Quand l'enquêteur devient suspect, certaines règles doivent être brisées Liam Neeson dans l'un de ses roles les plus remarqués, récompensé par le prix du meilleur acteur lors du festival du ... Tout lireQuand l'enquêteur devient suspect, certaines règles doivent être brisées Liam Neeson dans l'un de ses roles les plus remarqués, récompensé par le prix du meilleur acteur lors du festival du film policier de Cognac.Quand l'enquêteur devient suspect, certaines règles doivent être brisées Liam Neeson dans l'un de ses roles les plus remarqués, récompensé par le prix du meilleur acteur lors du festival du film policier de Cognac.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Avis à la une
Liam Neeson is so likable, a tall hulking actor, he seems to loom over whatever scene he appears in. And what a face! His skull seems to have no glabella whatever, his nose droops down out of the middle of his forehead, and yet he's handsome too, in a plain, masculine way, kind of like Spencer Tracy -- no glamor boy, but easy to look at. His voice too is appealing, with its Irish grace notes. And he can act too! Unlike so many brutishly big action stars, this guy can project a smelly sweaty fear, and do it without seeming ridiculous or seeming any weaker than the rest of us would be.
Laura San Giacomo is an apt mismatch for Neeson. Here, in this tale set in 1959, her face is wide and her expressive eyes long and thin. She wears so much makeup she's funereally pale and her Chinese red lip rouge suggests a figure from a Dracula movie. She's tiny standing next to Neeson. His presence makes her look even more elfin, as if he could crunch one of her long bones in his fist. She has a smooth and seductive voice that doesn't sound quite believable. It's hard to forget she's acting. But it doesn't detract from her attractivness. She seems never to have found her proper niche in films; neither, for that matter, has Neeson. They both deserve better than they've gotten, with some exceptions.
The plot is about a couple of murders, a near hanging, a strained friendship, a love affair or two, shots ring out, you're not supposed to carry an unlicensed gun in Britain, can I really trust him/her?, and all together has more twists to it than a corkscrew. Towards the end there is an execution scene that is very crudely done but intensely gripping all the same. (The crosscuts are dizzying.)
I won't give away the ending. Ordinarily the resolution of the plot isn't really as important as what's led up to it, but in this case the end is the best part of the film, or at least the most surprising.
Watching this movie wasn't a waste of time. But, Great Merciful Heavens, I'll never go to Brighton on holiday.
Actually, that twist is something you have to ponder to determine whether it makes sense. I am not sure it did. You'd have to watch this again soon and check on a few things. It's either very clever or its totally unfair to the viewer, which is why I kept it at an '8."
It's nicely photographed and I bet it looks much better on a widescreen DVD than on the tape I viewed it on in the '90s. Liam Neeson and Laura San Giacomo star. I was familiar with the latter from the film, "Quigley Down Under." She's much more appealing in that film than this one. Neeson is almost always interesting to watch.
The plot is definitely this film's main strongpoint, and it is carried off well. Director Simon Moore does a good job of getting his audience interested in the characters, which allows him to weave the simple, but twisted tale. Liam Neeson won some award for his portrayal of the central character, and it is a really good performance. This sort of role can often be difficult for actors to play because the character is essentially scum, but we do feel for him; and this is thanks to the charismatic and warm performance. The ensemble cast is rather impressive and, as mentioned, many British viewers will recognise a lot of faces. The mystery is constantly intriguing and we are made to wonder who has committed the crimes. It does have to be said that the final third of the movie not as interesting as the first two; but all in all, this is a well worked and interesting little thriller that is rounded off by a strong ending. I wouldn't recommend anyone goes out of their way to see this film; but it's certainly worth a look if you do find a copy.
Le saviez-vous
- AnecdotesPatrick Bergin dropped out playing the male lead due to creative differences. Liam Neeson was eventually cast in his place.
- GaffesSet in the late 1950s, a pair of 1980s British Telecom phone booths are visible immediately after the opening sequence as Tony Aaron steps out of his car.
- Citations
Tony Aaron: Why did you stay with him, with Stasio? If he was so awful, why did you stay with him? Huh?
Angeline: Can't believe you're cross-examing me while we're making love.
- Bandes originalesCHRISTMAS ISLAND
Performed by Dickie Valentine (as Dicky Valentine)
By courtesy of The Decca Record Company Ltd
Written by Lyle Moraine
Copyright Northern Music Company
Licensed by MCA Music Publishing
Meilleurs choix
- How long is Under Suspicion?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Faute de preuve
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 221 295 $US
- Week-end de sortie aux États-Unis et au Canada
- 47 349 $US
- 1 mars 1992
- Montant brut mondial
- 221 295 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1