive one, a deceptively shy one, and a mysterious one in between) was responsible for killing their thuggish pimp. This naturally involves him having sex with all three. The end is not entirely unexpected, but enjoyable nevertheless.
Like Fulci's movie "Aenigma" made a few years earlier this was filmed in Eastern Europe after the fall of the Iron Curtain, obviously in an attempt by the declining Italian film industry to open up new markets, and more importantly, to save money. Unlike with the Fulci film though, the unknown Eastern European actresses here are not only very sexy, but also pretty good (especially the one playing the middle sister). Mostly though it's Deodato's effective directorial style that really does the job. The movie has enough sex in it that it could be mistaken for one of the multitude of "erotic thrillers" that were big at the time (after the success of the Hollywood thriller "Basic Instinct"), but this movie is actually GOOD,and deserves to be included more as a late entry in the vastly superior giallo genre. Anyway, if you like decent gialli, or are willing to see an "erotic thriller" that DOESN'T mightily suck, be sure to see this one.
This movie is about a cop who is trying to find out which of three sexy prostitute-sisters (a very aggressive one, a deceptively shy one, and a mysterious one in between) was responsible for killing their thuggish pimp. This naturally involves him having sex with all three. The end is not entirely unexpected, but enjoyable nevertheless.
Like Fulci's movie "Aenigma" made a few years earlier this was filmed in Eastern Europe after the fall of the Iron Curtain, obviously in an attempt by the declining Italian film industry to open up new markets, and more importantly, to save money. Unlike with the Fulci film though, the unknown Eastern European actresses here are not only very sexy, but also pretty good (especially the one playing the middle sister). Mostly though it's Deodato's effective directorial style that really does the job. The movie has enough sex in it that it could be mistaken for one of the multitude of "erotic thrillers" that were big at the time (after the success of the Hollywood thriller "Basic Instinct"), but this movie is actually GOOD,and deserves to be included more as a late entry in the vastly superior giallo genre. Anyway, if you like decent gialli, or are willing to see an "erotic thriller" that DOESN'T mightily suck, be sure to see this one.
Utterly demented thriller (giallo?) about three twisted sisters that fall for the same type of men and use their washing machine as a killer device. Police inspector Alexander Stacev is bound to go nuts as all three sisters turn out professional liars and dedicated to get him in bed. It's hard to believe that this light-headed, almost comical horror cheapie was directed by Ruggero Deodato, creator of notorious Italian gut-munchers like "Cannibal Holocaust" and "Last Cannibal World". Judging by the ludicrous premise and absurd story-twists, Deodato must have been suffering from an identity crisis, or something! There's more gratuitous sex and nudity in "The Washing Machine" than in the average Shannon Tweed TV-thriller, but the actresses are bustier (especially the Polish Kashia Figura) AND there's splatter, too! What more could you possibly wish for? A terrific musical score, perhaps? There's that too!
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